Sam Raimi returns to talk about his past as a cinecomics director and tells his version of the controversial “emo Peter” scene in Spider-Man 3!
Sam Raimi is in the cinema with the new phenomenon produced and distributed by Marvel Studios, or Doctor Strange in the Multiverse of Madness. Despite a rather contradictory and sometimes polarizing criticism, Raimi’s film is having a huge success at the box office, recording really high revenues in its first days in the cinema. Sam Raimi returns to the genre of cinecomics after twenty years, or after its release in theaters with the Spider-Man trilogy.
The first two films of the franchise will probably remain iconic as real cult superhero movies. In fact, the villain of the films are back to the delight of the public in Spider-Man: No Way Home. Willem Dafoe’s Green Goblin and Alfred Molina’s Doc Ock are among the most successful villains ever. However, Sam Raimi’s Spider-Man trilogy is not only remembered for its achievements.
Spider-Man 3, the latest in the franchise, is considered by most to be a real disaster. The film, in fact, alternates an emo atmosphere with the original one of the first films, often leaving the audience confused if not even provoking incredulous laughter. Some scenes in particular, in fact, have remained etched in fans for their somewhat ridiculous and “cringe” nature.
The most popular is certainly the one concerning “emo Peter Parker”, or when the fusion between the protagonist and the Venom symbiote is effective. Venom transforms Peter into a kind of rebellious teenager with oily hair and a very “Green Day” look. The sequence of the “dance” improvised by Peter / Tobey Maguire in front of Mary Jane / Kirsten Dunst has become a real meme over time.
Sam Raimi thus justified his artistic choice in an interview with Fandom. “The scene was meant to be fun. It was Peter Parker’s version – this slightly “loser” guy – of what it meant to play a bad version of himself. But he is completely beside himself. The character is so out of the cool that this is his interpretation of what it means to be bad.
It didn’t go very well with the audience, but that was what we were trying to do. So I’m not surprised if people find it… well, I’m glad people find it fun! We wanted him to make people laugh, ”said Raimi.
Michael Keaton to star in and direct the noir thriller Knox Goes Away, which will be presented to buyers at the Cannes Film Festival
Michael Keaton will star and direct the noir thriller Knox Goes Away, which FilmNation, ICM Partners and Verve will present to buyers on the Croisette. The Cannes Film Festival 2022 will be held from 17 to 28 May.
Gregory Poirier wrote the screenplay for the film, which tells the story of a contract killer diagnosed with rapidly worsening dementia. Man will have the opportunity to redeem himself from a life of killing by saving the life of his son, long lost. However, to do so, he will have to fight against the police, who are ever closer to catching him, and against his illness. Production is scheduled to start in late August in Los Angeles.
The film’s producers are Brookstreet’s Trevor Matthews and Nick Gordon and Sugar23’s Michael Sugar and Ashley Zalta. Carter Stanton (Brookstreet) will executive produce, along with Jillian Kay (Sugar23). FilmNation handles international sales, while ICM Partners and Verve Ventures jointly represent US rights.
Michael Keaton was most recently seen in the acclaimed Hulu miniseries Dopesick, which he also executive produced. He has won a SAG Award, a Critics’ Choice Award and a Golden Globe for Best Actor in a Miniseries or TV Movie. He will soon be seen in the eagerly awaited The Flash, in which he returns to take on the iconic role of Batman.
Thor: Love and Thunder is the next big Marvel movie that fans await with religious patience. After the theatrical release of Doctor Strange in the Multiverse of Madness and the controversial reactions from audiences and critics, fans await the release – in July – of the fourth chapter of the Thor saga, the God of Thunder played by Chris Hemsworth . The villain planned for the next film is Gorr The Godbutcher, played by the great method actor Christian Bale.
The film will be directed by director Taika Waititi, who has become a legend thanks to his total reboot of the Thor franchise. Thor: Ragnarok is in fact the film starring the God of Thunder that has had the greatest success with critics and audiences. In Thor: Love and Thunder, the news will be many and the surprises even more.
The first teaser trailer for Thor: Love and Thunder showed fans a first glimpse of the new hero played by Natalie Portman, known by those who followed the franchise as the former love interest of the mighty God. However, Jane suffered a great deal makeover, becoming the cinematic equivalent of a very popular story among comics fans, that is, plays the role of the superhero The Mighty Thor.
Image Credit: Marvel
In the trailer, Jane wields a put-together version of Mjolnir and displays a physique truly worthy of the new Thunder God! A new image, released by Marvel Studios, shows the two Thor ready for battle, in costume! The two are truly a formidable couple and seem ready to face the dangerous Gorr!
As seen at the end of Avengers: Endgame, Thor will spend time with the Guardians of the Galaxy before returning to New Asgard. Not much is known about the personal arc that the God of Thunder will face, but one thing is clear from the trailer: Love and Thunder will be for him a journey towards healing, after the traumatic events in the Infinity saga.
Speaking to AP, director Taika Waititi revealed that Thor will be going through “a midlife crisis”. The director didn’t go into details, but his comments suggest that the film will continue to explore the characterization of the Asgardian prince as he decides what his true calling is.
Sarkaru Vaari Paata is a commercial entertainer film being made in Telugu. Parashuram is directing the film. Super Star Mahesh Babu as the hero. The film is set to release on 12 May 2022.
Young hero Sri Vishnu makes movies with novelty. Lays carpet for different concepts. Does the film touch the mind of the viewer? Or not? Yours is more focused on that. In addition, he makes sure that almost all his films have Telugu titles in the Telugu language. Thus Annamayya took the word Bhala Thandanana in the kirtan and made a film with the same title.
The film, directed by ‘Banam’ fame Chaitanya Danthuluri, was highly anticipated by Vishnu. And did this movie bring success to Lord Vishnu? Did he share something new with the audience through his film? How is the movie? Let’s see in the review.
Story of Bhala Thandanana
Shashirekha (Katherine) works as an investigative journalist in a media company. Knowing that there are IT attacks on an orphanage .. he goes there to cover that news. An acquaintance is made with Chandu alias Chandrasekhar (Srivishnu), the orphanage accountant who was there at the time. As the two approach, a series of assassinations take place in the city.
As the hawala king Anand Bali (Garuda Ram) was a man during the weeks of the murder .. Shashirekha takes this case seriously and studies it. It is learned that Rs 2,000 crore hawala money was stolen from Anand Bali during this period. Shashirekha publishes this news in his media company and informs the world. What happened after that? Who stole Rs 2,000 crore so far? What has Chandu got to do with this theft case? That’s the rest of the story.
How is it…
Chaitanya Danthuluri was impressed with films like Banam and Basanti. After a long gap, he screened the crime thriller ‘Bhala Thandanana’. The point chosen by the director is new. He added comedy and love to the crime thriller in an attempt to impress all types of audiences. However, this is a bit of a minus for the film. Despite the many twists and turns in the story and the thrilling scenes, it feels like a routine movie due to its comedy and love track.
He spent most of his time introducing the characters in the First half. The director succeeds in telling the audience the real story of a kidnapping happening. A series of murders .. Fastoff ends with a love track between the hero and the heroines. The Love Failor Story that the hero tells in the form of a song is hilarious. The longer the interval the twist is, the more interest there is in the second half.
In the second half, the whole story was Rs. 2000 crore hawala money revolves around. What has Chandu got to do with that money? Where is it hidden? Curiosity is aroused by the viewer. Although the climax is new .. it feels cinematic. Who is the real hero? What is his past? Rs. Where did he hide 2000 crores? Without saying anything .. he ended the story by saying that there is a second part. Without any pornography .. The movie goes on as a clean entertainer.
As always, Lord Vishnu excelled in his role. Impressed with his performance as an innocent emperor in Fastoff and a man with different shades in the Second half. Compared to previous films .. in which Srivishnu has shown maturity in acting. She later tried to persuade Catherine to become an investigative journalist. Catherine who came forward to the audience several days later .. looked a bit plump on screen. She dubbed the film. But it did not hurt.
‘Madam, the Telugu you speak .. is like English’, he said in a dialogue with the hero and tried to convince the audience. Garuda Ram impresses as a villain. However he lacks strong scenes minus. In the role of Dayamayam with negative shades, Posani Krishnamurali not only excelled but also laughed with his own comedy. The comedy scenes that come with the truth in Fastoff are impressive. The rest of the cast acted within the confines of themselves and their roles.
In terms of technology .. Manisharma music is another major strength of this film. He enlivened some scenes with his own BGM. Suresh Raghu’s cinematography is good. Editor Marthand K. Venkatesh had to work harder for his scissors. Some scenes in Fastoff had to be cut more crispy. The production values are in line with the cinematic level.
Ashoka Vanamlo Arjuna Kalyanam Movie: Vishwak Sen is the name given to mass movies, even though he has done fewer films but this time he is nicknamed Mas Ka Das. Many fans and movie analysts are waiting to see how Vishwak Sen will play this classy character. However, the movie Ashoka Vanamlo Arjuna Kalyanam was released today, May 06, 2022, with huge expectations, so let’s see in this review to what extent the movie received the expectations without delay.
Story
Arjuna’s marriage in Ashoka’s forest tells the story of Ginger Arjun, a pawnbroker in Suryapet, who was tortured by his family and community because he was not even married when he turned 34, although his family never stopped looking for a bride of their caste, unfortunately, they became girls in their caste, otherwise The bride from Godavari is found to be OK with the caste, however, Pasupuleti Madhavi (Rukshar Dhillon) rejects Ginger Arjun, and finally, why did she reject him? Will he eventually get married? If you want to know all this, you have to watch a movie.
Cast in Ashoka Vanamlo Arjuna Kalyanam movie
Ashoka Vanamlo Arjuna Kalyanam starring Vishwak Sen, Rukshar Dhillon, Rhita Nayak, Goparaju Ramana, Raj Kumar and others. The film is written by Ravikiran Kola, directed by Vidya Sagar Chinta, music by Jai Krish and cinematography by Pavi. K. Pawan, The film was produced by Bapinedu B & Sudhir Eedar on SVCC Digital and Film Production. Presented by BVSN Prasad.
How is the movie ‘Ashoka Vanamlo Arjuna Kalyanam’ in?
Vishwak Sen does not like to be a typecast, so he always wants to come up with an interesting film. The other big plus point for the Ashoka Vanamlo Arjuna Kalyanam movie is that the other major problem is not the marriage that came 30 years ago and I am sure it redefined the marriage stigma in the 30s.
The film starts well, the director does not waste much time going into the story, but after about 15 to 20 minutes the film feels good but after that the screenplay of the film slows down a bit, the film gets interesting from the pre-interval, I can say that the first few comedy scenes went well. But most of the characters feel unnatural. There is no doubt that the second half is the backbone of the film.
When it comes to Vishwak Sen’s performance as Ginger Arjun, we have to congratulate him for choosing this script first and playing a middle aged character. He did justice to his role as Ginger Arjun and showed his acting in many scenes especially well in some comedy scenes but his look feels a bit artificial, similar to the role of Rukshar Dhillon Ginger Arjun in the role of Pasupuleti Madhavi. And the rest of the cast did their part justice.
When it comes to technology, the author of this film is Ravikiran Kola, who directed the film Raja Varu Rani Varu. Here we have to talk about director Vidya Sagar’s worries, although he failed in some parts, overall he hooked the audience.
Pavi K Pawan’s cinematography is good, captures what is needed for the film and Jai Krish music plays an important role in the film, he uses some different sounding and in many scenes makes the audience laugh with his unique sounding.
Lastly, Arjuna Kalyanam in Ashoka Vanam is a must watch movie and a must watch movie for those who are worried that they have not been married for over 30 years.
Jayamma Panchayathi Movie: Suma Kanakala is one of the most successful and well known television anchors in the Telugu film industry. She is doing very well in her career, however, to everyone’s surprise, this time she is going to make her mark with a film called Jayamma Panchayati, which will be released today, May 06, 2022, with two more films being released, one in Vishwak Sen’s Ashoka Vanam. Arjuna’s marriage. And another bhala tandanana. In this review we will see how the movie worked out and whether the movie is worth watching.
Story
Jayamma Panchayat Story Jayamma, who lives in Srikakulam, lives happily with her husband and children, but her husband has an illness and she needs money to take care of her husband, so she goes to the gram panchayat to solve her problem, where everyone is surprised to hear that the gram sabhas are another Are immersed in solving the problem. Did the Gram Sabha finally resolve the Jayamma issue? What is another problem? Is the rest of the story.
Jayamma Panchayati Movie Actors
Jayamma Panchayati stars Suma Kanakala, Devi Prasad, Dinesh Kumar, Kadambala Shalini, Kondepoodi Joy, Nikita, Ganesh Yadav, Bhuvan Salur, Gedela Trinadh, Amma Ramakrishna, Mayanand Thakur Reddy, Maheshwara Rao, D Hema. Kumar, music by Anush Kumar. MM Keeravani and the film was produced by Balaga Prakash.
How is Jayamma Panchayati cinema?
Suma Kanakala is known for her good witty anchoring, but Jayamma’s character is the complete opposite, and we should congratulate director Vijay Kumar Kalivarapu for choosing her for such a role.
The film takes place in a rural setting, the film starts well but the director takes a lot of time to introduce the characters as the audience gets engaged throughout the film as the characters and the story are like what happened in our life, the comedy scenes and the rural emotions work out well.
Jayamma Panchayati does not have a strong conflict, but it seems that the conflict associated with her husband’s illness is very simple, the first half is good with some beautiful comedy scenes and gram panchayat scenes, the second half takes the emotions so the chala scenes feel stretched.
Suma Kanakala lives in the role of Jayamma, who is super active by nature and understands the role of Jayamma and is very successful in acting. Devi Prasad played the role of Jayamma’s husband and he did justice to his role and the rest of the cast did a great job.
When it comes to technology, Vijay Kumar’s first film seems to be very mature in his writing, he deals with the film very decently and he succeeds in engaging the audience. Jayamma Panchayati film is not only about Jayamma’s life, it is about the caste and the dignity of the elders.
Anush Kumar’s cinematography is very good because the film is made on a low budget but his visuals make the film look rich and quality. Leading music director M.M Keeravani is one of the main highlights of the film, he can make any film and he can make his mark with his music, he provided excellent background music to Jayamma Panchayati. And the rest of the departments worked well to meet the needs of the film.
Finally, Jayamma Panchayat is a one-time movie, go with zero expectations and you will love it.
From May 4th, the doors of the multiverse are definitively open, and Doctor Strange will take us by the hand on a breathtaking journey, directed by the genius of Sam Raimi.
If there is a Marvel movie that, after Avengers: Endgame, brings with it a really cumbersome load of expectations, it is Doctor Strange in the Multiverse of Madness. Because this is the first MCU film that officially tackles the multiverse, because it finally sees Benedict Cumberbatch’s beloved doctor return to center stage, because it promises so many exciting cameos and because its direction is signed by Sam Raimi, who is a superhero if he intends since it’s still his best genre film in the history of cinema (we’re talking about Spider-Man 2, of course)!
Doctor Strange in the Multiverse of Madness, what happens in the film?
The events of Doctor Strange 2 take place in an unspecified future, following the events of No Way Home. Stephen wakes up from a strange nightmare, in which a man who had the same face as him died trying to save a girl with mysterious powers.
He doesn’t pay too much attention to it, gets up, gets up, and goes to a wedding: it’s Christine’s, the woman he loves but doesn’t dare to chase, too scared by that feeling. But as at the reception he tries to apologize to the bride now out of her reach, screams and confusion from the street draw his attention to him.
He goes into action and finds himself fighting against the sprawling Gargantos who try to capture a little girl, but not just anyone, the very one he dreamed of the previous night. Thus begins an unexpected journey for our hero who, to complete the mission to protect this mysterious girl, will ask for the help of the most powerful Avenger on Earth: Wanda Maximoff.
Looking for Sam Raimi
The excitement that preceded Doctor Strange’s arrival in the theater in the Multiverse of Madness is, as mentioned, largely linked to the presence of Sam Raimi as director. The visionary director of The House and father of the Spider-Man trilogy with Tobey Maguire returns to work after twenty years with Kevin Feige, to bring a superhero to the screen,
but this time the stakes seem higher since we are within the MCU and the hero is not the wall climber who holds a special place in the director’s heart. However, it is a character that allows Raimi to “turn up the volume” in certain directions that he knows how to take very well, such as horror and visionary language.
Sure, it feels like Raimi’s style has been harnessed into Kevin Feige’s tight-knit, but it’s also an understandable choice since if the MCU works so well, it’s precisely because there is only one mind-making the decisions that they matter. This did not prevent Raimi, fortunately, from scoring a couple of really brilliant and visually breathtaking sequences, first of all, a clash between Strange and a very particular opponent that will not go unnoticed.
There have also been a lot of talks, about Doctor Strange in the Multiverse of Madness, about the leaks, and the level of secrecy à la Avengers: Endgame, to put it in the words of Benedict Cumberbatch, however, we want to reassure the spectators: no spoiler can ruin the viewing the film, since it is primarily a hero’s maturation journey.
Beyond the trappings, the more or less expected characters, the villain of this adventure, and all the obstacles that Strange will have to face, the true emotional heart of the film is Stephen’s inner journey and the acceptance of his life and his happiness.
“You are happy?” Christine asks him, at her wedding, at the beginning of the film; and regardless of the answer that Stephen’s proud heart pushes on his lips, we know that the truth changes, between the beginning and the end of the journey in the Multiverse of Madness. On this path, he is unwittingly assisted and aided by America Chavez, an irresistible teenager who makes his debut in the MCU.
What has perhaps been lost sight of, after so many collective films and team-ups, is that Doctor Strange in the Multiverse of Madness is the second chapter of what should be a trilogy dedicated to the character, and like those reserved for Thor, Cap, and Iron Man foresees the development of the same towards a maturation that will lead him to be his best possible version of a human being and a hero.
After giving us one of the highest moments ever reached by the MCU series with the last episode (here you can retrieve our review of Moon Knight 1×05), the time has come to close the circle – sorry, crescent – of Moon Knight.
And we’ll be honest, already pressing play we shivered a bit, as we feared the possibility of an ending too confusing for Moon Knight, a sensation heightened by the extremely short duration of the episode – which is around 35-40 minutes, excluding the titles. tail. It was honestly unthinkable to make ends meet and solve every single plot and trick concocted by the scriptwriters in such a short period.
This has led to unsatisfactory and hasty solutions, which do very little justice both to the various intriguing insights that Moon Knight has however fielded through the ups and downs so far and to the character itself, who could and should have marked a watershed. and carve out a space for a different tone in the MCU.
It is now understood that it did not go that way, Moon Knight after a couple of masterstrokes capable of subverting expectations and questioning any event, immediately repositioned itself within the more classic Marvel formula. Too bad that the series had repeatedly shown enormous difficulties precisely in staging more standard and typically Marvelian sequences.
A couple of dim lights
But let’s proceed in order: the episode 6 begins when Harrow (Ethan Hawke) shoots Marc (Oscar Isaac) inside the tomb of Alexander the Great, with Layla (May Calamawy) horrified and hidden spectator who nevertheless manages to blend in with the followers of the mad apostle of Ammit.
As she follows him waiting for the right moment to kill him, she is contacted by the goddess Taweret, who orders her to stop and focus on freeing Khonshu. In the Underworld, meanwhile, Marc rejects the Reed Field, despite the undoubted beauty and peace he has found, to help Steven and desperately find a way to escape the Duat once and for all.
Now, before starting the actual invective, it should be noted that the ending brings into play some interesting elements: first of all, it inserts Khonshu’s release most coherently and naturally possible, an element that alone ran the risk of corroding the base. the narrative fabric of the episode, which perhaps could be solved at random or even off-screen in the worst possible scenario;
Steven finds the strength to bargain with the manipulative god of the moon, whereas even Marc finds impediments due to insurmountable feelings of guilt, which is a perfect closure of his evolution; some scenes are discreetly evocative and at times thrilling – such as the two-pronged combat or the brilliant post-credit scene. There is some good in this closing of Moon Knight, which however cannot shine in the presence of the nefarious choices that have been made for everything else.
A flood of superficiality
In fact, from the smallest aspects to the same situations that guide the episode, this epilogue is a mix of misplaced ideas, almost unbearable inconsistencies, and developments that would have taken much longer to have an impact. Let’s take for example the Marc / Steven dynamic: now the two get along well, but why now do they switch roles every 3 seconds making any attempt at dialogue with the others impossible?
Why does Steven now suddenly know how to fight well and not clumsily? Why do they continually exchange even during battles for no reason? And on Layla, the circumstances are no better; the victim of a sudden characterization that does not limit and further weakens the already little space on the screen, but which above all is thrown into the fray without the conditions or consequences being really addressed.
Or who thought that a blackout in the decisive moment of the final battle was a stroke of genius? At this point it is no longer even a narrative tool, it is productive neglect. How wicked it is to get rid of all the intuitions of the last episode in a single swipe or to suddenly raise moral dilemmas at the last moment – and not before – in Marc, an individual who killed dozens and dozens of criminals in conditions without of stakes and not with the lives of billions of people at stake.
For its characterization within the series, such grievances would not be out of place, but they cannot be thematized and resolved in five seconds flat. This is not the way to build an ending, Moon Knight is yet another demonstration that Marvel shows have a serious problem with the last act.
Moon Knight is yet another proof of how hard the Marvel series are in their latest act. Let’s assume that there is something good in this final episode: it inserts some plot elements most naturally and coherently possible, some sequences are breathtaking and evocative, the post-credit scene is brilliant, and the characterization of Steven finds its perfect closure. – almost.
The problem is everything else, which is nothing more than a mix of wicked ideas (such as the blackout in the decisive moment of the fight to not solve it) or not focused, first of all, the sudden characterization of Layla. Or even out of place, like Marc’s final moral grievances resolved in five seconds, or ignoring with a single swipe of the sponge all the insights put in place last week.
A weak ensemble emerges, which fits perfectly within the canons of the Marvel formula, a pity that it does not marry in the least with the character of Marc Spector and that the miniseries had repeatedly shown to be aware of these weaknesses.
Ashoka Vanamlo Arjuna Kalyanam: The young actor does not want to be introduced specifically about Vishwak Sen. Acting in a series of movies. It is learned that he is starring in the upcoming film “Ashoka Vanamlo Arjuna Kalyanam” (Ashoka Vanamlo Arjuna Kalyanam) as a family entertainer. Vidya Sagar Chinta is directing the film.
The release date of the film has been postponed several times because the film is yet to be released. After several delays, the film has a fixed release date of May 6. The latest trailer (Ashoka Vanamlo Arjuna Kalyanam Trailer) has been released as part of the promotions.
The trailer impresses netizens. Vishwak’s performance as a middle-aged man looking forward to marriage is said to be excellent. Vishwak Sen says that his looks and dressing are all good for this movie. What’s more the trailer stays in the Village backdrop and is good refreshing. He says the dialogues the hero says are great, especially when it comes to marriage.
Netizens say that Vishwak Sen will have good success with this movie. Vishwak Sen played the role of Arjun Kumar Ginger in this movie. Directed by Vidya Sagar Chinta, the film is being produced by BVSN Prasad on SVCC Digital along with Bapinidu B and Sudhir Eedar.
Vishwak, who has so far looked a bit rough with a beard, has completely changed his makeover for the film and looks new. Jaya Fani is providing the music. Rukshar Dhillon is doing as the heroine. Along with this film, Vishwak Sen is acting in a movie called Mukhachitram. The film stars Vishwak Sen along with Vikas Vashishta, Priya Vadlamani, Chaitanya Rao, and Ayesha Khan in key roles.
Color Photo Film Director Sandeep Raj is providing the story screenplay for this (Mukhachitram) film. The film is being produced by Pradeep Yadav and Mohan Yalla under the banner of Pocket Money Pictures, presented by producer SKN. Gangadhar is introducing himself as the director. The hero Vishwak Sen will be seen in the role of Vishwamitra in the role of Powerful Lawyer in this movie.
As for this movie, Vishwak Sen (Vishwak Sen) is playing the lead role in the remake of the Tamil super hit love story movie O My Kadavule. The film is being co-produced by PVP Cinema and Sri Venkateswara Cinemas Banners. Ashwin Marimuthu is directing. The shooting of the film was completed and post-production work started.
It is said that Allu Arjun will be seen as God in this movie. While Vijay Sethupathi played the role of God in the Tamil version, it seems that Allu Arjun is now playing the same role in Telugu. Vishwak Sen is playing the role of Ashok Selvan in Telugu. When it comes to Vishwak Sen’s acting journey .. Vishwak started as an assistant director and later became an actor.
Vishwak Sen is also one of the heroes who came without a background in Tollywood and gained good popularity. Introduced to Telugu cinema with the film Indi Film Vellipomake… His second film ‘What Happened to This City’ caught everyone’s attention.
After that Vishwak Sen entertained audiences from all walks of life by producing and starring in the Malayalam remake of the Malayalam hit film Angamaly Diaries Falaknama Das. Soon after, he surprised everyone with his crime thriller ‘Hit’. Vishwak Sen’s performance in Nani’s hit film directed by new director Shailesh Kolanu is dazzling.
Vishwak’s performance in the film was critically acclaimed. Thus Vishwak Sen earned a special fan base of his own with his acting. Pagal, starring Vishwak Sen, was recently released and it looks okay. Vishwak Sen, (Vishwak Sen Nivetha Pethuraj) Niveda Pethuraj starrer ‘Pagal’ directed by Naresh Kuppili. </p
Presented by Dil Raju, the film is produced by Beckham Venugopal under the banner of Lucky Media. Released in theaters on August 14, 2021, amid good expectations, the film did not do as well as expected. The movie is being streamed on Amazon Prime at the end of the theatrical run.
