House of The Dragon Movierulz

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House of The Dragon

House of The Dragon Episode 2 Review: Last night, simultaneously with the airing in the United States on HBO and exclusively on Sky and streaming on NOW, the second installment of the new Game of Thrones prequel series, House of the Dragon, was released. The series is inspired by the novel “Fire and Blood” by George R.R. Martin, who is also the creator of the series along with Ryan J. Condal.

The series is precisely a prequel set 200 years earlier than seen in Game of Thrones during the reign of King Viserys I Targaryen and follows the bloody story that will lead to the outbreak of the “Dance of Dragons”, the civil war for the succession to the Throne. of Spade. After talking to you more generally about the series in our review of the first six episodes (which you can read here), it’s time to analyze the second episode in more detail!

[The review below features several plot SPOILERS for House of the Dragon 1 × 02: The Rogue Prince]

In this second episode, we have the first time skip of the series: in fact, a year and a half have passed since the queen’s death and Viserys Targaryen (Paddy Considine), the current ruler of the seven kingdoms, is asked to remarry to keep her image strong, which has deteriorated over the years and now may have an enemy at the gates.

Indeed, as Lord Corlys Velaryon (Steve Toussaint) points out, a dangerous army is approaching the seven kingdoms from across the sea and risks becoming a problem first for his house and then for King’s Landing. Meanwhile, Lord Velaryon always tries to push the king to marry his young daughter, but the king’s attention is attracted by a very different woman, Lady Alicent Hightower (Emily Carey).

House of The Dragon Episode 2 – HBO Max

As if that weren’t enough, Prince Daemon Targaryen (Matt Smith) moved to Dragonstone after the king’s attack, taking possession of it. In all of this, Princess Rhaenyra Targaryen (Milly Alcock), the actual next pretender to the throne as decided by King Viserys, finds herself in a complicated position again when she decides to disobey the advice of the King’s Hand, Sir Otto Hightower (Rhys Ifans) and he decides to take matters into his own hands with Uncle Daemon.

The second installment of House of the Dragon again demonstrates the great writing skills of Martin and Condal, who after defining the starting points of the story, the motives of the various characters involved, and their position in the circle of power of Westeros, moves on to messing up the cards again.

With a threat at the gates, a succession questioned, and a prince removed from King’s Landing, all the conditions are created so that internal conflicts can actually begin to develop and magnify, while the external ones arrive inexorably, ready to shake Westeros. In all this, the second episode finally also gives us a greater taste of some characters that we have seen very little in the first, such as Lord Velaryon, played by the talented Steve Toussaint, and Lady Velaryon, played by Eve Best.

Lord Velaryon proves to be an immensely complicated character, much more than the one that revealed his role in the council, a role that we see close to him. Velaryon is one of the last of one of the oldest dynasties of Westeros and therefore suffers subjection to the Targaryens, but he is also a partly honorable man who, worried about Westeros, finds himself making questionable choices in terms of alliances.

House of The Dragon Episode 2 – HBO Max

Instead, Lady Velaryon, the “queen who was denied the throne” here takes a more interesting dimension, and shares with her husband the contempt for her house’s forced subjection to the Targaryens, but seems much closer to Rhaenyra than she could. understand the first episode, certainly always a conflictual relationship but which shows how the two women are not so different but are partly experiencing the same drama.

Even Daemon, played by the talented Matt Smith, in this episode proves to be a complicated character, certainly violent and over the top, a somewhat rogue prince, but who understands his inferior position and suffers from it. The discourse with his niece, but also the one with his lover, reveals a large part of the psyche of the character, showing a character that is not mad but more embittered by his life.

This second installment again confirms all the good impressions of the first, House of The Dragon is truly Game of Thrones at its highest level. These two episodes are reminiscent in some ways of the subterfuges of the first season of the mother series, with a hint of the wind of war blowing in the background, and of alliances between nobles ready to oust a too weak king. The pilot, who was not a pilot, had demonstrated the potential of such a prequel and the second episode presses the accelerator constantly, but without giving an idea of excessive speed, a big problem in the last two seasons of the parent series.

The House of the Dragon Movierulz | Episode 1

House of The Dragon

The Targaryens are back in the most anticipated series of all series. Game of Thrones continues with this prequel located 172 before the well-known Daenerys. House of the Dragon is the first and very good chapter of this long-awaited series in which HBO definitely gives it all.

In the midst of the time of the dragons, the series is known as HBO’s most spectacular bet for this season and for the following ones. If it exceeds the success of its predecessor (which is difficult) it will not be by putting everything.

The spirit: the same as that left by Games of Thrones, with many reminiscences, but also the first chapter with more camera movements, even more effects, and simply spectacular sets. Our computer friends, CGI stuff and all, have been hard at work designing a Westeros in every detail.

House of The Dragon/HBO Max

A truly enviable design of sets, costumes and staging even better than its predecessor in this chapter I that promises us quite a few differences from its predecessor: there is much more luxury and glamor in the House of the Targaryens: with the same medieval flavor , this time HBO takes us to a much more Florentine and less decadent scenario but just as brutal in the background (they make sure to make us see it), with evil characters, yes with an equal iniquity in the dialogue and in the action, in a cruel palace policy that, without a doubt, moves to the most earthly with some terrible scenes (no one will be scared).

Much more elaborate on a scenic level, more careful in the details, but also a story that neither wants nor believes that it can renew itself with a host of fans hungry to see new things but who, deep down, want to return to the emotions. and laurels from Game of Thrones. Quite an almost impossible challenge for HBO that has decided to face it with efficiency and elegance and also a sense of showmanship, maintaining the palace intrigue and saving the big surprises for later chapters (let’s see if the killings of main actors are repeated in each chapter, remains to be seen).

This first episode meets the challenge: it manages to maintain the spirit but also manages to distance itself and, within the unmistakable style of the series, assert itself as something of its own, although not independent of GOT.

Only one thing we can ask ourselves after this first and very promising chapter of House of the Dragon: if it will manage to surprise again in the same way, being condemned from the beginning to repeat what we already expect.

We are sure that the writers and HBO know what they are doing in this, their star bet of the season.

House of The Dragon/HBO Max

House of the Dragon Movierulz | Episode 01 of Game of Thrones prequel

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Anyone who thinks House of the Dragon and The Rings of Power is fighting on the same playing field must have misplaced their accounts because, beyond those HBO crafty wizards who thought they’d launch the Game of Thrones prequel just in time for the release of the prequel on Middle-earth that Prime Video had announced more than two years in advance, the two series have nothing in common, being House of the Dragon – but also Game of Thrones – not a fantasy series in any sense. tight, but a fantasy series in a political sense.

It would be, in fact, naive to be deceived by the mere presence of dragons – for the record, in House of the Dragon, there are 17 – to think that George R.R. Martin thought of setting up a saga linked to magical creatures because, if we think about it, it was never spelled that held the bank in King’s Landing, but the intrigues of power.

House of The Dragon Movierulz

The real engine from which the first Game of Thrones and now House of the Dragon started has always been that: the conspiracy to hold the scepter of greatness in your hands, the ambition to sit on that throne of swords so cold and so majestic capable like nothing else in the world to wipe out friendships, brotherhoods and blood ties in order to savor the thrill of sovereignty over the Seven Kingdoms.

House of the Dragon, which Sky and NOW will broadcast simultaneously with the United States from 22 August on a weekly basis every Monday, first with Italian subtitles and then with dubbed dialogues, is, in fact, the most Shakespearean it could be, proof that that great joker of Martin, when it came to creating a long-lasting and stable franchise over time, preferred to take refuge in safe used vehicles rather than betting on the impossible to calculate risk.

On the other hand, from the parts of HBO they know that, in this round, you can’t go wrong: the last season of Game of Thrones was so wrong in the writing and in the development that in this round you have to play everything and everything to prove to fans of the series that the world created by Martin’s pen is still in excellent health and still able to amaze for its intertwining and quality.

Quality that is so crucial for HBO that it had canceled a Game of Thrones prequel already announced in the press because the plot did not hold up: at this point, in short, either the ground on which you play is stable or you might as well raise the white flag and hope that sooner or later another serious phenomenon capable of bewitching the world will arrive. This is why House of the Dragon immediately gives the air of knowing where it will end, leaving nothing to chance.

House of The Dragon Movierulz

Both because it is based on a novel already published – Fire and Blood, published by Mondodari – and because we all know what will happen in King’s Landing almost two centuries later, having already told the rise of the Lannisters, the unjustified delirium of Daenerys, who went from feminist heroine to despot out of the jug, and the ascent to the throne of the young Bran Stark.

In House of the Dragon we rewind the tape of 172 years, when the Targaryens are in charge even if, as we can easily imagine, it will be the thirst for that power that consumes and makes oneself lose the cause of their evil.

To sit on the throne of swords – which at a guess seems to be very uncomfortable – is Viserys (Paddy Considine), designated as heir even if the law would have seen his cousin Rhaenys (Eva Best) as legitimate in the line of succession (the world of Martin, however, is profoundly male chauvinist: no woman has ever sat on the throne of swords, and that is why Baelon, Viserys’s father, has chosen to designate the choice of a successor to the council. A very Ponzio Pilato-like choice, if we think about it).

The idyll, however, is destined to die out soon: both because Daemon, the evil and ambitious brother of Viserys played by Matt Smith, the only known face of the series, has long been thinking of getting his hands on the throne, and because his daughter Rhaenyra (first Milly Alcock and then Emma D’Arcy), an almost adolescent who spends most of her days on the back of her dragon Syrax, doesn’t seem interested in the affairs of the palace in the least.

Hence the hope of a male heir who could guarantee the Targaryens to continue the dynasty: a hope guarded by the queen’s pregnancy faded, however, in a scene so disturbing as to make one regret the final sequence of L’Événement, the winning film of the Lion of ‘Gold in Venice in 2021. Hence the scattered cards lead the council to exercise strategic alliances and unexpected betrayals to get their hands on King’s Landing now that Viserys is sick and confused about the right strategy to put into practice.

House of The Dragon Movierulz

Right now, the ideal candidate to take his place once he passes away would be his daughter Rhaenyra, but we are not so bad as to think it will be a walk in health. If the plot wasn’t enough to convince us that House of the Dragon is the most political series since House of Cards, those Game of Thrones fetishes that have allowed HBO to bring younger viewers closer over the years are to add to the dose: sex (many scenes of orgies consumed in medieval rooms) and violence (in the first episode we witness a live emasculation complete with a bloody scrotum zoomed in on the foreground).

The meat on the fire – including that cooked to perfection from the flaming jet coming from the dragon’s jaws – is a lot, but this time HBO seems to know what it’s doing. We do not know if House of the Dragon will actually be able to continue what Game of Thrones started in 2011 when the network made bingo and tombolino by betting on a series that became a champion of ratings and prizes,

bringing advertising revenues to the stars, but we certainly know that on this tour nothing has been left to chance: from the attention to the costumes of Jany Temime to the special effects of Michael Dawson, from the remix of the music of Ramin Djawadi to the psychology of the protagonists who, however, just can’t make us like it Matt Smith’s straight blonde wig, which however bad it may be for us will always remain one of the best Doctor Who the BBC has given us.

The stakes – especially now that platforms like Prime Video and Disney + are unleashing heavy artillery to annihilate linear television – are high, but House of the Dragon knows that what makes the difference is the loyalty of a devoted audience. and, sorry for the competitors, but in this Game of Thrones, it proved to be second to none.

House of the Dragon ibomma | House of the Dragon Movierulz

House of The Dragon review, with this HBO series, launches the expansion of the Game of Thrones universe using a local approach, very different from the original series.

We have already reached that time of year that many were waiting for. Those who watch TV series know that the end of summer will be a fairly busy time for entertainment, and part of the responsibility lies with HBO which will release episodes of House of The Dragon weekly. Before starting with the review of the first 6 episodes of House of The Dragon, let’s make a summary of the programming of the series.

House of The Dragon will debut on August 22, For all the basic details on the series, trailer plot, and cast, we invite you to read our dedicated sheet.

House of the Dragon review, a question of expectations …

Expectations influence everything, especially when it comes to entertainment products as popular as Game of Thrones has become. Even the authors Ryan Condal and Miguel Sapochnik, are aware of the incredibly complicated mission, only because they arrived after 8 seasons of a pop phenomenon. House of the Dragon is not Game of Thrones and it cannot be in any scenario, this is probably the biggest obstacle that each of us will have to overcome.

What we remember from the original series are the deaths, the dragons, the wars, and all the junctions that made the series evolve and the last season, as much as it may have been discussed, was full of them. These events gave the series a completely different pace than it started when it was more political and House of the Dragon starts right there from the very beginning.

The premise of the series is quite simple, and it connects perfectly to the choice of the showrunners to go back slightly and build this “new” universe of characters in a fairly timely manner. A construction that has also given rise to the need to look for two actors to play the same role, such as those of Rhaenyra and Alicent. This allowed the series to tell the foundations of these characters, so as not to find ourselves confused by political and court dynamics that have already begun. This also justifies the unusual and numerous time jumps that we will see in the first part.

The local approach of the House of The Dragon

If you already start with the awareness that House of the Dragon is not Game of Thrones, the only other obstacle to overcome is its much narrower vision than the original series. Game of Thrones had such a vast and complex history, in which an extremely large number of protagonists orbited, that it is difficult to match.

House of The Dragon instead exists in a subset of this universe and tells some events that involved the House of Targaryen, 200 years before the story we know. Precisely for this reason, the series lives almost completely, and perhaps even a little too much, in King’s Landing, we also notice it from the set that has many more details than in the past. The rest happens in the background, we don’t see it, but they tell us about it in words.

This approach certainly makes sense if we look at it from a commercial point of view. It is clear HBO’s intention to create a subset of series that will focus on subsets of stories set in that huge universe. The fact of remaining closed within certain confines responds to that precise need not to “ruin” probably one of the many projects that the channel has in development.

So House of The Dragon mentions names people and places, just for the fun of it and to remind us that the Targaryens always live in Westeros; which has so many Dragons; which are many more than we were used to and which are powerful. The rest of the story takes place within the family, and with its absurd dynamics.

House of The Dragon also lacks a physical enemy, but there is perhaps the most complicated of all to defeat and understand: power. The Targaryens are constantly victims of power and the Targaryens themselves. The need to fulfill the obligations for the survival of the family is the only fuel of the series. Everything else does not represent a real threat, also because the future is already written.

When we get to know these new characters we find them in a fairly quiet period for the House of Targaryen, the only problem with King Viserys Targaryen concerns his succession to the throne. So the problem here is not which house will sit on the Iron Throne, but which of the Targaryens will, family is a permanent fixture in House of The Dragon and would make any attempt to create enemies superfluously.

The Targaryens then find themselves dealing with some crisis caused by a family member. Nothing to worry about, the ambition of other houses is always there, but it is often politically resolved with marriages to strengthen both. They are simple political dynamics … nothing more.

The consequences of this approach

King Viserys in his first marriage failed to produce a male heir and Rhaenyra is the only child who can succeed him, but she is a woman. This obviously opens up a huge issue that, however modern it may be, has very ancient foundations.

House of the Dragon manages to deal with it thanks to this local approach that allows it to elaborate, not to relegate the issue to a catchphrase, because you have to move to Winterfell to understand what is happening there. The theme of the role of the woman is the cause of the decline of the Targaryens, it always has been, after all, and here they found the time to dissect it and understand what impact it had on their history.

The fact that House of The Dragon somehow tries to differentiate itself from the original series is natural, you can’t expect the opposite, and you can’t even say it’s the same. Everything I have just written is part of a simple acceptance process that each of us should go through before watching the series, they are not defects, but quality.

You cannot approach the series with the hope that it will continue in the same vein as the parent series: so many battles, so many dragons, so many twists, plots, so much of everything that has made it a global phenomenon. House of the Dragon clears the beat; it is full of speeches in which so many people are mentioned, so many places, without really exploring them.

The Game of Thrones universe is moving towards the creation of appendages and sub-stories, probably replicating what Marvel and Star Wars have already done on Disney +. They are glimpses of history that come to life, which do not care about what is happening around them because it is not necessary, probably someone else will.

The “local” approach of House of The Dragon is the only obstacle that the viewer has to overcome. Needs to! Because it is almost certain that every project in this universe uses the same strategy. After all, the most choral story, the biggest and most spectacular one has already been told, now it’s time to tell the details … not to photocopy.

House of the Dragon – Here is the new official trailer of the Game of Thrones spin-off

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The official trailer of House of the Dragon was released today, the highly anticipated HBO series that will debut exclusively on Sky and streaming only on NOW on August 22 in all territories where Sky is present, absolutely simultaneously with the launch. American cable tv wave. Based on the novel “Fire and Blood” by George R.R. Martin, the series is set 200 years before the events mentioned in “Game of Thrones” and tells the story of House Targaryen.

Fans, but also those who want to arrive prepared for the August appointment without having yet seen the mother series, can recover all seasons of Game of Thrones demanded on Sky and streaming on NOW.

In ten episodes shot in the UK, House of the Dragon boasts a great cast that includes among the protagonists PaddyConsidine, Matt Smith, Olivia Cooke, Emma D’Arcy, Steve Toussaint, Eve Best, Fabien Frankel, Sonoya Mizuno, Rhys Ifans.

Also starring Milly Alcock, Bethany Antonia, Phoebe Campbell, Emily Carey, Harry Collett, Ryan Corr, Tom Glynn-Carney, Jefferson Hall, David Horovitch, Wil Johnson, John Macmillan, Graham McTavish, Ewan Mitchell, Theo Nate, Matthew Needham, Bill Paterson, Phia Saban, Gavin Spokes, Savannah Steyn.

Co-creator and executive producer of the George R.R. Martin; co-creator, co-showrunner, executive producer and screenwriter Ryan Condal; co-showrunner, executive producer and director Miguel Sapochnik; executive producer and screenwriter Sara Hess; executive producers Jocelyn Diaz, Vince Gerardis, Ron Schmidt; directors Clare Kilner, Geeta V. Patel; director and co-executive producer Greg Yaitanes. Based on the novel “Fire and Blood” by George R.R. Martin.

House of The Dragon (2022) Game of Thrones prequel trailer analysis

House of The Dragon

The countdown is about to come to an end. House of The Dragon will be released on August 21, 2022, and in the meantime, HBO has released a new trailer, longer than usual, for its Game of Thrones prequel. The series is set before the civil war unleashed by the competing heirs in House Targaryen. This civil war marks the end of House Targaryen, weakened by infighting and almost suppressed shortly before the Iron Throne.

The analysis of the trailer for House of The Dragon

House of The Dragon centers on the ancestors of Daenerys Targaryen (Emilia Clarke), including King Viserys I (Paddy Considine), Rhaenyra Targaryen (Emma D’Arcy) and Daemon Targaryen (Matt Smith). These are joined by a group of ice-blonde politicians Ser Otto Hightower (Rhys Ifans), his daughter Alicent (Olivia Cooke), and Lord Corlys Velaryon (Steve Toussaint), his wife, Princess Rhaenys (Eve Best), and the lover of Daemon, Mysaria (Sonoya Mizuno).

Returning to the plot, the latest trailer gives us a pretty sure idea of what we can expect. Starting from the locations, in the trailer, it is possible to recognize the seat of power in Westeros, forged with dragon fire and 1,000 enemy blades when the Targaryens came to power. The ruler who sits there issues decrees and edicts, but he must also be aware of who in his court is plotting to take his place.

House of The Dragon

Proceeding further, it’s easy to deduce that this latest House of the Dragon trailer shows Rhaenyra Targaryen in two distinct eras. Milly Alcock plays the younger version of Rhaenyra that we see standing in front of the Iron Throne, discussing political strategy with her Aunt Rhaenys Velaryon and also praying with the young Alicent Hightower. The older Rhaenyra, on the other hand, is played by Emma D’Arcy.

Many of the main characters shown in this latest House of Dragon trailer are familiar but one makes an appearance for the first time. At 2:02 there are some quick shots of a blond man sporting an eye patch during the fight. These physical characteristics clearly identify him as Aemond Targaryen (Ewan Mitchell).