A new teaser has been released for Doctor Strange in the Multiverse of Madness and the confirmed cameos are really crazy!
Doctor Strange 2: the release date of the highly anticipated Marvel movie starring Benedict Cumberbatch in the role of the Sorcerer Supreme is inexorably approaching! Now very little is missing for the release in Italian cinemas of one of the most anticipated, spoiled, youtube rated, and talked-about films ever.
If the Spider-Man: No Way Home event has become one of the most successful cinematic experiments in the history of contemporary cinema, what will happen in Doctor Strange in the Multiverse of Madness – directed by Sam Raimi, king of thrills – will certainly not be worth it. less.
A new teaser trailer for Doctor Strange in the Multiverse of Madness lasting a few seconds was released a little while ago, but it is already viral and much discussed on the web due to unexpected images shown in the clip. The video, in fact, seems to confirm some of the most talked-about rumors of recent times about the film: cameos, unexpected plot junctions, and above all great crossovers with the Marvel shows released on Disney +!
The characters identified so far in the new teaser for Doctor Strange are names that have already been heard in connection with the film, but now the confirmation comes through the videos: Professor Charles Xavier played by Patrick Stewart, Lyshana Lynch in the role of a variant of Captain Marvel and finally the Peggy Carter / Capitan Carter already seen in What If…? and played by Hayley Atwell.
In the new teaser for Doctor Strange in the Multiverse of Madness, in fact, Xavier’s floating chair, Captain Carter’s shield, and Captain Marvel’s powers are clearly visible! The film also stars Benedict Wong as Wong, Rachel McAdams as Christine Palmer, Chiwetel Ejiofor as Mordo, and Elizabeth Olsen returns as Wanda Maximoff. The film will introduce Xochitl Gomez as America Chavez. The time for Doctor Strange 2 has finally arrived and fans can’t contain their enthusiasm.
Mahesh Babu – Sarkaru Vaari PaataTrailer Talk | Tollywood superstar Mahesh Babu is all set to star in ‘Sarkaru Vaari Paata‘ directed by Parushuram Petla. The shooting of the film is almost complete. The movie unit is going to hit the pumpkin for this movie. There has already been a good response to the release of a song called Kalavati from this movie.
The melody song composed by Thaman has so far garnered over 150 million views on YouTube. The song was written by Anant Sriram and sung by Sid Sriram. Music by Thaman. The visuals in the song are good. The song has been trending on social media since its release.
There is a good response to the second Penny Music Video released from the movie ‘Sarkaru Vari Pata’. The song was super stylish and became an instant hit. Records are gaining views whether it is released or not. The song (Penny Music Video) has already crossed 29 million views and is creating a sensation.
The title song also garnered 10 million views. Another highlight of the song is the stylish performance of Mahesh’s daughter Sithara Ghattamane. Sung by Nakash Aziz … Written by Anantha Sriram. There has been a good response to the recently released title song from the movie.
With only 2 weeks left in the film, the promotion of the film is in full swing. The theatrical trailer for the film has just been released. This trailer is on a hoax-like out-of-mass level.
With this trailer the expectations on this movie have increased. Once again, Mahesh Babu is saying that it is right to cheat at the box office. The dialogues narrated by Mahesh Babu were lost in it. Mahesh Babu’s dialogues are good “You can steal my love, you can steal my friendship, but you can’t steal my money.
I was shocked to hear the dialogues told by AP CM Jagan that “Nenu Vinnanu… Nenu Vunnanu”. Especially when you are old enough to get married .. settle down sir .. you are getting married … You are a small child. Everyone thinks the same of you. Here he says once again how hard he is working for his fitness that the beams will run out. The dialogue exploded as the son-in-law, who was waiting for Shobhana to add a hundred Viagra, came to the room.
The movie (Sarkaru Vaari Paata) is all set to release worldwide on May 12, 2022. Recently, US bookings for this movie have opened. It is not uncommon for bookings to open 15 days before the release. However, the film ‘Maharshi’ is an exception. The film was a super hit at the box office.
It is learned that the film ‘Sarkaru Vari Pata‘ is being prepared for release not only in Telugu but also simultaneously in Hindi, Tamil, Kannada and Malayalam at Pan India level. Clarity needs to come on this. Mahesh Babu, Trivikram will be doing the film after this. Rajamouli movie is likely to be after that. The makers are thinking that if the film ‘Sarkaru Vari Pata’ is released for the first time at the Pan India level, it will help the upcoming films.
Keerthy suresh opposite Mahesh Babu played the heroine in this movie. When it comes to the story of this movie (Sarkaru Vaari Paata) .. it seems to be centered around a huge scandal that has shaken the Indian banking sector. It seems that the character of the hero father in the movie is a top official of the bank. This movie is coming with a social message.
Talk is running that Mahesh is playing the role of the son of a bank manager. How he got back the money from a businessman who evaded billions of rupees and lost the scandal that befell his father will be the storyline. There are rumors that Mahesh Babu will be playing a double role in the film. When it comes to the technical staff of the film .. while Madhi is doing the camera man .. Thaman (S.SThaman) is providing the music. Editing by Marthand K Venkatesh.
Acharya: Megastar Chiranjeevi and Ram Charan ‘Ram Charan’s first co-starrer’ Acharya ‘. The film was directed by Koratala Siva, an undefeated director, and was released worldwide. Let’s see if father and son Chiranjeevi and Ram Charan entertained the audience with this movie or in our moviereview.
Story…
In Dharmasthali, Basava (Sonu Sood) is giggling in the guppies. The kingdom of iniquity is rising in the place of righteousness where righteousness is to be found. Acharya (Chiranjeevi) arrives there in this order. In Dharmasthali along with Basava, his men are creating anarchy.
In this order Acharya .. how he confronted Basavana in Dharmasthali. In this sequence, Siddha (Ram Charan) has a foot stage next to the Dharmasthali. Sidda will be the visitor to the area there. Siddha seems to be in this order. ? Who is the original Siddha? The film tells the story of his relationship with Acharya.
Analysis…
Chiranjeevi’s film, directed by Shiva, is expected to be a failure. Moreover, with Ram Charan acting in this movie, the sky was the limit. How can there be no story when there are two heroes… If the narration and elevation scenes are good .. the movie is waiting. But it must be said that Koratala Shiva failed in cultivating proper elevation scenes even with two heroes.
Only the scenes between Chiranjeevi and Ram Charan in particular are a plus for this film. As for the real story .. the corporates fall on the forests to plunder the mining wealth in the forests .. they plan to drive out the tribals there and plunder the wealth there. It is good that the comrades of the elders are entering the arena and demolishing their heights for the Bada Babus who are plundering this forest treasure.
Especially the story and narration of the 80s and 90s are a minus for this film. Dharmasthali in flashback, if more elevation scenes were put in the footsteps .. it would be good. But Koratala Shiva missed that chance. Cameraman Thiru’s performance is good… I can say that the whole movie is dark like everything in Mani Ratnam’s movie. The graphics that show Chiranjeevi in Flashback are extremely poor.
As for the cast .. Megastar Chiranjeevi has shown his grace in dance and acting. Fights seemed a bit hesitant. And Ram Charan’s screen presence is good. The action scenes in which Ram Charan confronts the private army sent by the corporates to kill the Naxalites, especially in the jungle are good.
And Chiranjeevi, Ram Charan .. The comedy killing scenes of the villains at the mining site are meant to entertain the mega fans as well as the audience. The Banjara song that the two of them did together is great. Chiranjeevi Steps Adurs Analsinde In The Song Lahe Lahe. Whether Pooja Hegde was in the film or not, there were no major changes in the story. Sonu Sood, Jishu Sen Gupta, Ajay, Nazar, and Banerjee played other roles well.
365 Days: 2movie continues the troubled story of a woman who falls in love with her kidnapper, but now the bet is doubled
In 2020, a Polish film appeared that was trying at all costs to be a new Fifty Shades of Grey, and that Netflix had bought to put in the catalog. It was 365 Days, a regrettable, horrible film that at the time we even called criminal, for normalizing a situation in which the main character suffered from Stockholm Syndrome. But it had a lot of sensual scenes, so of course, it was successful.
Most of the professional critics didn’t like the film and with good reason: in addition to having a tacky and completely nonsensical script, it was also very poorly filmed, it looked like it had been made by a team of amateurs. So much so that he was nominated for a bunch of Golden Raspberry, that award for the worst of the year, and took the trophy for Worst Screenplay.
But, as we said: there were a lot of sensual scenes and a couple that had a lot of chemistry in the scene, that can’t be denied. Netflix smartly bought the rights to produce both sequels, because yes, just like in Fifty Shades of Grey, 365 Days is a trilogy, here written by Polish writer Blanka Lipińska.
Then we have 365 Days: This Day, which is coming to the platform, and what we can say about it is that history decided to double the ante: if it was bizarre in the first part, it is twice as bizarre in the second. But there are a lot of sensual scenes. So it’s probably going to be a big hit.
Remember the previous movie
Before talking about the current movie, we have to talk about the previous movie. In fact, we have to talk about how it ends. If you managed to get to the end, you must have seen that Laura, played by Anna Maria Sieklucka, is happy with her passion, the mobster Massimo, played in the film by Michele Morrone. As is well known, he is a criminal who had kidnapped Laura, but they fell in love – look at the Stockholm syndrome there – and began to live a torrid romance.
The end of the previous film is left open when one of Massimo’s henchmen receives a call and alerts the boss that Laura may be in danger. He tries to contact the girl and the mobster, but he can’t, so he goes to Massimo’s house to raise the alarm. Massimo tries to call Laura but loses communication with her when the car she’s it enters a tunnel. Her car doesn’t make it out of the tunnel, and the scene shows a police car parked at the entrance.
Those watching have the impression that Laura was killed by Massimo’s rivals. But then it wouldn’t be possible to make a trilogy, right? So in this movie, she appears very much alive and married to him. But we won’t give more details about how this happened so as not to spoil her surprise, in case she’s interested in it, right?
Twice worse
About the story of this movie, what you need to know is that Massimo and Laura are happily married and everything seems like a huge fairy tale for the couple. But Massimo has a lot of people who don’t like him, and one of his rivals has a plan: rather than hitting him directly, it’s hitting those he loves most in life. So, after a couple’s fight, Laura decides to return to Poland with her friend, Olga but is kidnapped (again).
This time, the one who kidnaps her is Marcelo Nacho, who is the son of Massimo’s rival mafia boss. His plan is to take Laura to the Canary Islands and keep the girl hostage there, leaving Massimo desperate. Is Laura’s life in danger? Yes, but here comes the most impressive thing about this whole story: she begins to feel attracted to the thief who kidnapped her, and enters with him into a game of seduction. Yes. Again.
As you may have already noticed, this film, as Isabela Boscov would say, is a huge hoot. It’s a repetition of what happened in the first film, but with the aggravating factor that now we are sure that Laura urgently needs psychological treatment. If it’s already strange that a person agrees to marry the person who kidnapped them in the past, even stranger is falling in love with a new kidnapper.
The actors’ chemistry is good, the movie is not
Anna Maria Sieklucka, Michele Morrone, and Simone Susanna combine well and do very well the most sensual scenes required by the “script” (script in quotation marks here because right). Maybe that’s the only good thing about this whole situation because the movie is regrettable in many ways and as a narrative, it’s a poor, painful thing that wouldn’t have any chance of being produced if it weren’t for a shameless carbon copy of Fifty Shades of Grey. which is also no big deal.
But what counts is the audience, and in that sense, those who like hot scenes with actors that look like they came out of a Dior catalog will be quite satisfied with what’s here in this film. It’s even heavier than the first, it has more daring scenes, but if you’re going to follow a story like this, it’s better to go see an adult film at once, so you don’t waste time with the frills that the script makes. to try to make sense of all that we are seeing.
In summary: 365 Days: This Day movie is as bad as the first film, serious candidate to take home a few more Golden Raspberries, but it will satisfy those who love a strong makeout, even if it makes no sense. Congratulations to Netflix, which, intelligently, realized this audience niche that most likely has everything to become something very recurrent in the catalog.
One step away from the final gong, Moon Knight churns out an episode in many ways unexpected, although not by its nature. Mind you, from the first moment we glimpsed the asylum it was understood that the next chapter in the story of Marc and Steven would be extremely focused on their psyche, otherwise it would not have made much sense to exploit in the current narrative context the brilliant intuition of the comic by Lemire: if the writers have chosen to wedge themselves in this path it is because they had planned an episode – at least in part – introspective in which to vent the drama of their version of the character.
What we did not expect, however, is that this nature would take possession of the entire episode, avoiding even giving certainties about the final series and demonstrating for the umpteenth time how disinterested Moon Knight is to follow many topoi of superhero products or the so-called formula Marvel, for better or for worse.
An episode then emerges that to define atypical for the MCU would be a euphemism, which takes its time and a double level of “reality” to give total space to Marc / Steven, to an increasingly sumptuous Oscar Isaac and raw power dramatic of a broken mind. And it’s just wonderful when taken on its own and yet worrying about the final act.
Fact or fiction?
We immediately find Marc (Oscar Isaac) locked up in the Putnam Medical Center – here you can find our review of Moon Knight 1×04 – and struggling with Dr. Harrow (Ethan Hawke), intent on explaining to him once again the fragility and seriousness of his psychic condition. But Marc, refusing to believe that everything he experienced was a mere invention of his mind, continues to fidget and act violently against his supposed nemesis, with the only result being sedated by the nurses.
The instant the liquid penetrates her body, however, she awakens again at Steven’s side and in the presence of the Egyptian goddess Taweret, ready to guide them into the afterlife after revealing to the duo that they are dead and judging them on the scale of the justice – which, as we well know, will find it hard to judge them.
Then begins a long journey back into Marc’s painful and shattered existence, to reveal his secrets, try somehow to accept a terrible past and, in doing so, balance his heart. And let’s start from a necessary assumption: starting this journey, at least in our opinion, is a bit forced.
It is certainly fascinating since it is immersed in the beating heart of a rich and extraordinary religious culture like that of Egypt, but perhaps it would have been more coherent to insist in equal measure on Steven’s desire to finally know the truth. In short, the stakes seem somewhat nebulous and cannot always be justified on the altar of an atmosphere that demands a certain aura of mystery, however, the two needs must be balanced.
Marc’s relentless odyssey
Having overcome this and putting aside the now very classic comic relief that always pops up in an MCU production – in this episode not so annoying, indeed we dare to define Taweret as adorable and her sporadic presence – can begin a journey that is nothing short of amazing. Nothing is missing: a painful, dramatic imprint with that dark aura from which no hope or redemption seems to emerge, a crucial element in Moon Knight;
A long series of revelations proposed in intermittent and non-linear ways, interspersed with other sequences on the real plane of the asylum and Dr. Harrow makes the whole exquisitely lysergic; in general, it is offering a naked and brutally honest tragedy, stripped of any unnecessary outline element, that really elevates this episode.
It is a continuous and relentless odyssey that falls on the viewer and not being entranced by it is very complicated. So, as mentioned in the preview, taken in its own right is an unmissable chapter, which nevertheless leaves enormous doubts for the next week. There is still a lot to resolve, from freeing Khonshu to stopping Harrow.
From the intricate relationship with Layla (May Calamawy) to the question of the third identity, which the series has repeatedly hinted at very clearly. Will the ending be enough to satisfactorily close the circle or will the deleterious haste with which so many Marvel series have already greeted its audience will be repeated?
For Moon Knight, it is time to clarify the combinations of Indiana Jones, in a very pleasant episode with a screaming ending for fans of the comic.
The feeling, now only two appointments from the end, is that Moon Knight is always missing that little bit more, the last piece to really enter once and for all in the Olympus of MCU productions and in the hearts of fans. If after all, it is true – and this episode 4 makes it even clearer – that the series on the Fist of Khonshu has certainly marked a change of tones, themes, and even an aesthetic of no small importance within the Marvel ecosystem, it is equally clear that the basic formula has not been modified in any way, but pushed to its limits.
And, consequently, the usual discussions on humor follow one another, although in Moon Knight there is much less present, some avoidable plot hole – the sarcophagus of the last episode and above all how it was used makes your nose turn up a bit – and weakness in the middle of the season. Weakness that absolutely must not be understood as mediocrity or a large insufficiency, on the contrary, the adventures of Marc / Steven have always been valid and exciting.
It is more a matter of missing details or management of certain clashes that could be much more in focus. The result is a very rich fourth episode, extremely adventurous and even disturbing at times, with an epilogue that is a love letter to a very particular comic and a very nebulous but fascinating future.
A labyrinthine tomb
What would Moon Knight be without Khonshu? This seems to be the opening dilemma after the Egyptian deity was trapped in stone by the other gods for interfering with the world of humans again – here you can find our review of Moon Knight 1X03. A question that unfortunately does not have time to dig deep into, as Harrow (Ethan Hawke) has already reached Ammit’s grave and may be able to awaken it at any second.
Marc / Steven (Oscar Isaac) and Layla (May Calamawy) just have to exploit the fruits of Khonshu’s sacrifice and immediately go to the eternal resting place of the goddess, but something sinister awaits them from the entrance. Here, for those who in recent weeks had heard the name of Indiana Jones connected to Moon Knight repeatedly without understanding why, the reason is all contained in this episode, which is basically nothing more than the exploration of a tomb to find a specific artifact, namely the ushabti (a funeral statuette) of Ammit.
And it is exactly adventurous, full of fantastic discoveries and small details about ancient Egyptian culture as you are imagining it, an ensemble that any fan of Indy cannot fail to appreciate. To give, however, the really decisive push to the episode is the presence of the supernatural element, of bizarre presences that give life to sequences of unprecedented violence by Marvel standards: it is never shown head-on and clearly, but we assure you that there will be blood, with even a small touch of disgust that marks a pleasant addition to the construction of the atmosphere.
The search for balance
These are important signs, demonstrations that, however, within certain limits, Marvel Studios are willing to go beyond their comfort zone to give us something different. Moon Knight necessarily had to be the series on which it was necessary to work in this sense and they did, they can no longer deny it.
In addition, the epilogue for a paper Marc Spector fan is a small gold mine of quotes and references to the arc of Jeff Lemire, one of the most loved and recognizable of the modern cycle of this enigmatic and wonderful character. It is also the moment in which the humor makes its detour with just one step more than it should right at the end (there is also a sensational twist in the ending of Moon Knight 1X04), but if the cue to question whatever happened was carried on for a while and not simply used as an episodic situation or fan-favorite, the potential for this latest sprint would be endless.
What is missing in this episode is strangely enough internal drama between Marc and Steven: a lot more space is given to Layla after the little Harrow revelations last week and that’s not a bad thing at all, but there is a strong cause of friction too. between the two personalities of the protagonist and it is unsatisfactory to see their reaction hinted at only once and nothing more. It is the balance that is missing, the one that was almost magically achieved in the second episode, and that we would like to explode again.
Have you been wondering for several weeks why the name of Indiana Jones linked to Moon Knight was circulating? Here, the fourth episode serves exactly to remove any doubts about it, because after all, it is nothing more than an exploration of a labyrinthine tomb in search of an artifact. And it is exactly as adventurous as it is full of surprises and historical goodies as you are imagining it; any Indy fan will immediately feel at home.
A set crowned then by supernatural presences that really give an extra gear to the episode, as they are at the center of some rather bloody and violent sequences by MCU standards. It is always violence that is never framed in the chest and in a clear way, but blood will flow and even a touch of disgust that does nothing but benefit the atmosphere of the series. A show that is approaching its final stages and does so with an epilogue that is a love letter to the fans of the comic and to the run of Lemire, who with his classic upheaval questions everything that has happened so far.
And opens the doors to infinite potential if used properly. More than anything else, it is always the attention to some details that are lacking: some transitions that are too steep, friction between characters that are not always focused, aspects and dialogues out of place. Moon Knight still lacks that little bit more to truly prove to be an all-around success.
Doctor Strange in the Multiverse of Madness is an upcoming American superhero film based on the Marvel Comics character Doctor Strange. Produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures, it is the sequel to Doctor Strange (2016) and the 28th film in the Marvel Cinematic Universe (MCU).
The film is directed by Sam Raimi, written by Michael Waldron, and stars Benedict Cumberbatch as Stephen Strange, alongside Elizabeth Olsen, Chiwetel Ejiofor, Benedict Wong, Xochital Gomez, Michael Stahlberg, and Rachel McAdams. Is. In the film, Strange and his allies travel across the multiverse to face a mysterious new adversary.
Doctor Strange director and co-writer Scott Derrickson had plans for a sequel by October 2016. He signed on to return as director in December 2018, when Cumberbatch’s return was confirmed. The title of the film with Olsen’s participation was announced in July 2019, while Jade Hailey Bartlett was hired to write the film in October.
Derrickson stepped down as director in January 2020 citing creative differences, with Waldron and Raimi joining and starting the following month. Filming began in London in November 2020 but was halted in January 2021 due to the COVID-19 pandemic. Production resumed by March 2021 and ended in Somerset in mid-April. The shooting also took place in Surrey and Los Angeles.
Doctor Strange in the Multiverse of Madness is scheduled to be released on May 6, 2022, in the United States as part of Phase Four of the MCU.
Yash’s career as a hero changed completely with a single movie called KGF Chapter 1. Now Pan has become an Indian hero. Isn’t it an exaggeration to say that there is an Indian audience who does not know about Rakhi Bhai ..? His range changed with a single film, Kejriwal. Yash has expanded its market presence in the Pan Indian range. He also got a good market in Telugu.
Recently greeted with the KGF2movie today. The film has been released on over 10,000 screens worldwide. This is the first time a Kannada movie has been released on so many screens. Let’s see if the response to KGF Chapter 1 came to KGF 2 or in our movie review.
Story
Rakhi Bhai (Yash) heads the KGF (Kolar Gold Field) after killing Garuda in KGF Chapter 1. There he expands his empire. What did Garuda’s Adhira (Sanjay Dutt) do to escape from the KGF that fell into the hands of Rakhi Bhai in this sequence? What was the turn of the fight between Adhira and Rakhi Bhai in this sequence? How did Rakhi get the upper hand over Adhira in this sequence? Raveena Tandon, who is the Prime Minister in this order… What decision was taken on KGF. ? KGF Chapter 2 Movie Story is finally about what Rakhi Bhai did.
Article…
Going to the theaters is more fun than watching some movies. Although the story is not big… Director Prashant Neil with the action episodes along with the hero elevation scenes, it must be said that the film gave full meals to the mass audience. As Prashant Neil did magic with Yash on screen. It is to look and enjoy without thinking about logic.
The hero elevation along with the hero characterization in KGF2 is even more evocative with the action scenes than the hero elevation scenes shown in KGF1. A scene is less than aha… Another scene was screened by Bapla. Prashant Neil with Elevation Comes Action Scenes till Climax… The way Yash is shown on screen is great.
Prashant Neil ran the film with his own scenes cum action scenes without a whole story. Yash as Rakhi Bhai who fell for it .. provoked in his own style. Yash’s screen presence is captivating with every scene from the Rakhi intro scene to the climax. The character of heroine Srinidhi Shetty is so .. so. Sanjay Dutt’s role as Adhira has to be further refined.
Sanjay Dutt did as well as he could within his range. Raveena Tandon, who played the role of the Prime Minister, was impressed with her screen presence and acting at that level after Hero Yash. Hats off have to say that she excelled in the role of a true Prime Minister. Yash later dominated the film with his acting. The rest of the cast excelled in their range.
Camera performance is visible on the step. There are comments that it would be nice if the editor could sharpen his scissors a bit. Story lag here and there. And in the movie Prashant Neil Maxim Kathenti .. what is in it .. why is the hero doing that .. he was not even given time to think .. he served full meets to the mass audience with only elevations and action sequences.
Looking at the first part and making the same level of expectations would be a bit disappointing. The background score, however, faded. Overall Ravi Basroor brought goosebumps with his RR. Overall Yash was once again bustling with his acting.
There are already huge expectations on ‘KGF-2’ coming as a sequel to the ‘KGF-Chapter 1’ movie. But, there was some loss of interest due to the corona. In addition to this when there were no expectations in the audience .. Prashant Neil who surprised them by giving them unlimited entertainment .. had doubts as to whether they would be able to meet the skyrocketing expectations after the release of the first part.
It is learned that there has been a mixed reaction to the ‘KGF-2’ trailer. Doubts were expressed as to whether the film would satisfy the audience. As well as this film which has done a lot of business .. there were fears that it would expose the buyers or not. But by the time we stepped into Release Week, the whole story had changed.
Advance bookings were made for the film in a range that stretched across the country. In North India, however, the film has gained a craze beyond ‘RRR’. Due to this blow, the film ‘Jersey’, which was supposed to be released in Hindi this week, had to be postponed. KGF-2 could not be counted in North India as the RRR intensified.
There are indications that the cinematic range is still growing. However, ‘Beast’ seemed to be a major obstacle to the film in the South. Expectations for ‘Beast’ have been high as it is a film starring Vijay and Nelson Dilip Kumar in super form. Apart from Tamil Nadu, the rest of the southern states are expected to be affected.
However, ‘Beast’ released on Wednesday failed to live up to expectations. Tamil people, especially Vijay fans are chanting Aha Oho but .. everyone outside decided the film was a disaster. A complete negative talk is coming in Telugu. The situation is similar in Karnataka and Kerala.
We have to see how the box office performance will be after the first day in Tamil Nadu. At present, the threat to ‘KGF-2’ from ‘Beast’ seems to be gone. With the negative talk about ‘Beast‘, it seems that the road to ‘KGF-2’ has been cleared across the country. Just want the movie to get positive talk. The film manages to entertain as well as inform.
Moon Knight Episode 3:The new date with Moon Knight proves rather ambivalent, with the already known strengths continuing to shine and complicated additions.
And we have already reached the middle of Moon Knight’s journey, with an episode that has left us in some ways rather perplexed. It has been a bizarre, dreamlike, and deliberately confusing experience so far, in the form of a puzzle to be put back together piece by piece to deeply understand Steven / Marc’s delicate existence.
Surely to date, Moon Knight is one of the most distinctive and unique productions made by Marvel Studios, the one with probably the most freedom of action, despite being always immersed in their very recognizable style.
But it is what made the series exciting, different, guided by a fragmented and slightly alienating narrative approach, which relies heavily on details that are sometimes barely mentioned or that are clear in the dialogues themselves and not in infinite explanations – which at the, in the end, they would just break the rhythm.
Moon Knight is brilliant in these respects and, supported moreover by fascinating mythology in full expansion, brings from its attractiveness and conquests that many other MCU-branded products in the recent past have lacked, even in a rather sensational way. In the third episode, however, particularly in the first part, such a quantity of meat is thrown into the fire that we are dumbfounded.
Divinity in comparison
After the conclusion of the last episode (here you can find our review of Moon Knight Episode 01, Episode 02), we find Marc (Oscar Isaac) in Egypt on the trail of Harrow (Ethan Hawke), about to find the lost tomb of Ammit in his crusade to make resurrect divinity and bring “heaven” to earth.
A search that immediately suffers hindrances, as Steven does not intend to give up and, if he can avoid making the mercenary carry out yet another massacre regardless of the purpose, it will put a spanner in the works all the time, in a wonderful reversal of roles respect debut.
Now, the first consideration we feel like making is precisely that relating to Marc: now he is the protagonist, the main actor in possession of the body and it is impossible not to once again praise Isaac’s interpretation, radically different down to the smallest. body language details compared to mild-mannered and introverted Steven (we will never tire of saying that Oscar Isaac is the best choice for Moon Knight).
Marc is resolute, decisive, in his own way tormented and afflicted by a tide of secrets that surround him, but in extremely opposite ways compared to his counterpart who is always alert in any reflection, even that of a knife. A sensational dichotomy that alone would be worth the price of the ticket for the entire show, further multiplied by the comparisons that follow one another with Harrow.
If on the one hand, in fact, it is possible to reproach the villain played by a magnetic Hawke for not having yet contributed to consolidating a tangible threat to our disturbed hero, on the other hand, his mellifluous, ambiguous and slimy nature can easily compensate for any lack.
The toll of the shared universe
In general, it is the construction of his scenes that is almost perfect, from his entry into the arena to how he successfully manipulates anyone who stands in front of him, human or God who is. A ghostly figure capable of emerging whenever the situation demands it, a ghost that is impossible to eliminate no matter how faint it appears, culminating in a creepy final sequence; the possibilities to expand it and make it even more fearsome are endless.
What does not work is the central part, so to speak, of the episode, because in essence, it is the moment where Moon Knight expands his mythology beyond measure and, avoiding making spoilers, the consequences of the revelations made do not seem well calculated.
The show certainly gains a seductive aura of mysticism and takes full advantage of the character’s background, but the shared universe takes its toll once again: it is possible that every time you have to insert an unprecedented element into the whole you have to resort to ‘now hackneyed “let’s not interfere with the affairs of human beings”?
How many other organizations or groups operating in the shadows should we still expect? And how is it possible that such people have never been noticed? It’s a solution that can hold up in some circumstances, and to be honest, Moon Knight could be one of those cases. At the same time, these are stylistic features that we are hearing all the time from Black Widow; here the MCU necessarily needs new blood.
The third episode of Moon Knight turns out to be ambivalent in many ways. All the elements that are establishing the success of the series are always present, indeed they are put in a new light since, for example, now it is Marc who is in control of the protagonist and not Steven.
And again Isaac proves to be an exceptional actor, with a radically different interpretation from what we saw in the first few episodes. And alone, the Marc / Steven contrast is already worth the ticket price for the entire show, made even more ferocious here. Just as the villain Harrow continues to work, mellifluous, slimy and manipulative to the point of unbelievable, moreover accentuated by an episode ending that is nothing short of dramatic.
The central part doesn’t work at all, because yes, it’s yet another demonstration of how the authors are making the most of Moon Knight’s background; it works, but the shared universe takes its toll and the consequences of what is shown do not seem well calculated.
