Movies - 1iBomma

Bhama Kalapam

Demand for this specialty has grown significantly as a result of recent corporate scandals. No one is compromising on the original content. OTT companies are trying to entertain the audience with quality content. People are also well accustomed to OTT content. That is why star heroes and heroines are also giving digital entry .. getting closer to the audience.

Actress Priyamani has already entertained the audience with her web series ‘The Family Man. The latest web movie starring ‘Bhamakalapam‘ has been released on the Aaha app. Let’s find out how this movie is!

Story:

Anupama (Priyamani) is a housewife from a middle-class family. She lives with her husband and son. Emeka, who makes cooking videos on YouTube, is very interested in finding out what’s going on in their neighbors’ homes. Because of this curiosity the apartment is always swearing at them and her husband. However, his method does not change. But one night a murder takes place in an apartment that is unoccupied. To Anupama for that murder

What is the relationship ..? What kind of turns did Anupama’s life take due to this ..? Things you need to know by watching a movie!

Analysis:

The director made this film with the concept of how an ordinary housewife suffers due to her curiosity. An attempt was also made to give a message with this story. But the message does not reach the masses as he tells the story a bit sloppy. Even if you go into the main story as soon as the movie starts .. it feels a bit stretched.

In fact, the more crisp such thriller stories are the faster people will connect. But it was also released as a commercial movie with a length of two and a half hours. There are no songs in the movie over and over. Mass audiences could not quickly connect to the film as the whole drama was running. The screenplay also feels routine.

Although the director took a different concept and tried to add a Faberge Egg story to it and create a new one, it did not impress as much as expected. The first half went smoothly throughout. Comedy is not even a workout. It would have been nice to have elevated the emotions a bit in the second half. The climax episode is impressive. The entire movie takes place in an apartment building. The director succeeded in making a quality film on a low budget.

Priyamani Motta Thani directed the film. No matter how many other characters appear in the movie .. Priyamani dominated everyone with her acting. Pucca Housewife wearing simple saris looked beautiful in the getup. The maid Shilpa (Saranya) who appears along with Priyamani tries to make her laugh with her acting.

Actor Kishore Kumar lived in the Church Father character with negative shades on the outskirts. Somewhere impressed with his expressions as a psycho. John Vijay seemed okay in the comedy villain character. Shantirao’s performance as Lady Police Officer is impressive.

Justin Prabhakaran and Mark K Robin try to highlight this story with their background score. RR gives a good thrill in some scenes. Movie Main Asset Background Score. Even though the film was shot in the same location .. Deepak Eragara was impressed with his camera work so as not to get the feeling that we are watching the same place. It would have been nice if some scenes in the movie had been edited. Overall one can try to watch this movie once but .. have to be a bit patient.

Malli Modalaindi

Malli Modalaindi Movierulz: Akkineni Naga Chaitanya – Samantha in Tollywood, Dhanush – Rajinikanth’s daughter Aishwarya in Kollywood, Aamir Khan – Kiran Rao in Bollywood … Recently released celebrity couples. Their divorce has become a hot topic among the people as well.

At this time, the movie ‘Life After Divorce’ starring Sumant as the hero came out. How is the movie ‘Zee5’ released exclusively on OTT? What?

Story: Vikram (Sumant) strives to become a chef from an early age and reaches his goal. It is during this sequence that Nishani (Varshini) falls in love and gets married. However, Nisha is seeking a divorce as Vikram does not care about her. Vikram also agrees to divorce without much suffering. The lawyer who came to argue on behalf of Nisha in court loves Pavithra (Naina Ganguly) at first sight. Vikram’s girlfriend Vaishali (Pavani Reddy) is another story. Did you love Mari Pavitra, Vikram? What happened in the end? If you want to know, you have to watch a movie.

Analysis: When you see the title ‘Malli Modalindi’ .. you will remember Sumant’s super hit movie ‘Malli Rawa’. There is also a comparison to that movie, to this movie. If the heroine has the confusion of whether or not to marry the hero in ‘Malli Rawa’, then the confusion is with the hero. For a hero with full clarity about the first relationship, there will be a lot of confusion about the second relationship. Vikram fell in love when he saw Pavitra … but he was hesitant to get married.

It is difficult to imagine how films made in such a setting would go forward and end. Two twists come at the end of the movie. Guessing the first twist is not a big difficulty. But even though the second twist is unexpected .. it would be nice if the movie ended without that twist. If you watch a movie like that, you will know. Moonlight Kishore, Posani Krishna murali comedy tracks are a big relief in the story.

The story taken by director TG Kirti Kumar is new. What problems does a divorced man face in society, in the next relationship? Was made a little funny, a little serious, a little thought-provoking. The problem here is the same. There is also a bit of emotion in the story. Vikram and Nisha do not seem to have any strong reasons for splitting up on the track. Also, Vikram does not seem to have reasons to love the holy, Vikram .. to love the holy. The story of having to be emotionally engaging goes flat.

But there are also good scenes in the story. Sumant’s emotional scene with Posani in the pre-climax, sacred business idea ‘reset’ concept, came in handy. It would have been enough to end the movie with at least the same feel. The twist that came at the end changed the meaning of the original story. The film has a dialogue. ‘Nothing should be taken as a ticket for a grant’ .. but whether there is a good story .. the screenplay seems to have been taken lightly.

When it comes to performances .. doing such roles is nothing new for Sumanth. Vikram has cultivated emotions well in the role. In the role of Nisha, Varshini did justice to the role. Naina Ganguly, who has appeared mostly in glamorous roles till now, is impressed in this sacred role which is completely different from them. Moonlight Kishore, Posani Krishna Murali, Suhasini, and Annapurna all did justice to their roles.

Finally … it is not enough to have a good story in our hands. This is a good example of the need to write an article to suit it. If you want to spend time sitting at home this weekend, you can start with ‘started again’.

Mahaan 2022 Movierulz

Mahaan Movierulz: As a protagonist and actor, Vikram has left an indelible mark in the hearts of the audience. Wins received. He has not had success at the previous level for some years. However … Vikram has never failed as an actor. Showing diversity. Always looking for something new in terms of attire (getups). He has also done commercial films like ‘Sami Square’. But, the successes did not come on the scale expected. After a short break today the people came forward with the movie ‘Mahaan’. It also stars his son Dhruv Vikram. How is this movie released in OTT rather than in theaters?

Story: Gandhi Mahaan (Vikram) is born into a Gandhian family. His father, the uncle who gave the children, fought for a ban on alcohol. His wife Jhansi (Simran) is also a Gandhian. Gandhi Mahaan would not touch alcohol until he was 40 years old. He takes drugs on his 40th birthday to be what he wants to be in life. The wife finds out and takes the boy Dada (Dhruv Vikram) away from him. Gandhi Mahaan then rises to become the Maharaja of the drug empire in AP along with his childhood friend Satyawan (Bobby Sinha).

Satyawan – At a time when they think they have not encountered Maihan … a special police officer from the north ‘Dada’bhai Naoroji (Dhruv Vikram) targets them. Did Satyawan and others know that Gandhi’s son is Special Officer Naoroji? Who won the battle between father and son? What is the role of Deputy Chief Minister Jnanam (‘Vettai’ Muthu Kumar) in this? Is the rest of the movie.

Analysis: Vikram and his son Dhruv Vikram‘s co-starrer Mahaan Telugu has been the subject of speculation from the front. What if both are in the same frame? Who pretends? There was also a debate. Dhruv Vikram said, ‘Maharaja is my Babu for the AP drug empire’, ‘Ray is my son! Now you are Babu … then you saw, not the e-commerce teacher named Gandhi Maahan ‘, said Vikram’s dialogues which increased the interest in the film. The trailer also created interest. However … the audience had to wait until the beginning of the movie to see the father and son in the same frame.

Director Karthik Subbaraj did not take much time to get into the story. The movie shows that Vikram and Simran have split up for a while. That immediately showed that the hero had landed Sarah in business. Adanta Already is like what you see in some Tamil movies. Waited until the interval to get closer to the real thing in the story.

Mahaan Movierulz

Dhruv Vikram’s entry … The scenes with his father Vikram are a dream come true for the audience. If the movie was released in theaters … the hall would be filled with applause and whistles when those scenes came. The highlight of the movie is the fight between Vikram and Dhruv Vikram. It must be said that the father is the acting of the sons.

What’s more? I mean … think twice for one. Because … the story was led by Karthik Subbaraj at such a snail’s pace. The movie is slow from the start. If Dhruv Vikram thinks that the pace in the story will increase even after the entry, it will not happen. Tested patience with flashback episodes, length scenes. However … Shreyas Krishna’s cinematography, Santosh Narayanan background music, Dinesh Subbarayan’s fights are good. The songs are difficult for the Telugu audience to remember.

Vikram as an actor once again captivates the minds of the audience. Styling and acting in one way at the age of 40 and then at the age of 60 showed diversity in terms of acting. His acting in the climactic scenes is good. It cannot be said that Dhruv Vikram acted on par with his father. But, he did a good job in front of his father.

The state of not being able to express the anger that had long been hidden in the hearth was wonderfully brought to the screen. Acted to suit the character. Simran is okay. Bobby Sinha has been given an important role. He did well. Appeared with a different getup. Sanath and Muthu Kumar, who played Bobby Sinha’s son, did not mind.

Vikram – Dhruv Vikram combination scenes can be seen in ‘Mahaan’. They both did well. However … Karthik Subbaraj failed to write a strong & gripping story suitable for the acting and the conflict between the characters they played. If you want to watch a movie … don’t miss Dhruv Vikram’s entry. Father-son combination scenes too!

Moonfall Movierulz

Image credit: Lionsgate

Moonfall Movierulz: A mysterious force knocks the Moon out of its orbit, sending it into a direct collision with Earth at full speed. A few weeks before impact with the world on the brink of annihilation, NASA executive and former astronaut Jo Fowler (Halle Berry) is convinced she holds the key to saving our planet.

But only astronaut Brian Harper (Patrick Wilson) and conspiracy theorist KC Houseman (John Bradley) believe her. These unlikely heroes will mount an impossible mission into space, leaving everyone they love behind, to land on the lunar surface and try to save humanity, facing a mystery of cosmic proportions.

No not like that. Let’s see, in the world of destruction or natural disaster movies, Roland Emmerich is one of the greats. Director of films such as ‘Godzilla‘, ‘Independence Day, ‘The Day After Tomorrow’ or ‘2012’ knows perfectly well how to make the world’s largest skyscrapers a spectacle of destruction within a film and how to make protagonists run like crazy looking for solutions and survival.

‘Moonfall’ as a possibility.

Something barbaric you could expect from ‘Moonfall‘ considering the mere direction. In addition to the impressive synopsis that, in summary, the moon is coming towards Earth… what could go wrong? Well, it seems that the problem is that almost everything fails. From the beginning created by the tape in which we are warned very soon that it does not have the quality that was assumed until an end taken from the sleeve without much reason.

Very little of everything.

The way ‘Moonfall’ could believe in itself is dissipated by an overdose of effects with no empathy for human nature. This, a source of inexhaustible praise for Roland Emmerich in other of his titles, is a disastrous resource that does not work and that feeds the disappointment of the public, since the impressive images that we expect from an appointment with his signature are not found in this one, remaining orphan of an amazing photograph, being rather a moderately correct exercise with slight hints of what ‘Moonfall’ could have been, but no.

From the moment one seems not to take oneself seriously, and it becomes a succession of scenes taken out of context or too embellished with special effects that do not finish filling the plot. A witty story with a good ability to amaze is dwarfed at the mercy of being saved by something, such as performances.

Nothing could be further from the truth; from Patrick Wilson with the face of believing in a series B instead of a blockbuster and with a Halle Berry who does not finish marrying the character, the only moderately remarkable thing in the section would be John Bradley-West and a Charlie Plummer who called me enough attention.

Definitely.

In short, ‘Moonfall’ is a failed science fiction film that fails to dazzle and seems not to take itself seriously. A tape loaded with special effects that, in brief moments, amaze, but full of many failures that make it impossible to connect with it. Neither for the spatial section, nor for the visual spectacle, nor for a plot that makes water… ‘Moonfall’ is one of Roland Emmerich’s worst films.