IB 71MovieReview: Actors Anupam Kher, Vidyut Jamwal, Dalip Tahil, and Vishal Jethwa starrer film IB71 has been released. Know how is this film, what is special in it, and see it or not?
Movie: IB 71
Director: Sankalp
Star Cast: Anupam Kher, Vidyut Jammwal, Dalip Tahil, and Vishal Jethwa
IB 71 Movie Story:
The story of the film IB 71 was cleared with its trailer itself. Pakistan is trying to attack India and the Indian Intelligence Bureau team has got a plan to stop it. In such a situation, Dev (Vidyut Jammwal) plans to stop Pakistan with the help of his senior Anupam Kher.
Dev goes to Pakistan with some agents and for this, he takes the help of terrorist Kasim Qureshi (Vishal Jethwa), or in other words he fools him with his cunning mind. Now whether this operation of Dev is successful or not, what problems he has to face, and how he tries to complete this mission. This is the story of the film IB 71.
IB 71
IB 71 Movie Analysis:
The film IB 71 is a film inspired by true events, so much change in its script was not possible, but what is there could have been shown better. The coloring of the film is good and maintains the texture of the 70s, while the action of the film is good, but the credit goes to Vidyut, although he looks tall at times.
Had there been more effort into the scripting of the film, it would have been more fun. Even after being a film of about 119 minutes, it looks stretched in many places. The dialogues of the film are very weak and there is not even a single feeling of patriotism in the entire film. At the same time, background music also does not work to tighten the film.
IB 71 Movie Actors Performance:
Although the whole film revolves around Vidyut Jammwal, his acting does not seem to impress. Vidyut is a master of action, but the finer points of acting are yet to be learned. Vishal Jethwa is the real life of the film and his performance alone seems to be able to keep you hooked a little bit.
Vishal makes you laugh as well as scares you. After Vishal, Anupam Kher and Dalip Tahil are also seen doing justice to the character. On the other hand, the work of other character actors is also fine but does not impress much. The film is directed by Sankalp and his direction also proves to be lackluster.
Watch or not: Overall, it can be said that this film can be seen for the feeling of patriotism, but as a cinema, there is nothing in it that you will miss if you do not watch it. Even before this, many spy thriller films have been made, which have been very good. Where Indian agents have done wonders by going to Pakistani soil.
Akkineni Naga Chaitanya‘s career, which is booming with a series of super hits, is like a speed breaker for the film ‘Thank You’. This movie turned out to be the biggest disaster flop in his career, and this movie failed to collect at least four crore rupees per share collection. After such a big disaster, Naga Chaitanya started the movie ‘Custody‘ with top Tamil director Venkat Prabhu.
Venkat Prabhu is on good momentum recently with a super hit like ‘Manadu’. So Akkineni fans have good expectations about this movie. As per the expectations, the teaser and the trailer are also impressive. Let’s see if this movie which has been released grandly today has met those expectations or not.
Custody Movie Story:
Shiva (Naga Chaitanya) is an honest constable. He is a person who thinks that every aspect of the law should be strictly followed. He thinks that not a single mistake should happen while he is on duty. Also in his personal life, he loves a girl named Revathi (Kriti Shetty) and wants to marry her and live peacefully.
But one day while on duty, Shiva comes to know that the criminal Rajanna (Arvind Swamy) is going to be killed at the Sakhineti Palli Police Station. Knowing that this is a legal offense, Shiva decides to take him and present him in court. In the meantime, he wants to marry his girlfriend Revathi at home. At that time, along with Rajanna, Shiva also takes Revathi. You have to watch the movie to know what happened after that.
Custody
Custody Movie Analysis:
Director Venkat Prabhu, as usual, has tried to make this film by keeping an interesting point. But it seems that he is a little bit confused in terms of screenplay. The cutting scenes in the film will test the audience’s patience. The reason for that is the lack of production values.
After watching this film, you will understand that the producer is not sparing. Although the beginning is slow, it picks up speed with the entry of Arvind Swamy and Sarath Kumar. Venkat Prabhu also set a good interval. But he annoyed the audience with routine scenes in the second half.
Custody Movie Actors Performance:
Naga Chaitanya acted very well in the role of Shiva, he has always tried to make himself seem like a mass hero, but in this case, they succeeded. What is special about Aravinda Swamy is that he showed his villainy in the movie Dhruva and acted in the same range in this one. Sarath Kumar’s character is also good.
It has to be said that heroine Kriti Shetty’s most important role after ‘Uppena’ is in this movie. If there is any major minus of this movie, it is the music. Yuvan Shankar Raja and Ilaya Raja both worked on this movie. Only a few songs go well and the background music is also in the same range. No one would have expected such an output from these two.
Custody
Last word:
It is not a Venkat Prabhu range movie, but the audience who likes action thriller movies can watch it at the same time.
RamabanamMovieReview: Gopichand is a hero who is doing films with a fixed market regardless of success. His last movie ‘Pakka Commercial’ was a disappointment. With this, he came to the audience with the family genre that he liked and Srivas, the director who gave two super hits. He expressed confidence in the campaign that if family films are made in an attractive way, the audience will support them and Rama Banam will definitely be a success. And to what extent was that belief true? How is Rambanam?
Ramabanam Movie Story:
Rajaram (Jagapathi Babu) and his wife Bhuvaneshwari (Khushboo) run an organic hotel in a village called Raghudeva Puram. His younger brother is Vicky (Gopichand). As a child, Vicky runs away from the village after quarreling with his elder brother. Grows up as a big don in Kolkata. There he falls in love with Bhairavi (Dimple Hayati).
Ramabanam
But her father (Sachin Khedkar) puts a condition that he will marry Bhairavi only if there is a family. Vicky comes to Anna after 14 years. But because of businessman GK (Tarun Arora) Anna gets to know that there is a problem. How did Vicky solve this problem? Does Rajaram know that the younger brother is Dan? To know all these things, you have to watch ‘Rama Banam’.
Rama Banam Movie Analysis:
We are not new to the formulaic stories of the hero who left home sometime as a child and comes back to solve the family problems. We have been seeing similar stories since the time of NTR and ANR. Successes are also happening every time connected. Gopichand and Srivas combo who hit two consecutive hits with target and Laukyam also believed in this formula for hat-trick success. But the treatment along with the formula is old which made ‘Ramabanam’ miss its target.
When there was a fight at home, the hero ran away, he went to Kolkata and became a big dog, and then the heroine’s entry. It is a big relief to explain how they fell in love in one song without putting a special love track between the hero and heroine. The comedy scenes did not explode at all. Interval Bang is very powerful. Gullo fight, followed by a warning to the villain… these scenes give a good high.
After the first half, the second half will be equally routine. The cat-and-mouse game between hero and villain is not interesting at all. Goes very smoothly. The placement of songs also affects the flow of the story. The emotional scene before the pre-climax and the climactic action fight that follows is impressive. But it was already too late. But Gopichand fans who come to the theaters for the action scenes will not be disappointed at all.
Ramabanam
Ramabanam Movie Actors Performance:
Gopichand is not new to doing such roles. His looks are impressive. Dimple Hayati, who appeared in the role of Bhairavi, did not have much scope to act. Jagapathi Babu acted well in the role of Gopichand. Jagapathi Babu and Khushboo have good emotions in their roles. Nazar and Tarun Arora played villain roles. All the other actors acted according to the scope of the roles.
Overall… Gopichand and Srivas combination missed the hat trick. For those who think only action scenes are good enough, Gopichand’s hard core fans can give it a look.
The Kerala StoryMovieReview: There comes a point in the story of ‘The Kerala Story’ when the people involved in pushing the girls who have come to become nurses toward terrorism, start feeding them medicine. This drug helps in brainwashing. The first thing that came to mind while coming out of the theater after watching the film was that we too should get this medicine so that we can watch ‘The Kerala Story’ till the very end while sitting in the theatre. If it is said that this film will also work as that medicine for a class, then it will not be wrong!
There has already been a lot of controversy on ‘The Kerala Story’ for telling the story of three girls, the story of ’32 thousand’ girls. But the biggest sarcasm the makers themselves have done on their own film is that after telling the story of ’32 thousand girls’ from teaser to promotion, they wrote a line on the screen at the end of ‘The Kerala Story’.
That is, the makers got the figure of 30 thousand from a website. Now this website is missing from the internet. This makes the makers of ‘The Kerala Story’ want to dedicate one of the very popular memes of the internet world – ‘Aapko Saath Ek Chhota Cho Prank Hua Hai’!
It is a terrible incident for a girl who came to become a nurse to change her religion after being seduced, to get caught in the clutches of a dreaded terrorist organization like ISIS, and to support terrorist incidents. The girl with whom this has happened, first of all, needs to be treated with sensitivity as she herself has been duped in a systematic manner. But ‘The Kerala Story’ first of all seem to miss here.
The Kerala Story
The way director Sudipto Sen has treated the lead character of his story lacks compassion and sensitivity. Rather, the way she gets trapped in this religious conversion and terrorist clutches, makes you feel stupid about the lead character.
Shalini aka Fatima Baa seems to be a character sketch of a girl who does not have an iota of knowledge about her or other religions, even in today’s India, when teenagers are talking about religion on social media. Nor is there any kind of social awareness in him. While watching ‘The Kerala Story’, there comes a time when Shalini’s character begins to believe such things about her friend who is spreading religious hatred that she wants to ask her – ‘Kaun Gola se aayi ho?’
The Kerala Story Movie Story:
‘The Kerala Story’ tells the story of three girls Shalini, Neema, and Gitanjali, who have come to a college away from their home to become nurses. Here he meets Asifa, who is a fundamentalist and gradually it comes to light that she also works to recruit girls for ISIS. With the help of her companions, she starts provoking all three to change their religion. Among the three girls, Shalini is the first to get infatuated with Asifa.
He also falls in love with a friend of Asifa and the further story revolves around the fact that both of them agree to change their religion and get married. Shalini now becomes Fatima Baa. But there is a twist in the story and then Shalini, who has become Fatima, is seen reaching the Iraq-Syria border with her child. What happened and how it happened, ‘The Kerala Story’ is the story of this. Neema and Gitanjali do not reach ISIS directly like Shalini, but they have to bear the consequences in a very sad way right here in India.
The Kerala Story
The Kerala Story Movie Actors Performance:
The work of Ada Sharma, who is playing the lead role in the film, does not impress at all. There is a lack in the writing of her character, but Ada’s expressions and her reactions start getting irritating after some time. She is unable to hold her attention on the screen. In the role of Asifa, Sonia Balani has a typical devilish look on her face, while she had a lot to do in a negative role. The three boys who became Asifa’s friends in the supporting cast also fail to make an impact.
The Kerala Story Movie Direction:
The way Sudipto Sen has directed the story, instead of showing the tragic incidents that happened with a girl in a solid way, more emphasis is placed on criminalizing a particular religion. In places like Iraq, Syria, and Afghanistan, ‘The Kerala Story’ tries to apply the conservative and fundamentalist methods of this religion to the Indian context.
In a scene in the film, Asifa tells Shalini that in the mall where she was molested, all the women except her were completely covered. Here Asifa’s logic is that Shalini, Neema, and Geetanjali were molested in the mall because they were wearing a normal jeans-top. The thing to note is that this mall belongs to Kerala, not Iraq or Syria. Surely no one in India would have seen the way Asifa is saying about all the women in the mall being in burqa or hijab.
This kind of treatment makes the film just an agenda-based story. While the makers continued to say throughout the promotion of ‘The Kerala Story’ that this is the story of the incident with three girls. In such a situation, the focus of the story seems to promote religious hatred more than the story of the girls. And this is the biggest mistake of ‘The Kerala Story’.
‘The Kerala Story’ is the story of girls from a nursing college, but these characters are shown in the class only once in the entire film. All three were not shown in any kind of medical practice, on the contrary, sitting in their hostel room, they keep talking about religion all the time. This kind of treatment clearly shows the inclination of the makers that instead of making a film on a solid story, they are focusing more on promoting the agenda or gathering an audience for the film through controversy.
‘The Kerala Story’ somehow fails to hold the viewer’s attention on the screen.
UgramMovieReview: It is known that Allari Naresh, who gained a good name as a comedy hero, has now changed his route and is doing serious genre films with content. With the movie ‘Nandi’, director Vijay Kanakamedhala showed Allari Naresh in a new way, and the movie became a big commercial success as the audience also became a target of thrill.
Now again he tried to show Allari Naresh in an angry form. From the teaser and the trailer itself, this film seems to be a thriller genre film with good intensity. The audience was shocked to see Allari Naresh in the action scenes. Today this film has been released worldwide. Now let’s see in this review whether this movie met the expectations of the audience or not.
Ugram
Ugram Movie Story:
CI Siva Kumar is an honest powerful police officer in Warangal city. He solves any difficult case very easily. Aparna (Mirna Menon) enters Shiva Kumar’s life. Shiva falls in love with her at first sight, and Aparna also loves Shiva. She opposes her father and marries Shiva. Thus she continues a very happy married life with Shiva for 5 years and gives birth to a child.
But one day, while going out with Shiva, an accident happens to the whole family. In this accident, Shiva loses his memory, and his wife and child go missing. Not only his wife and child, but many people in the city also go missing. What are the challenges faced by Shiva in the process of finding them and bringing them back?
Ugram Movie Analysis:
Director Vijay Kanakamedhala has made sure that the movie is interesting from the very beginning. But such movies should not be added with emotions and shouts. The screenplay should be written so that the flow continues. Even if it is not necessary for cinematic freedom, if commercial elements are added, the content of the movie will be damaged. This is the mistake made by Director Vijay.
In the past, he made this film with Allari Naresh, ‘Nandi’, taking into consideration similar aspects and shooting this film very carefully. The result was also amazing. The storyline is very good, and some scenes are thrilling, but the film would have been different if cinematic liberty had been taken aside.
Ugram
Allari Naresh as an ACP Sivakumar does a great job and it must be said that he shows his universal form in the action sequences. But his looks are not right in some shots. The fights are very well done, everyone must feel while watching this movie whether the original Allari Naresh has so much mass.
He did it in that range and Mirna Menon who played the heroine also seemed to be okay. The cinematography is good and Sunshine company also made this movie without compromising on the quality. If the excessive fight scenes and unnecessary sentimental scenes were removed, this movie would have been a big blockbuster in the summer.
Ugram Movie Actors Performance:
Allari Naresh entertained the audience in police roles. His transformation for the film is impressive. No one remembers his comedy angle of him when he is convinced and acted in this role. Allari Naresh’s body language and expressions are very good in this. Amapuna acted well as Naresh’s wife. It can be said that Indraja in the role of the doctor is also impressed by the other actors.
Last word:
On the whole ‘Ugram’ can be said to be an average cop thriller. You can see once for Allari Naresh.
Guardians of the Galaxy 3 is the latest, highly anticipated chapter in the adventures of Marvel heroes. In cinemas on May 5, 2023, directed by James Gunn, starring Chris Pratt, Zoe Saldaña, Dave Bautista, and many others.
Fasten your seatbelts, the 90s have arrived. No one dares to question the centrality of music in the thematic, narrative, and sentimental architecture of the trilogy; the fact that Guardians of the Galaxy: Vol 3 – written and directed by James Gunn and in cinemas on May 5, 2023, for The Walt Disney Company – begins with an acoustic version of Radiohead’s most famous piece, it is from 1992 and is called Creep, shows us how much the film’s emotional center of gravity has progressively moved towards more mature and introspective territories.
Guardians of The Galaxy Vol. 3
In fact, for everyone involved in the project, the super cast includes Chris Pratt, Zoe Saldaña, Dave Bautista, Karen Gillan, Pom Klementieff, Sean Gunn, Chukwudi Iwuji, Sylvester Stallone, Elizabeth Debicki, Will Poulter and it just ends there for do not overload the mnemonic archives of the reader, they are not really great. It also applies to the voice actors, i.e. Bradley Cooper, Vin Diesel, and Maria Bakalova. Alternative rock is a nice word, but we must not forget that this is a Marvel film and there is a limit beyond which you cannot go when you go hunting for sophistication. Unless your name is James Gunn.
Explain the film by means of Radiohead. The almost grunge of Creep is a symbol of the 90s counterculture, of course, but Radiohead has never been just any band, rather the Beatles of alternative rock, just as the success of the song has never been a matter of niche and lucky few. Thom Yorke avoided singing it for years, giddy with a popularity he feared might lead him astray.
Fortunately, he changed his mind, but it is precisely in the contradictory nature of the piece, commercial and on the margins, that the ambition of Guardians of the Galaxy: Volume 3 is reflected. Complicating things, weighing down personalities, and deepening relationships, without forgetting color, feeling, and humor. The split personality: mainstream and alternative (again, within the limits of the Marvel universe) at the same time.
On balance, it works, which Marvel has to worry about a bit. Because as James Gunn does, the cinecomic, there are few. He now works for the competition, so that the film is loaded with another layer of melancholy. The long farewell of a director, a team of heroes, an imaginary. Will it really be like this?
Guardians of The Galaxy Vol. 3
Guardians of the Galaxy 3: it’s time for Rocket, while the Guardians have a bad quarter of an hour
Don’t ask what Guardians of the Galaxy: Volume 3 is about because the theme is pretty much the same as every commercial film made in the last 130 years. The family. The point is that the trilogy and the single chapter work decently on the subject, better than many others because James Gunn knows how to treat it right.
First of all, he chose an acquired family, not built on blood and the imponderable arbitrariness of circumstances; the Guardians are the family you choose, not the one you inherited, even if you inevitably have to deal with the latter anyway. Secondly, he understood that yes, it’s true, a successful family is one that knows how to harmonize differences.
The difference is the keyword. The Guardians are a very heterogeneous group, they have different histories, personalities, and abilities and it is ridiculous to think of making them one. Harmony here does not mean diluting the originality of the characters, nor exalting difference for the sake of difference. The magic, the harmony of a family at work, is the casual, providential interweaving of many different beats in a common will and feeling. Ironically, this happens already at the beginning of the film. For once, the Guardians are immediately on the same wavelength. Depressed.
Star-Lord, for earthlings Peter Quill (Chris Pratt,) drinks because Gamora (Zoe Saldaña) is back but she doesn’t remember him, she no longer feels anything and wants nothing to do with it. Gamora is a Ravager alongside Stakar Ogord (Sylvester Stallone) and she no longer hangs out with the Guardians. Nebula (Karen Gillan) has the usual bad temper, and Groot (in the original Vin Diesel) hones his oratory skills with obvious results.
Mantis (Pom Klementieff) tries to keep the team together but struggles, especially with a head as hard as Drax the Destroyer’s (Dave Bautista). Kraglin (Sean Gunn) argues with the dog, whose name is (the original voice is by Maria Bakalova). The place where the characters are stranded is called Knowhere and it’s all a program. A bad quarter of an hour for everyone, especially for the real protagonist of the film. Rocket (Bradley Cooper).
Guardians of The Galaxy Vol. 3
Rocket isn’t feeling so well. Literally, a victim of the brutal ambush hatched against him by Adam Warlock (Will Poulter) – welcome to the Marvel universe – committed by “mother” Ayesha (Elizabeth Debicki) on behalf of the High Evolutionary (Chukwudi Iwuji), a debauched intergalactic fascist who through a reckless work of genetic manipulation pursues the dream of a perfect society, light years away from chaos, corruption, and imperfection.
He called it Controterra, his delusional and defective fantasy. Rocket knows her well because he grew up alongside the Evolutionary. A good part of Guardians of the Galaxy: Volume 3 is dedicated to the reconstruction of the traumatic (understatement) childhood of the talking raccoon. To reveal traumas, regrets, and excruciating pain. And shed light on the reason for an adorable but bristly character, not always welcoming.
Rocket is the tip of the balance of the film. Saving him, protecting him from the dark aims of the High Evolutionary, and rebuilding a strong sense of family even in the face of death, pain, and the trauma of abandonment is the heart of the story. The important thing is to find a way to laugh even in the darkest hour. Fortunately, James Gunn hasn’t forgotten that his cinecomic travels on colorful and positive vibes. Also on a lot of beautiful music.
James Gunn’s sense for the cinecomic
It really feels like saying goodbye to a band you really loved; melancholy, warmth, and at the same time the impression that the conversation stopped at the right moment. The Guardians are the quintessential Marvel Cinematic Universe, for many reasons. Because their lateral, non-mainstream nature made them perfect characters to experiment with a different approach to comic book storytelling: popular heroes, of course, but Spider-Man is something else.
Which granted more leeway than heroes and narrative paths crushed by the weight of unwieldy expectations. The most striking thing about Guardians of the Galaxy: Volume 3 is the naturalness with which the film makes the most important dynamics and relationships adult and mature, without sacrificing a consolidated appeal made up of laughter, action, and lots of feeling.
An extended and very deranged family once again fights for what they believe in, with imperfect heroism that facilitates the viewer’s identification. This time the greatest test of love is letting go of the people you love, no matter how bad it may hurt, because it’s right. The end approaches.
James Gunn seems to really believe in the possibilities and rewards of the genre. Compared to the most prestigious visions of recent years, not only in the Marvel arena, from Sam Raimi to Ryan Coogler, from Christopher Nolan to James Mangold, his singular strength is a boundless devotion to the genre.
That is to say that James Gunn, unlike many illustrious colleagues, does not pour his poetics on superhero cinema, interpreting it as a passing stage within a wider path that embraces a thousand different stories, no, he lively incarnation. The first, authentic, cinecomic author in the history of American cinema.
He is the only one, for now, to have decoded the rules of the game to a very high level of approximation. A courageous and overall paying choice, in this third chapter, is to have deviated from general expectations from what would have been the most obvious course of action, the problematic relationship between Gamora and Star-Lord, preferring to focus on the dark, dark Rocket’s background.
Obviously, there is no authorial vision or artistic temperament that he holds, or at least can overcome the structural drawbacks of the Marvel product, that is to say, a general impression of pleasantness that prevents scratching the surface of things. In addition, the unusual density of the texture prevents total and guaranteed satisfaction at the end of the ride; that is to say that not everything is treated with the same attention and is of the same degree of effectiveness.
Marginal notes, in the context of a space adventure that plays with the past and present of the saga without contradicting itself, fueling more than one question mark about the future of the characters but never forgetting to entertain, in a warm and spontaneous way. Rarely, at this level, does a film have so much heart.
Heatis OnMovie Review: Movies in the suspense thriller genre are always interesting. It was in this sequence that the movie Heat came out. This movie has hit theaters today. The movie also hit theaters this Friday at a time of tough competition. And what is the story of this heat? How did the story go? Will people like the movie? Or? Let’s take a look at that.
Heat Movie Story:
Abhi (Vardhan Gurrala) and Cyril (Mohan Sai) are best friends. He runs his own company. There are some problems with a man named Stephen in the case of the Malaysian project. In this sequence, Cyril marries his beloved Aaradhya (Ambika Vani) in the church. Aaradhya’s elder brother Rudra is furious because of the inter-caste inter-religious marriage. He wants to kill them. Cyril and Aradhya disappear in this episode. What about Abhi’s efforts for his friends? What kind of situations did Abhi face? Who is this Michael? What are the problems caused by him? That is the story.
Heat Movie Actors Performance:
The story revolves around four characters: Abhi, Cyril, Michael, and Aara. In this, Abhi keeps running throughout the film. Abhi’s performance in trying to save his friend is impressive. He pleases in emotional scenes. Cyril seems okay with the role in terms of the story. The heroines Sneha Khushi and Ambika Vani are impressive. And Vamsi Raj in the psycho and sadistic role of Michael does not seem to matter. The rest of the characters are pleasing to the extent of their scope.
Heat is on
Heat Movie Analysis:
Suspense and thriller genres are always liked by a section of the audience. But in such stories, there is a psycho-sadistic character.. the hero and heroines get problems because of him.. but the way the psycho character is brought before the audience, the flashback of the psycho character is also common. That is the common point of such movies. But will there be any new story or narrative in them? People are watching with interest.
The story of the film Heat is not much new in terms of story. As the scenes seem to be running, you may not feel bored. The director has succeeded in running the story like that. The whole first half is suspenseful… Why are the murders happening… Who did them? The director has succeeded in making the audience engage in the film by raising questions like why the hero is included.
In the second half, the movie seems to slow down a bit. There is a chance that people can sense the twist coming in the pre-climax. The hero wins over the villain. The climax ends as everyone knows. Technically, this movie seems to be okay. RR elevates scenes here and there. All this movie takes place in one night. The night visuals are well done by the cameraman. Editing seems fine. Build values are good.
VidyarthiMovieReview: Chetan Cheenu and Bunny Vox’s combo Vidyarthi hit the theaters today. Directed by ‘Madhu Madasu’, this movie is produced by Alla Venkat under Mahas Creations banner. The already-released teaser, trailer, and songs have all raised expectations. And now this movie is buzzing in theaters. Let’s see how this story and stories are.
Vidyarthi Movie Story:
An orphan Chaitanya (Chetan Cheenu) is an agriculture student. And Mahalakshmi (Bunnyvox) is the eldest child. This Mahalakshmi was the only daughter of Bhupati, a big family in that town. Chaitanya and Mahalakshmi become classmates and friendship and love begin. Satyam attacks Mahalakshmi to take revenge on Bhupathi. Will Chaitanya be able to get the girl he loves in such revenge? Can he save his love? Did the real adults accept that love? What is Raghubabu’s role in this story? is the story.
Vidyarhi Movie Analysis:
Hero Chetan Cheenu looks very good as the boy next door. He acted so well. He was impressive in all the emotional and action scenes. Bunny Vox looks cute as long as it looks. Impressive not only in terms of looks but also in acting. Naveen Neni, Yadamma Raju, Raghu Babu, and TNR have done justice to their respective roles.
Vidyarthi
Caste and religious discrimination and fights are seen all the time. Director Madhu Madasu has chosen such a sensitive topic. In his own style, he tried to show how many innocent people are being victimized by the madness of caste religions. The way the director tells the story through the storyboard itself in the opening of the movie impresses everyone.
In the introduction song, the scene where Mahalakshmi (Bunnyvox) is revealed in the entry college is good, telling the way of thinking of the students. College scenes, love songs, and the chemistry between the two are pleasing on screen. Conversations and dialogues in college are tear-jerking. Yadamma Raju’s comedy seems okay. Although the scenes lag in some places, the director impresses with his screenplay. Climax scenes are emotional.
Editing by Bonthala Nageswara Reddy is good. Songs by Vijay Bulganin, RR is pleasing. Kanna’s PC photography looks ok. The film’s production values seem rich.
VyavasthaWeb SeriesReview: ‘Vakeel Saab’ and ‘Naandi’ have proved that if courtroom dramas are screened in the right way, they will be appreciated by the critics as well as by the audience. Now courtroom dramas are coming in OTTs too. Vyavastha zee5 Web Series by director Anand Ranga starring Hebah Patel, Karthik Ratnam, and Sampath Raj in lead roles. Zee5 was released on OTT in Telugu and Tamil languages.
Vyavastha Web Series Story:
Shortly after Firstnight goes to the groom’s room, the sound of a gun firing is heard. As the workmen leave… Yamini (Hebba Patel) has a gun in her hand. A new bridegroom in a pool of blood before her. Yami hires prominent lawyer Avinash Chakraborty (Sampat Raj) to represent her.
However, it informs the court that it intends to change counsel in the first installment. He starts a firm named Checkmate with fellow lawyers as partners so as not to face him in court. Yamini puts her case in the hands of Vamsikrishna (Karthik Ratnam), a junior lawyer to one such emperor.
What did the emperor do when Yamini went without him? Why did Christian minority communities lash out at Vamsikrishna? Why did he have to be arrested in the Yamini case? If all the evidence says that Yamini is guilty… could Vamsikrishna be able to bring Yamini out of this case by colluding with a strong lawyer like Chakraborty? Or? It should be known by watching the series.
Vyavastha
Vyavastha Web Series Analysis:
Convenience for people with OTTs is… they can watch series or movies at any time, from any place. If you get busy in the middle, you can pause for a while and watch again.
Not the pause button… Even if you press the forward button by mistake, there is no big difference in the scenes. That is the greatness of the ‘system’. The series started very interestingly. But, it doesn’t take long for that interest to fade. No emotions worked out. Every episode has a hook point and twists at the end. Those are some interesting topics!
Some stories are better on paper! But, when it comes to the screen, it is not so interesting. If you look at the story… ‘System’ is good! Will the woman who killed her husband on Sobhanam day be acquitted? Jail sentence? Interesting point! But, the scenes on the screen are not so thrilling and exciting.
The main reason is the lack of strength in the arguments and direction in the courtroom! The director and writers have relied on regular routine topics like the baiting of girls and violence in the legal ‘system’. If you flip through the newspapers, you will find new cases. They left them and took routine cases like regular property disputes, financial settlements, and insulting Dalits. They were not given proper justice.
The hero who feels that the Emperor is taking up cases for money and that there is no honesty in him, what honesty did he take up the heroine’s case? On the one hand, the heroine says that she is the one who shot her husband.
What is the help of having ever seen and loved her like that? Will love to bring out the guilty? There is no strength near the basic point. Characterization Conflict Missing There! There are a lot of logicians when it comes to the subject matter. Did the workmen go in by breaking down the door? Or did you take the doors? It was taken without checking properly while taking it.
Vyavastha
What should an investigation drama, or courtroom arguments look like? Pin to pin… Everything should be clear and logical. Seriousness should be seen on the screen. If something is going forward… it is like going, but there is no proper writing in the ‘system’. There is a feeling of missing a soul. Actually, there is less drama in court. There are more stories outside. The ‘system’ has many layers, but nothing feels new & interesting.
VyavasthaWeb Series Analysis:
Hebba Patel’s name comes to mind first regarding misfit artists. The depth of the dubbing artist’s voice…is not there in her acting. Seeing the scenes of Yamini, viewers should feel pity. But, at no stage did that happen. Failing as an actress is one thing… her image as a heroine is minuscule.
Playing villain roles is nothing new for Sampath Raj. He went on doing it in his usual way. Karthik Ratnam’s performance is good. But, Nattini failed to continue. Pony, has it been established that stuttering occurs only when stressed? That means no. Kamna Jethmalani made a re-entry with ‘Vastha’. Gautami acted very well. The character twist was worked out by Kamna’s beauty. Teja Kakumanu appeared in a role.
Finally what? : Producers and director-writers are mistaken if they think that whatever is taken from the audience will be seen. Whatever is taken in a socio-fantasy, love story is valid. Everything has to be perfect while filming courtroom dramas. Otherwise risk. There is no force in the courtroom arguments in the ‘system’. There is no drama in the story. Easy to skip. Do you want to risk it? How about a forward button!
CitadelWeb SeriesReview: The biggest difference between OTT and TV entertainment channels is that the audience does not get entertainment in pieces on OTT. The complete story is available at hand. But many OTT platforms are working on the policy of holding the audience hostage for the next month’s subscription.
Instead of streaming the entire web series together, he is bringing it in pieces of episodes. A few days ago, Amazon Prime Video released the web series Jubilee by dividing it into two pieces, due to which it had to suffer losses. Now this OTT has brought Priyanka Chopra’s debut web series Citadel to pieces.
The first two episodes of the series were released today. It is being told that the next four episodes of this story of six episodes will be released one by one on the coming Fridays. It is sure that the fun of watching will be spoiled by this. You better wait for all the episodes to stream, then watch this.
Citadel TV Series Story:
The main attraction of Citadel is Priyanka Chopra for the Hindi audience. It is clear in the series that he has adapted himself to Western cinema in every respect. Citadel is a spy organization that works for the betterment of the world. Agents of Citadel put an end to the forces that seek to destroy or harm the world. But the Manticore, an organization bent on destroying the Citadel, is also active.
Citadel
The Manticore has killed almost all of the Citadel’s agents. Mason Kane (Richard Madden) and Nadia Singh (Priyanka Chopra Jonas) survive, but an accident leaves them with their memories. Mason and Nadia also have a past. Meanwhile, eight years pass. Will the memory of these two come back? Will he be able to compete with Manticore? What is his past? This is the story of the Citadel.
Citadel Danger of Monotony
What attracts me in the first two episodes of Citadel is the action. Location. magnificence. The entire focus is now on what turn the story will take in the upcoming episodes. How will Mason and Nadia escape from the enemy? How to retaliate. By the end of two episodes, the story does not create much attraction at the moment because dozens of stories of enmity between two syndicates and brave agents have come in all the spy films or series.
These episodes of Citadel are spectacular in their making. But it is not fun in pieces. As the story is appearing, there is a danger of monotony in the coming episodes. No matter how good the action or performance is, no series can be watched just for these.
Priyanka Chopra is good in the first two episodes. His acting is in line with the character and he can be seen in an action avatar. Priyanka has done good action. The camera work and background music are good. The series is dubbed in many languages including Hindi. There is no fun in Hindi dubbing.
Citadel
Also, if you run the Hindi sub-titles as well, you will find that there is a difference between the dialogue and the sub-titles in many places. This is negligence. It seems that the dialogues were written separately for dubbing and separately for subtitles. Such negligence is not seen in English.
But the biggest problem is that in episode two of Citadel, it’s over before it even begins. In such a situation, it is better that first, the entire series comes, only then it can be seen in one go. There is no thrill in the initial episodes that you eagerly wait for the next episode. The difference between TV and OTT should remain.
