The BoogeymanMovieReview: A new film adaptation based on Stephen King, The Boogeyman by Rob Savage, is the 52nd, confirming the interest of cinema in the immense repertoire of the master of horror. The film stars Sophie Thatcher (Yellowjackets), Chris Messina (Air), Vivien Lyra Blair (Obi-Wan Kenobi), Marin Ireland (The Umbrella Academy), Madison Hu (Bizaardvark), LisaGay Hamilton (Vice – The Man in the Shadows) and David Dastmalchian (The Boston Strangler), is in theaters from June 1 with 20th Century Studios and 21 Laps.
High schooler Sadie Harper and her sister, little Sawyer, are devastated by the recent death of their mother, not even receiving the right support from her father, Will, a therapist unable to deal with her pain and that of her daughters of her. One day a mysterious man shows up at Will’s door asking to be heard, to be helped to free himself from a disturbing presence that has been tormenting him for some time and does not want to leave him alone. This entity, which feeds on the pain of others and especially families, will soon enter the lives of Will, Sadie, and Sawyer with dramatic consequences.
The Boogeyman
The Boogeyman – Fear, trauma, and mourning in the film based on King
The Boogeyman by Rob Savage, inspired by the 1978 story of the same name by Stephen King (in Italy entitled Il baubau) featured in the anthology Night Shift (A sometimes they return), on a screenplay by Scott Beck & Bryan Woods (A Quiet Place – A quiet place) and Mark Heyman (The Black Swan), adapts the story that the writer had set in a psychiatric study by introducing the figures of Will’s daughters and expanding the plot.
From the beginning, we see and hear the boogeyman, and we also understand what he is capable of. In particular, it is little Sawyer who feels his presence strongly: frightened by the dark, she sleeps with the lights on, asks her father to look under the bed before saying goodnight, and looks frightened at the closet in her bedroom with the door slightly open where she believes that the “monster” can be hidden.
Her older sister Sadie, like her father, doesn’t believe her, busy managing the void left by her beloved mother and facing the wickedness of bullies at school. But soon both will be forced to change his mind by facing something supernatural.
The film re-proposes many themes dear to King: the deepest fears and pains that in his stories often turn into demonic presences, see IT and the traumas of the characters on which the “thing” feeds; and the protagonists are often children and adolescents not listened to by adults and in some cases abused, who however find the inner strength to rebel against evil.
The Boogeyman
In The Boogeyman, an attempt is made to reproduce the disturbing spirit of the story, and in general of King’s universe, made up of horror but also of a lot of macabre ironies, adding elements that wink at the younger audience with certainly not random quotations to an already cult series like Stranger Things, and we let you find out how.
But the result appears unconvincing, as it chooses to emphasize the hackneyed dynamics of classic horror: the long moments of waiting followed by the sudden appearance of the present to make the spectator jump on his seat, the cellars, the wardrobes, the dark closets den of evil presences, the struggles between good and evil always directed in the same way.
The Boogeyman: conclusion and Evaluation
Rob Savage’s film has little suspense and in some stretches it also turns out to be boring and with predictable implications, failing to make the most of Stephen King’s “material”, and a theme, that of mourning, the fulcrum of evil and pain that “animates” the boogeyman, who in recent years has been at the center of horror films of great depth, such as Hereditary – The Roots of Evil by Ari Aster. A metaphor that deserved a more accurate treatment in a genre that in 2023 can no longer be limited to a superficial and already seen horror story.
Spider-Man: Across the Spider-Verse arrives in Italian cinemas on June 1, 2023, to tell us once again about Miles Morales, Gwen Stacy, Peter B. Parker (and others) grappling with the mysteries of the multiverse.
Can a film disappoint a little while still being fantastic? As the sequel to a celebrated superhero animated gem, Spider-Man: Across the Spider-Verse does exactly what a second chapter should do: longer (2.20 hours), more colorful, more chaotic – that’s not necessarily a bad thing – it multiplies the environments, brings a new patrol of characters alongside the historians, tries to harmonize as best it can (it’s enough) psychological excavation and thematic architecture, more articulated than in the first film.
It was called, it was 2018, Spider-Man – A new universe, in English Spider-Man: Into the Spider-Verse. The sequel of 2023, directed by Joaquim Dos Santos, Kemp Powers, and Justin K. Thompson, screenplay by Phil Lord & Christopher Miller, and David Callaham, changes something of the formula.
No longer Into (in, inside) but Across (through) the Spider-Verse. Given the reality of the facts, that is, that each story is only one version among the countless, of a global and interconnected design, it is time to start moving far and wide along the existential highways of the multiverse and answer the question of the questions: how many parts of a beloved and well-known story can be rewritten? What is at stake is the construction of identity. Spider-Man: Across the Spider-Verse arrives in Italian cinemas on June 1, 2023, for Sony Pictures Italia.
Spider-Man – Across the Spider-Verse: many versions of the same hero, but above all Miles and Gwen
Gwen Stacy, alias Spider-Woman, Earth #65 (with progressives we will arrive at figures with many zeros), this time we start with her. Her story is in a sense an anomaly, one of the rare cases in which the basic dynamic is reversed, remaining the same. In this universe here, in fact, Peter Parker is the helpless friend that you can’t help but lose, while she has to wear the costume.
Spider Man Across The Spider Verse
The big change from the first film is that Gwen now knows she’s not alone. She knows the inherent complexity of the multiverse from having tasted it firsthand. You have cemented a relationship of esteem and affection with many colleagues of the adjacent dimensions, but it seems insufficient.
She continues to feel alone. She wouldn’t tell her policeman father the truth about him for all the money in the world; reconciling private, public, and secret life is becoming increasingly difficult. An apt metaphor from Spider-Man: Across the Spider-Verse explains Gwen’s situation well (and all the others and all the others): she is the girl who knows she wants to join a band, but she still doesn’t know which one she is.
She believes she has solved the matter by joining a colossal task force of Spider-Man and Spider-Woman dedicated to maintaining peace and stability in the multiverse. There are many of them, highly equipped, and they have also found a way to stabilize the inconveniences of passing from one dimension to another; fans of the first film will surely remember, it was a pretty big deal.
She pulls the strings of this mysterious community of heroes, basically the Avengers reproducing endless versions of the same character, Mr. Miguel O’Hara. Like Spider, he is muscular and has absolutely no sense of humor. Gwen can’t bond much with him, so she shifts her attention to Jessica Drew, a very tough and very knowledgeable Spider-Woman in the multiverse.
Spider Man Across The Spider Verse
The bizarre, rather, the anomaly, is that in this cauldron of friendly neighborhood spiders, there seems to be room for everyone, except for Miles Morales. Ours, Terra #1610, has perfected his costume, he doesn’t shut up for a moment, he would like to come out to his parents, mom Rio and dad Jefferson (he’s about to become a police captain, congratulations), but he lacks the courage.
They ignore his double life, so they struggle to justify behavior which, not being able to connect the dots, appears unpredictable and not very serious. The most believable threat, for Miles, is a very strange villain called Blur. In one way or another, it is part of his past, it is also the hook for the hoped-for reunion. Gwen and Miles are reunited because there is a common threat to face, of which the Blur is a large, but not exhaustive part.
The villain has figured out how to juggle the various dimensional planes to make good and (mainly) bad weather, but there’s more. The problem of Miles, Gwen, Peter B. Parker, and all the rest of the gang of different twins is both material (the multiverse is in grave danger), and philosophical, emotional, and sentimental.
The fate of the hero, already written or still to be written?
Outwardly, it is the standard recipe, for the cinecomic even if it is animated. Dudes in tights with stormy pasts who pull off spectacular stunts for the noblest of reasons, spinning over-the-top action, humor, and romance. The family is at the center of everything, great powers, great responsibilities, and laughter. Spider-Man: Across the Spider-Verse, just like its predecessor, complicates the picture beautifully by pretending to do the same things as everyone else, in the same way.
Spider Man Across The Spider Verse
Exploiting the inter-dimensional leap as an expedient to enhance a thousand angles and the visual power of a superb animation, fluidly dosing the progressive discourse (diversity, acceptance, and inclusive representation) and delicately placing it on the fabric of the story; we don’t notice it, it’s all very natural. There is a legal limit (!) to the things that can be said about the film.
However, it can be said that the theme of the themes is the construction of the identity of the hero, pulled by the costume by two cumbersome extremes, destiny, and free will. The basis of every self-respecting story, from our Greek friends from thousands of years ago to, well, web-shooting masked dudes.
The problem with Miles and all Spider-Man and Spider-Woman of this world (of all worlds) are that the harmony of the multiverse, this great web that interweaves different planets, different heroes, and different histories, is ensured by repeating a certain type of dynamics, standard situations and common to all universes. They have to do with the idea of separation, of loss, of the extreme limit that even the greatest hero cannot reasonably cross: one cannot save everyone.
The question, both moral and narrative, that Spider-Man: Across the Spider-Verse dares to ask itself, is the following: what happens if, suddenly, the hero chooses to get in the way of destiny and tries to become Spider-Man but on his own terms, not giving a damn about the canon? Can the unthinkable be achieved without compromising the overall balance? Miles thinks so.
Spider Man Across The Spider Verse
What happens is that the film supports the aesthetic, narrative, and spiritual ambitions of its lovable, bumbling protagonist (and fellow adventurers), fervently supporting their need for emancipation. However, ending up succumbing a bit, right on the finale. That Spider-Man: Across the Spider-Verse is only the first stage of a longer and more complex journey does not come as a novelty.
But a certain haste with which the film truncates the exploration of serious and articulated problems, proposing a moral and a narrative dynamic that has already been seen and already heard, seems to give the canon the winning game, to the game without risk. Toning down the originality of an operation that, until then, had hit the mark in both form and substance.
Spider-Man: Across the Spider-Verse: conclusion and Evaluation
For every empire that strikes back – the well-done sequel that deepens the first film’s discourse by darkening it, but leaving a door open to hope – there is always a return of the Jedi lurking, the partial disappointment that compensates with so many memorable moments the clear bitter sensation in the mouth.
The fate of this film will be written by the next. Many advantages, a little problem of Spider-Man: Across the Spider-Verse is a certain imbalance in the conception of the narrative structure: it immerses us in the story with such ease, that the sudden suspension waiting for the third chapter tastes of frustration. The disappointment must be seen from the perspective of a work that is clearly above the standard of the modern cinecomic, animated or otherwise. Imperfect, however very very valid.
Actor Jagadeesh Prathap Bandari got good recognition with the movie ‘Pushpa’. Allu played the role of Arjun’s friend, Keshav. The movie ‘Sathi Gani Rendu Ekaralu’ (Sathi Gani Rendu Ekaralu Movie) starring Jagdish as the protagonist. Mythri Movie Makers, which produced several hit films including ‘Pushpa’, produced the film. ‘Vennela’ stars Kishore, Mohana Sri, Muralidhar Goud, Anisha Dama, and others. This movie was released in Aha OTT (Aha Original Movie). How is this movie?
Sathi Gani Rendu Ekaralu Movie Story:
Sathi (Jagadish Pratap Bandari) has a wife and two children! He drives a small truck for a living. He has two acres of land in the village. When Satti was young, his grandfather told him not to sell it. Satti lives his life by keeping his word to his grandfather. However, more trouble will come to his head.
The doctors say that the daughter has a hole in her heart and the operation will cost 30 lakhs. Satthi’s cousin, the Sarpanch of the village (Muralidhar Goud) tries to sell two acres with Satthi for his own gain. When Satti is getting ready to sell the farm, a suitcase comes into his hand. To open it, he goes to his friend Anji (Raj Thirandasu), who has done petty thefts with him in the past.
Sathi Gani Rendu Ekaralu
Did Satthi and Anji open the suitcase together? Or? Any attempts to open it? Why did Lalit (Riaz) tell his henchmen in Hyderabad to bring the suitcase anyway? What’s in it? What did Sattigani (‘Vennela’ Kishore) do when he came to the village for the suitcase? How did the SSI (Bithiri Satthi) investigate if the car caught fire in the village? Finally, did Satti find out what was in the suitcase? Is he out of trouble? You have to watch the movie to know.
Sathi Gani Rendu Ekaralu Movie Analysis:
The story of ‘Sathi Gani Rendu Ekaralu’ can be said to be a comedy. Or it can be made in the style of a crime thriller. Director Abhinav Reddy voted for Danda Comedy. Each character is uniquely designed. Those characterizations are strong for the movie. Telangana village background too! However, the story is a bit weak. That’s a minus!
There is nothing new in the story of ‘Sattigani Rendekaralu’. The audience moves forward with imagination. However, the Telangana village setting and the characters created by director Abhinav brought something new to this story. There are some videos on YouTube to help them.
At times, some officials show affection even if they do not know each other and know that they belong to their group. It seems that the director has done a good job in terms of writing, either when watching the starting scene of this movie or when watching the Bitthiri Satthi – ‘Vennela’ Kishore scenes.
Sathi Gani Rendu Ekaralu
Every human being has good and bad. When in trouble, sometimes there is a chance to put aside the good and take a step toward the bad. Necessity makes mistakes. The way the director has shown it in an entertaining way is good. Make sure there is some stretching in between the fun. Good performance by the actors. The beginning of the movie is simple. Curiosity starts once the suitcase arrives. The ending is good. I mean…the setup for the sequel created interest.
Cinematographer Vishwanath Reddy CH has brought out the atmosphere of the Telangana countryside naturally and beautifully on the screen. Jai Krrish’s songs and background music moved forward, immersing the audience in the on-screen scenes as part of the story. The lyrics are natural too. Build values are good.
Sathi Gani Rendu Ekaralu Movie Actors Performance:
Jagdish Pratap Bandari is a perfect fit for the role of Satti! Dark humor and drama scenes are very well done. At the end of the movie, he gave a good performance as an innocent and cunning person who goes up and down. ‘Vennela’ Kishore scores higher marks than Jagadish when it comes to comedy. This is his best character in recent times.
If the right character and different characterization fall, ‘Vennela’ Kishore will explode. Same in this ‘Sathi Gani Rendu Ekaralu’! More laughs were given with the expressions than with the dialogue. ‘Bithiri’ Satthi is seen in combination scenes. Raj Thirandasu played the role of the hero’s friend well.
Mohana Sri played an important role as Satthi’s wife. Regular wife character. But, with good scenes in the flow, interest was created. Anisha Dama appeared as Anji’s girlfriend and Sarpanch’s daughter. She also shined as an actress in a somewhat important role as a village beauty. Everyone remembers Riaz’s character in ‘Gully Boys’. That’s the build-up given to it!
A special mention should be made of the child who played Satti’s son. It has been designed to reflect the role of children in Telangana villages. His dialogues are also well written. Muralidhar Goud is okay as Sarpanch.
Finally what? : The entertainment in ‘Sattigani Rendekaralu’ is impressive from the beginning to the end of the movie. Silly comedy entertains in many scenes. Especially the ‘Vennela’ Kishore scenes! The story disappoints. There is a feeling of a missing soul in the story. However, a comedy can be enjoyed without any expectations. Weekend Time Pass Film!
The Story, Dialogues, Screenplay, and Direction: Sumanth Prabhas
Release Date: May 26, 2023
Sumanth Prabhas is a young man who is famous for his YouTube series and music video songs. He acted in the lead role and directed the movie ‘Mem Famous Movie’. After ‘Major’ and ‘Writer Padma Bhushan’, this is a film produced by Chai Biscuit’s leaders Anurag Reddy and Sarath Chandra. Produced by Lahari Films in partnership with Chandru Manohar. A lot of celebrities promoted it before its release. Heard about the campaign. And how was the movie? (Mem Famous Review)
Mem Famous Movie Story:
Mai alias Mahesh (Sumanth Prabhas), Durga (Mani Egurla), and Bali alias Balakrishna (Maurya Chaudhary) are friends. These three are roaming around. The people in the village are in trouble for what they do. Panchayat President Jinka Venu (Kiran Maccha) and Anji Mama (Anji Mama Milkuri) are supportive.
How did Mai, who was ‘too’ liked by the people of the village, become famous? What is his love story with his uncle’s daughter Maunika (Sarya Laxman)? Which shore did it reach? What is the story of a famous tent house with, a famous TV YouTube channel in the middle? How did the problems of the village get solved by the actions of the hero and friends? You have to watch the movie to know.
Mem Famous
Mem Famous Telugu Movie Analysis:
Bringing a scene written on paper to the screen is not easy! Especially comedy! 100 percent screen? There is no obstacle for that movie in the box office circle. A good example of that is… ‘Jati Ratnalu’. Now the mention of that movie is because… it seems that ‘Mem Famous’ was made in the spirit of that movie. Three friends in this movie, some may remember shades of ‘Jati Ratnalu’ in the opening scenes. However, it doesn’t have as much comedy as that movie. Keeping the comparison aside, just coming to this movie…
‘Mem Famous’ has a youth-filled comedy. For example… lipstick spoiler character scenes! There are some scenes that the common audience can relate to. Emotional scenes between friends are good. The depth in the scene where Maradala expresses her love for her brother-in-law will impress young and old.
However, depth is missing in the story. Saying dialogues like ‘Raithe Raju’ is not enough in the course of the story. Also, telling Durga about his father’s acquisition of two acres of land seems to be an attempt to take up space and convey some other message, forcing emotions into the story.
Director Sumanth Prabhas struggled to balance comedy and emotions in the story. It was okay when the Panchayat was put up for the first time. Again and again, Panchayat is said to be ‘nothing lolli’. Lipstick spoiler scenes are okay in trying to be famous. The rest are already parodies of scenes seen on YouTube. They are not that impressive. The story lacked novelty. In the background of Telangana, they took a bottle and filled it with old cargo.
For rest, then the film is stretched to wait for the Shubham card. The length is longer. It would have been better if some unnecessary scenes were cut. The cinematography is ok. Kalyan Nayak showed more talent in background music than vocals. He gave an emotional high in the scenes before the break. The production values are inferior to the story.
Mem Famous
Mem Famous Movie Actors Performance:
Sumanth Prabhas as the hero is ok. Improvisation is still needed while doing emotional scenes. Mani and Maurya have done well as the hero’s friends. Sarya looked like a girl next door and not a commercial heroine. YouTuber Siri Rasi got a character with screen space. Anji Mama, Kiran Machha, Muralidhar Goud of ‘DJ Tillu’ fame have done justice to their roles. Siva Nandan’s comedy as a lipstick spoiler is well-timed.
Finally what? : Some comedy scenes, some emotion… That’s all there is in ‘Mem Famous’! If you want to enjoy parts by parts, you can go to theaters. Or you can wait till it comes in OTT. There is famous in the title but there is no famous stuff in the movie.
The short film ‘Bicchagadu’ was released in the year 2016 without any expectations and achieved excellent collections at the box office. At that time this movie dominated the movies of big heroes as well. This movie gave Vijay Antony a big break both in Tamil and Telugu. The TRP ratings of this movie are still in the amazing range.
Telugu audience likes this movie. ‘Bicchagadu 2’, a sequel to such a movie, has been released today in Telugu and Tamil languages. Like the movie Bichchagadu, this movie also failed to impress the audience?, while the success rate was low in the summer, let’s know in this review whether the industry will bounce back through this movie or not.
Bichagadu 2 Movie Story:
Vijay Gurumurthy (Vijay Antony) and Satya (Vijay Antony) are two men with similar similarities. While Vijay Gurumurthy is the owner of thousands of crores of rupees, Satya Beecham is a beggar. On the other hand, Vijay Gurumurthy is doing a human brain transplant experiment. He invests heavily in that experiment.
Bichagadu 2
Due to some unintended consequences, Satya’s brain is said to be transferred to Vijay Gurumurthy as part of the experiment. In the flashback to Satya, her sister is missing, the rest of the story is about whether she will use this rare opportunity to find her sister or not.
Bichagadu 2 Movie Analysis:
When we hear this story, we first remember ‘Smart Shankar’ directed by Puri Jagannath. The storyline is similar in that too. But here the director Priya Krishna Swamy tried to make something new. The entire first half was made so that the audience could connect well. The first 20 minutes are taken to suit cinematic liberty, and if connected to that, the first half will be loved by all.
The brain tans plant scenes were amazing. The story of the second half lost track. Hero elevations are given priority over the story. Therefore, the audience could not tear up for the second half to connect with the first half. We have seen concepts like selling all the assets and helping the poor in many movies.
Bichagadu 2 Movie Actors Performance:
Vijay Antony, like before, pulled a single expression in this movie as well. The audience gets a little annoyed, and the heroine Kavya Thapar seems to be okay. This movie has nothing to do with the movie Bicchagadu, the title of the movie was used only for hype.
Bichagadu 2
If director Priya Krishna Swamy had believed the story in the second half and gone ahead, this movie would have been a bigger blockbuster hit than ‘Bicchagadu’. But mostly she focused on giving elevation to the hero. Because of this, this movie has become a movie that is liked only by some audiences.
Last word: Go without high expectations and you will be satisfied. The first half is very good, and the second half is likely to be liked by those who like routine commercial entertainers.
Dead PixelsWeb Series Starring Mega Daughter Niharika Konidela in the lead role. This is the serial she starred in after four years. It is directed by Aditya Mandala of ‘Maa Aintha Gadha Vinuma’ fame. Akshay Lagusani, ‘Viva’ Harsha, and Akshay Lagusani in other lead roles. This is a series based on gaming. How is it (Dead Pixels Review In Telugu)?
Dead Pixels Web Series Story:
Gayathri (Niharika Konidela) and Bhargav (Akshay Lagosani) are working in the same company. They are flatmates & close friends too! Talking more in gaming than indirectly. The game is so crazy! Along with them, pilot Anand (Viva Harsha) is also a gamer! What effect did the game of ‘Battle of Thrones’ have on the lives of these three?
Dead Pixels
What changes in the game and life between Gayatri and Bhargav with the arrival of Roshan (Sai Ronak), a new joiner in the office? Why does flatmate Aishwarya (Bhavana Sagi) think they are in love? What is Bhargav’s problem with his father? What finally happened? It should be known by watching the series.
Dead Pixels Web Series Analysis:
‘I thought the game was meant to be played when there was no work. Do you avoid doing things like this and play too much?’ – A character question to the hero in ‘Dead Pixels’! Then ‘revenge, do you know what revenge can do to us?’ He answers. ‘On whom?’ That means ‘with the person who challenged you online’. ‘Revenge with someone whose name you don’t even know?’ If you ask… ‘There is nothing else in my life!’ (except gaming) he says. All this conversation will come in the fifth episode starting!
Even in ‘Dead Pixels’ there is nothing but gaming. What is this gaming that has already stopped working? What are they doing? If you have doubts like… you are not really connected with the series! A series or a movie…everything has a target audience. Who is the target audience of ‘Dead Pixels’? If you think about it… gamers!
If they want to watch this series… they should be able to create more interest than gaming. Give a kick beyond that. Are there so many in ‘Dead Pixels’? That means no. Does the remake connect with the local audience? Or? Is there a nativity? Or? It should be seen. The makers of the series seem to have forgotten that point.
Dead Pixels
From the start of the ‘Dead Pixels’ series, there is a feeling that it is going smoothly. Neither the scenes nor the game are interesting. But… there are some comedy scenes in between. Production values are okay. Most of the scenes are shot in an apartment or an office.
The camera work is neat. If it is ok for the audience watching English and Hindi series, how much will the Telugu OTT audience receive some scenes? It should be seen. There is no vulgarity anywhere but the content in the scene & a dialogue spoken by a nebulous character are very less likely to be liked by the audience.
Dead Pixels Web Series Actors Performance:
Niharika Konidela’s typical dialogue delivery. Comedy timing is very peculiar. That acting was set for Gayatri’s role. Akshay Lagusani did method acting. Lived in the role of a young man addicted to the game. Audiences expect a lot of comedy from Viva Harsha. He did not get a chance to do comedy in ‘Dead Pixels’. Bhavna has done justice to her character. Sai Ronak has done some scenes well as the dull-witted young man.
Finally what? : ‘Dead Pixels’ lacks interest-generating gaming. It lacks emotional content & connectivity. Does video gaming have anything to do with people who are glued to computer screens like crazy and play too many games!? Do they identify themselves in those characters!? Others can take the light.
Production Companies: Swapna Cinema, Mitra Vinda Movies
Producer: Priyanka Dutt
Directed by: BV Nandini Reddy
Release Date: May 18, 2023
Young protagonist Santosh Shobhan (Santosh) is doing films in a row. But, the victories are not coming. And how is Annie Manchi Sakunamule starring Nandini Reddy as the hero? After Evade Subramaniam, Mahanati, and Sita Ram movies, how is this movie produced by Swapna Cinema Company?
Anni Manchi Sakunamule Movie Story:
There are court cases between the families of Prasad (Rajendra Prasad) & Diwakar (Rao Ramesh), and Sudhakar (Sr. Naresh). A fight about a coffee estate! Aside from that… Rishi (Santosh Shobhan) is Sudhakar’s son and Arya (Malavika Nair) is Prasad’s daughter. Both are born on the same day. However… due to the misunderstanding between the nurses in the hospital, the children change.
Anni Manchi Sakunamule
In Prasad’s house, Rishi is his son… Arya is his daughter in Sudhakar’s house. Are the parents aware that the children have changed? Or? What happened to the court cases? Did the acquaintance between Rishi and Arya turn into love? Or? What happened in the end? You have to watch the movie to know.
Anni Manchi Sakunamule Telugu Analysis:
No matter how times change, eras change… the bond and love between parents and children remain eternal. Parents & Children relationship never has an expiry date. Because of that reason… More movies are coming in this background. But… success comes when those love and emotions are told in a strong and new way to touch the hearts of the audience.
‘Anni Manchi Sakunamule’ is a good title. The promotional images have created a positive vibe about the film. But… the moment the movie starts, instead of that vibe, we get the feeling that the story we have already seen is coming to the screen. Because… the starting scenes are reminiscent of ‘Ala Vaikunthapuramulo’. The film was made on the concept of changing children in the hospital.
If there are two boys… Here is a girl, a boy! After that, the movie itself will not be anything new. Already the scenes that we have seen in many movies come to the screen. But… the comedy quote gets passed right. Once the second half starts, those familiar scenes test our patience until the climax is near. Emotions were screened a little stronger in the flagging scenes. They are heart-touching.
Court cases and quarrels are shown but… the sincerity of the director and writers and a strong point are not seen in it. The love scenes between the hero and heroine also lack depth. It is better to avoid the scenes where all the family members dance to the songs in the old movies at the wedding. They are not useful except to bore the audience and increase the length.
Are the movie and the scenes impressive? Or? That aside… Nandini Reddy and the writing team have done a good job in terms of characterizations. It is implied in some scenes that the father’s personality comes to the girl and the mother’s personality comes to the boy.
Anni Manchi Sakunamule
A good story and scenes would have come out if the writing team had worked on a new point. The cinematography is good. There are no memorable songs in Mickey J Mayer’s music. Background music is good in some scenes. Construction values are high. Swapna Dutt and Priyanka Dutt stayed strong.
Anni Manchi Sakunamule Movie Actors Performance:
How well does Santhosh Shobhan do if he gets the right scene? Flag scenes are an example of this. At least one or two… the emotional scenes are very well done. He was once again praised as a boy who was always happy and scolded by his father. Malavika Nair looked new in terms of looks compared to previous movies. She was also impressed as an actress. Rao Ramesh, Naresh, Rajendra Prasad, Shaukaru Janaki… all the senior & seasonal artists have adapted to the roles. Seeing Gautami in the role of a mother is a bit refreshing.
Vasuki of ‘Tholiprema’ fame is good in the role of the hero’s sister. She may get offers to do sister roles to star heroes. The boy who played the hero’s brother-in-law was dubbed by Rahul Ravindran. The dubbing was highlighted more than his acting. ‘Vennela’ Kishore appeared in some scenes as Vasuki’s husband. Urvashi and ‘Rangasthalam’ Mahesh’s range of roles is also less in the story. Just used for a twist.
Finally what? : A bit of comedy before the interval, then again the emotional climax at the end is good. If you look at the parts, the movie seems okay. But, as a story, it is difficult to connect. Same old routine stuff! Let’s wait for the OTT release!
Fast X Movie Review: Two years after the ninth chapter, the most dysfunctional, adrenaline-pumping, insane, and seemingly immortal family in the history of cinema is back. In Fast X we once again find Toretto (Vin Diesel) and his irrepressible need to reunite the family – or the clan? – in the name of a hard-to-die habit, which as expected begins in the certainty that everything will go well, ending up on the contrary and therefore becoming a real mission impossible.
If at first, it might seem to see, even if only for a moment, the figure of Ethan Hunt (Tom Cruise), the historic protagonist of the now legendary Mission Impossible film saga, considering the high rate of action and spectacularity of this tenth chapter, to remind us that seriousness and drama do not belong in any way to the Fast & Furious franchise, the crazy but hilarious villain played by Jason Momoa – Dante Reyes – soon arrives and immediately takes the film back to where he has always found his living space, or comfort zone, the B Movie.
Fast X
Yet Louis Leterrier inheriting the throne from Justin Lin, director of The Fast and the Furious: Tokyo Drift, Fast & Furious – Only original parts, as well as the fifth, sixth, and ninth chapter of the saga, does not spare himself.
In fact, its tenth chapter really tries hard to reach that maturity and then that twilight so typical of the final titles, or rather, of the farewells, although we already know very well that Fast X can only represent a brand new beginning, widely suggested by the final sequence and with a decidedly dilated construction and full of characters never known before and therefore destined to reappear.
Fast X Movie Story:
Returning to the ninth chapter of Fast & Furious directed by Justin Lin and its opening scene, we once again find the question of Dominic Toretto’s trauma, inevitably linked to the death of his father figure, followed by the dimension of the present, which sees him dress playing the role of the apprehensive father who is increasingly convinced of having to – and wanting to – say goodbye to his large family, giving up adrenaline, beatings, shootings and incredible car escapes in the name of tranquility and a love without equal, that is, between a father and a son.
A tranquility that, however, never really belonged to the members of his dysfunctional and tormented family, either due to emergency protocols made up of hiding places and armaments or due to a memory of the repressed that responds directly to a premature loss of innocence and light-heartedness.
Fast X
In any case, Fast X begins where Fast & Furious 9 left off, from the barbecue to the house under construction, up to Dom’s new family unit, endangered this time by a sadistic and unruly villain and no longer just cynical and cruel as happened in the previous chapters. There is no longer any question of a world order, but rather an individual one.
Fast X therefore, unlike any other chapter or spin-off of the entire franchise, seems to lead its mad adrenaline rush right toward the central track of the saga created by Rob Cohen, David Ayer, Erik Bergquist, and Gary Scott Thompson in the early years of the two thousand, the family. Some fathers fight to protect their children and sons fight to protect their fathers.
If Dom has overcome the trauma, in the name of that famous paternal motto: “It’s not enough to be the strongest, it’s better to be the most mature”, it is in the villain played by Jason Momoa that we are finally presented with his real nemesis.
And it is a joy, since the spectator fears exactly like the protagonists of the film themselves, that everything because of a madman with nothing to lose can tragically come to an end, participating emotionally as never happened before in the chaos and death that from one moment to ‘other can hit this or that member.
Fast X
Fast X Movie Analysis:
For the very first time, in fact, the characterization of the antagonist pushes in the direction of an uncontrolled, silly, grotesque, and potentially lethal evil. An evil that was born from the trauma of loss, from the absence of a guiding figure, and from a long series of psychological breakdowns.
The big Fast & Furious family is no longer safe, it is no longer invincible, since Louis Leterrier, while having fun between visually surprising sequences, such as those in Rome, or the unbridled use of foul-mouthed and very often hilarious humor, leads more and more rapidly and sadly the clan of Dom Toretto towards the farewell, forcing each of them to make one last guide towards the avenue of sunset. Immortality is over, welcome vulnerability.
In the name of the family, it is in fact correct, if necessary, to sacrifice oneself. We know it, and they know it, this explains the crepuscular tone of this tenth chapter which, returning to the mainland, finds the nature of an entire saga, amusing, surprising, and incessantly involving the viewer in a really well-managed succession of farewells, scene, violence, humor, adrenaline and an eternally childish taste for the super-humanistic extremes of action and car racing,
Just as for many years we wondered what kind of father the one played by Liam Neeson in the course of his post-Taken trilogy filmography, it is natural today to ask the same question looking at the relationship between Dominic Toretto and his son Brian. However, we just have to wait for the next chapters, because as John Cena underlined several times, who here is spatial in the literal sense of the term: “This film represents just another way to start” and we can only believe him, hoping to see him again and Still.
Fast X
Fast X: evaluation and conclusion
Louis Leterrier visibly having fun builds his Fast X as an amusement park capable of alternating long moments of stasis, with other highly adrenaline-pumping, noisy, and once again extreme dynamism, so much so that it places itself more and more naturally in the places of science fiction.
They are not the Avengers, but we are close. Their armor is in fact the cars and before this chapter we thought very little about it, making a mistake bordering on semiotics.
In the name of popular cinema, popcorn, spectacular and great entertainment, Fast X hits the target and convinces to the end, without being boring or redundant, despite a respectable duration and continuing the stylistic and narrative research of the previous chapters. whose element of interest and common strength lay precisely in never taking itself seriously, Leterrier’s film plays with the viewer making him or her feel part of the Toretto family.
What an incredible race and what a beautiful villain that of Jason Momoa, a Joker on steroids and with a passion for cars… Todd Phillips take notes.
NewsenseWeb SeriesReview: News, Newsense… There is a lot of difference between these two words. If news journalists create Newsense? The series made in this background is streaming on Aha OTT. Navdeep and Bindu Madhavi acted as a couple. How is this series? (Newsense AHA web series review)
Screenplay: Priyadarshini Ram, Jayasimha Neelam, Sri Praveen Kumar
Songs: Putta Penchal Das
Cinematography: Vedaraman Sankaran, Anant Nag Kavuri, Prasanna Kumar
Music: Suresh Bobbili
Co-Producer: Vivek Kuchibhotla
Producer: TG Vishwaprasad
Creator & Director: Mr. Praveen Kumar
Release Date: May 12, 2023
Episodes: 6
OTT platform: Aha!
Newsense Web Series Story:
Siva (Navadeep) is a journalist in Madanapally. His girlfriend Neela (Bindu Madhavi) is also a journalist. All the journalists in that area form a group together. They take money from politicians and write news.
Land grabs, missing cases, gun raids… In any matter, they hide the facts and make it their profession to write the news they like as a slave to money. So, who was wronged? What problems do the journalists face with the arrival of SS Edwin (Nanda Gopal)? Who attacked Shiva earlier? What is Shiva’s past? It should be known by watching the series.
Newsense
Newsense Web Series Analysis:
‘Newsense’ was taken in the background of Madanapalli. However, scenes have been made to make you think ‘This happened in our town’ while watching. That’s the specialty of ‘News’! Just like good and bad in society, there can be two types of journalists. In ‘Nuisance’, only shades of gray have been shown till this season. It was taken very naturally.
The very beginning of ‘News’ takes viewers into Madanapally who have started watching the series. It seems that the way things are happening in our area is unfolding before our eyes. Camera work, art direction, and background music by Suresh Bobbili are so good. Production design & values are very good. The technical support is not the only reason why each episode is interesting… the writing is the main reason!
As a story, the ‘Nuisance’ series ends incompletely. The real story has yet to begin. Only the characters and situations are introduced. In some places, the length is too long and the scenes feel stretched. But what happens next? The credit goes to the actors, more importantly, the writer!
There are many characters in ‘News’! It took author Priyadarshini Ram time to establish them. But, they created a story for each character. For example… everyone from politicians talks to Shiva affectionately. Of course… told him between fear and respect. Being a journalist, they are afraid! At the same time, Shiva’s mother is looked down upon.
Newsense
If you take your son to the hospital, do you agree to give money or sexual pleasure to the doctor! On another occasion, Shiva uses the opportunity of a land grab for a fellow journalist who is scolded by Pellam for not having a proper house. Someone writes news about a woman’s illicit relationship for both of them. If you look at all of them, it seems that heroes and villains are in Leary’s play, except for the characters who tread the paths of necessity.
If you look into ‘Newsense’… there is a heavy emotion behind every character. Land grabs, murders, the sport of high-flying politicians… many topics were touched upon. It would have been better if the director, who shot the series close to Nativity, was more careful about the length. The main minus is that the characters are just introduced without going into the actual story.
Newsense Web Series Actors Performance:
Navdeep is a good actor. ‘Nuisance’ is a good example of how amazing the right character can be. Acted with eyes in many scenes. Although he is free on the surface, it is well shown in some scenes that there is an idea in his mind that we know about his mother. If you look at the second season… there may be more connection and emotional journey between mother and son. Shelley Nabu Kumar’s performance as the mother is impressive.
Bindu Madhavi has less screen time. But, a perfect fit for the role! Navdeep and Bindu Madhavi have good chemistry. Mahima Srinivas is also joining them, so you can see a triangle love story in season 2! Nanda Gopal played the role of Edwin in a memorable way. Katta Antony in the role of Ayyappa! Other actors also did well.
Newsense
Finally what? : ‘Newsense’… Close to Nativity, a series that feels like watching the story in our hometown. Navdeep, Bindu Madhavi, and Nanda Gopal’s performances are impressive. To hide the original story and give a good card to the incompleteness of the series leaves me a little unsatisfied. However, the picture Abhi Baaki Hai Dost!
How will the fight between Journalist Shiva and Police Edwin be? Why was Renuka’s (Swetha Chaudhary) husband killed? Who will the journalists of Madanapally support in the upcoming elections? Did he and Neela know about Suvarchala’s (Mahima Srinivas) crush on Shiva? Did Shiva know the reason why the men from Tamil Nadu attacked him? Why did Neela go to the politician? There’s so much to come for season two!
FarhanaMovieReview: Amidst cinemas portraying Muslims as terrorists and aliens, Aishwarya Rajesh starrer Farhana, a heroine-centric film centered on a heroine from a Muslim family, hit the theaters today. This movie is directed by Nelson Venkatesan in the series of Erun Koothu and Monster movies. How is the film doing when Islamic organizations have raised their voices demanding a ban on the film? Are Muslims portrayed correctly on screen?
Farhana Movie Story:
Aishwarya Rajesh becomes the wife of Jitan Ramesh, the head of a middle-class family. Their family is very big. The entire family manages their needs by running a shoe shop. Farhana’s father is strict according to Islamic law. This beautiful family with three children is struggling due to poverty.
In this case, Farhana is trying to get permission from her family to get a job through the heroine’s friend. He breaks many barriers and goes to work with the permission of his family.
First, Farhana joins a bank credit card issuing job and with the help of her friend, goes to a high-paying job where she talks to a faceless person called Friend. Farhana, who is not fully aware of this at first, gets the wrong foot in it, and it becomes a continuous invitation for him to speak to Farhana in her own voice. This adds to the many accolades of being the best employee in the company.
Farhana
She also says ok to invite the person to see Farhana. But her co-worker avoids seeing him die in an incident like this. What does that person who gets angry because of this? Did Farhana meet him in person? That is the story of the film
Farhana Movie Analysis:
Jitan Ramesh’s performance as the supporting character of the wife who goes to work has attracted attention. The love he exudes fits him perfectly as the common man he is now.
Aishwarya Rajesh holds the film. She has lived as a heroine throughout the film. That is what stops the story of the film before our eyes. Nelson Venkatesh has told a very beautiful story of a Muslim family and their life through a short story.
If the length of the first half had been reduced, the film would have been less boring. None of the songs are up to par. This is the reason for Farhana’s film to sink. The music of the film is Justin Prabhakar’s song, although the background score is an added strength of the film. Selvaraghavan comes at certain moments in the film, but the way he is shown is different, but the scenes with his voice are well-placed. The film is a must-watch film based on the present-day normal family.
