RRR: The much-awaited movie RRR is coming out in four days. Audiences have been eagerly waiting to see the film as star director SS Rajamouli has screened it with his own mark. The film has been postponed several times and the film unit is finally ready to release the film on March 25 worldwide on a massive scale.
With Young Tiger NTR and mega power star, Ram Charan co-starring in the film, the expectations on the film have been in a range. However, the film unit, which manages the film’s promotions on a large scale, has raised expectations for the film. The film unit is busy with film promotions across the country.
Director Rajamouli’s comments on the film highlighting the RRR range have now become the talk of the tribe on social media. He said that this movie is a much bigger movie than Bahubali… He said that this movie is sure to break all records. However, with these comments, Prabhas fans are making serious comments on Jakkanna.
Where is the original Bahubali .. where is the RRR movie .. they are commenting. Bahubali movie is a visual wonder .. RRR is just a fictional movie for a periodical subject, they say, as a social media platform. They say it is not credible that Jakkanna himself said that RRR would rewrite the Bahubali records.
Darling fans say that even though the Bahubali movie, in particular, came in two parts, everyone knows how eagerly the whole world waited for the second part, but the RRR situation was not like that. Prabhas fans want Jakkanna Annado to give clarity on what topic the RRR film will beat Bahubali.
But they also say that they want movies like RRR to come, that it should take the level of Tollywood further. They say that Ram Charan and NTR fans should not care about the negative comments made by Prabhas fans and that RRR is sure to create a new history. Time will tell. Cine experts say it remains to be seen how far this fan war will go.
The most awaited movie is RRR. Directed by Rajamouli, the film is eagerly awaited by fans across the country. Mega power star Ram Charan… Young Tiger NTR (NTR) co-starring in this movie, the expectations are huge. The film will be released on a pan-India level in another four days.
Jakkanna and the team have already started film promotions and are captivating the fans. On the other hand, with the release date of the movie approaching, mega Nandamuri fans are making a fuss at the theaters. The two started a fan frenzy saying the banners were cutouts. Theater owners are making new efforts to control the fans in this order.
Recently, at the Annapurna Theater in Vijayawada, fans fastened their nails on the podium to prevent them from going near the screen. Also, in another theater, a fence was erected to prevent them from going near the screen. Two-star heroes… On the other hand, Pan India director Rajamouli has already started rushing to the theaters as this movie is being screened.
With this movie, Jakkanna is going to show two heroes who have never met in history as friends on one screen. In this Charan Alluri will be seen as Sitharamaraju .. NTR Komuram will be seen in the role of Bheem. Also in this movie Bollywood star hero Ajay Devgan .. Alia Bhatt .. Shriya Saran are playing key roles.
While the release of this movie is already scheduled .. it is known that it has been postponed due to the increase in corona cases. The film is finally set to release on March 25 at the Pan India level.
Hero Nani, who had a huge success with ‘Shyam Singarai’, is lining up a series of films. Recently completed the film ‘Ante Sundaraniki’. He is currently starring in another film ‘Dasara‘. Directed by Srikanth Odela, the film is being produced by Sudhakar Cherukuri. The film is set against the backdrop of the Godavarikhani coal mines. For the first time in this movie, Nani is going to narrate dialogues in the Telangana dialect.
Meanwhile .. Nani has recently released a short video releasing a look from the movie. In it, Nani is seen wearing a lungi at Urmas Getup. While bleeding from the head .. so walking through the middle of the coal mines .. he pulled his hands out of the flames and lit a cigarette. All the villagers were seen walking behind him. Fans are shocked to see this terrific video. Anyone should be surprised to see Nani Transformation. It is in that range and .. how is the movie ..!
Nani, who shared this video, said that he is going to appear in the character of Dharani. Kirti Suresh will be seen as the heroine in this movie. Also, stars like Samudrakhani, Sai Kumar, and Zarina Wahab will be seen in key roles. Leading music director Santosh Narayanan will compose the music for the film. Satyan Suryan Cinematographer, Naveen Nooli Editor.
RRR (Roudram Ranam Rudhiram Telugu) is an upcoming 2021 Indian Telugu-language action film written and directed by SS Rajamouli. It stars NT Rama Rao Jr., Ram Charan, Alia Bhatt, and Ajay Devgn. It is a fictional story that revolves around the freedom fighters of India, Alluri Sitarama Raju, and Komaram Bheem, who fought the British Raj and the Nizam of Hyderabad respectively. fought against.
After the Bahubali series, Rajamouli directed NTR, Ram Charan starrer RRR starring Bollywood hero Ajay Devgn in another lead role. Set against the backdrop of Pan India, the film has been released on over 10,000 screens worldwide.
RRR (Roudram Ranam Rudhiram) movie was released amid huge expectations with a huge budget of Rs 500 crore. Let’s see if Rajamouli shows his mark magic on the silver screen with this movie or in our movie review.
Ramaraju (Ram Charan) is a police officer in the British government. Bhim (Jr. NTR) on the other hand is a Gond child. The British take a small child from the Lala tribe. Beam approaches the British government in disguise to bring about that sin. The British authorities appointed Ramaraja to capture him.
It is against this backdrop that Ram Bhim becomes friends without knowing each other. What happened after that .. is the story of what the two aim for… The repair will definitely come at some point where the brand is so great .. maybe the repair that came in the case of Rajamouli could be RRR. Not to say it was completely damaged .. only repaired.
Ram Charan’s introduction scene is gone… The fight scene with Junior NTR Tiger is extraordinary .. an Impressive interval block and… Wonderful climax .. Pieces like this are good but… Overall, there was something unsatisfactory. The emotion that connects all of these did not come right. This is the only film in Rajamouli’s career that has seemed so to many.
The source of having two-star heroes .. or Dheemano who will take care of those stars anyway… I don’t know if he has faith in his brand but .. for the first time, Rajamouli also seemed to falter. In Rajamouli’s movie is the first thing that comes to mind is emotion .. in RRR it seemed that it was not much workout.
Rajamouli shot some scenes as wonderfully as ever. Ram Charan lives in a role of anger and suffering inside, doing something he does not like for his destination. Initially, he was a bit innocent. It was wonderful to see both of them together on the same screen.
Rajamouli also fills the routine story with strong scenes… That strong emotion seemed to be missed in showing the two-star heroes together. Itu NTR .. Atu Charan… Both of them exclaimed that no one is inferior. Ajay Devgn’s character is very short .. Alia Bhatt is the same. Rajamouli once again showed the visual grandeur in technical terms. Keeravani’s background score was heard in repeat mode.
One way is to show what you want to say in the title and the content of the story in the trailer and invite it to the movie. Ladies, you do the same as director Kishore Thirumala did in the case of Aadavallu Meeku Joharlu movie.
Chiranjeevi alias Chiru (Sharvanand) is a big family. Along with her mother (Radhika), four of her siblings (Urvashi, Kalyani Natarajan, Rajshree Nair, Satya Krishnan) raise Chiruni Graban. Chiranjeevi is twisted into every relationship that comes intending to see a good girl. It’s irritating. Unexpectedly he is introduced to the first (ray). Nurtures love for her. He says the same thing to them at home.
Chiru is the first to agree, but his mother (Khushboo) insists that he has no plans to marry her. What is the reason for that? What happened to Sarita who worked with her first mother Vakula? What does marriage mean to their family? Did you convince these people to get married for the first time? All such interesting things.
The film is in keeping with the title. The house is full of women, the hero who does not do any work even though they all like it. Sharwanand’s acting is good as a torn lad among so many women. Rashmi’s acting is good as a girl who wants nothing more important in the world than her mother. Radhika, Khushboo, Urvashi, Satyakrishnan whose roles they did justice to.
Vennelakishore Comedy, Urvashi Steel Dabba Comedy, Brahmanandam Railway Station Bridesmaids laughed. Devisree songs, background music is good. Radhika’s words about three important things that girls see in a boy make sense.
Everyone knew the story, the story seemed to go smoothly with no unpredictable twists. It would be nice if Vakula and Sarita could explain the reason for becoming strict in a more elaborate way. Emotions need to be expressed as strongly as possible. Family audiences love the movie ‘Aadavallu Meeku Joharlu‘ with occasional scenes.
Aadavallu Meeku Joharlu Movierulz: What did all the women do together to married the boy in the house? Is the screenplay. What are the other girls’ views on marriage? As discussed. How is this ‘adavallu meeku joharlu’ (aadavallu meeku joharlu movie review) starring Sharwanand and Rashmika as a couple?
Story: Chiru alias Chiranjeevi (Sharvanand) is 36 years old but not married. Relationships with Chiru Amma (Radhika Sarath Kumar) and all the ladies in the house (Urvashi, Kalyani Natarajan, Satyakrishnan & Co) are rejected. After that comes the situation where they reject the smile, not the girls.
Then Chiruku is introduced first (Rashmika). They fall in love with her. Although hesitant to propose at first … finally says. But, the first disagree. His mother Vakula (Khushboo) says that he did not marry against his will and that his mother did not consent to the marriage. How did Chiranjeevi persuade Aadya and her mother? What is the role of the small family in it? Is the rest of the movie.
Analysis: ‘Women are Johars to you’ … Already if you watch trailers and songs, what is the genre of this movie? Is understandable. Actually … Sharwanand’s character is connected to many people in the teaser and trailer. Because … there are a lot of unmarried people in our society. Everyone has their own experience when it comes to marriage.
It can be said that the scenes on the screen mirror the situation of someone in the community. Those scenes are also entertaining. The first half goes on with interesting, delicate humorous scenes throughout. The second meaning is completely different. Comedy took the back seat … Emotion took the front seat. That’s where the real problem started.
If director Thirumala Kishore watches movies … he will focus more on the story and scenes than the story. The dialogues he writes seem to come from the heart of the audience. It was lacking in the movie ‘Adavallu Meeku Joharlu’. The reason is Kishore Thirumala. Because … in the second half of this movie, the shades of his hit movie ‘Nenu Shailaja’ appear. By the way … there have been many movies in the background of the hero going home to the heroine. Failed to tell the old story anew.
In ‘Nenu Shailaj’, Ram goes to Kirti Suresh’s house, understands the situation, and behaves. Sharwa goes to Rashmi’s house in ‘Adavallu Meeku Joharlu’. The difference between that movie and this movie is that … there will be a wedding fix for Kirti Suresh. Here is not a wedding fix for Rashmi. Kirti Suresh does not want love for his father. Rashmi does not want love for the mother here. Everything else feels almost identical.
That’s a minus for the movie. As such, that is not to say that the two films are the same. ‘Nenu Shailaja’, ‘Adavallu Meeku Joharlu’ … There is a difference between the two films in terms of stories. Like Pradeep Rawat’s comedy workout in ‘Nenu Shailaja’ … ‘Adavallu Meeku Joharlu’ was not a workout. Satya – Pradeep Rawat did not laugh at the track.
Story aside … Thirumala Kishore has always written good words. His style is to write good words without going out of use. There are some such words in this movie too. Although Devi Sri Prasad’s songs are soso … the background music is adaptable to the scenes. His background music is good in entertaining scenes.
Sharwanand, Rashmika Jodi is good. Perfect set for characters. Radhika, Khushboo, Urvashi, Jhansi … the screen was filled with talented artists. All the actors did justice to their roles. However … they did not have strong characters and scenes. ‘Moons’ Kishore – Sharwa Midnight Phone Call Scene, Urvashi Jilebi Dabba asking scenes are hilarious.
Speaking of ‘Adavallu Meeku Joharlu’ movie … Fastoff flour! Do you understand what was said about the second half? That’s it! One can try to watch the movie once for Faustoff. Think about it when it comes to the second half story.
Young protagonists do not hesitate to experiment. Not limited to commercial films … New types of stories and films with characters are coming forward to the audience. Kiran Abbavaram, who was impressed with ‘Rajavaru Ranigaru’, ‘S.R. Kalyanamandapam’ movies … advanced the audience today with ‘Sebastian PC 524 Movie’.
In the film, he plays a police constable who has problems with night blindness. There have been a lot of police stories. But … how did a constable with a nose solve a murder case? Is it an interesting topic in ‘Sebastian Movierulz‘? How is this movie? (Sebastian PC 524 Movierulz Review)
Story: Rechikati to Sebastian (Kiran Abbavaram). He hides the matter and gets a job as a police constable. However … he is transferred from every village for a few days due to the conditions encountered by Rechikati. Finally, Sonthuru arrives at Madanapalle.
Essay, Constables … Seba has to be alone at the police station one night while all his co-workers go to the security in the next village. That night a phone call comes from Neelima (Komali Prasad) that someone is harassing her and wants to protect her. Sebastian puts the phone aside as usual. Tellarithe knew she was dead.
Who killed Neelima? How did Sebastian handle this case? In this case, why did Sebastian suspect his beloved Haley (Nuveksha), friend Teja, and blue uncle (Surya)? What is the role of her mother (Rohini) in Seba’s journey? Who knew Seba had a rash? The answers to such questions should be known by watching the movie.
Analysis: A girl died. Is it natural death? Murder? Who did the murder though? Is the real point of the investigation. However … good comedy scenes have a place in the story as the protagonist is provocative. An attempt was made to make the film entertaining rather than serious. The hero’s investigation with Rechikati is also a bit thrilling. There is also Mother Sentiment in the film. Therefore, it’s not like a suspense thriller … it’s different.
‘Sebastian PC524’ is a good way to start the movie. Kiran Abbavaram in the role. With that said the first half goes on to be fun with comedy scenes. Raising interest in the second half … the film steps into the original story before the rest. The twist that comes before the break is impressive. However … the story slows down in the second half. The article lacks speed. Minus the same movie.
The depth in the lyrics and lyrics of the songs is lacking in the film. Gibran provided the music for the crime drama, suspense thriller. The songs ‘Heli …’ and ‘Rajadhi Raja …’ are good. The way ‘Heli …’ was filmed is good. ‘Rajadhi Raja …’ is impressive. However … the right context for the songs could not be found. Are exceptional. The English background anthem sticks like a rock under the canopy.
There is a need to focus more on the narrative. Every frame is beautifully styled by cinematographer Raj K. Nalli. ‘Sebastian PC524’ has a different color tone for regular movies. It is said that Raj K. Nalli brought the feel needed for the scenes. Construction values are good.
Mother sentiment scenes interrupted the story. The crime investigation scenes also did not go so well. It would have been a good thriller movie if the screenplay had been written correctly. Now it is nothing but a thriller and a crime drama.
Kiran Abbavaram played the role of a constable who had scope for performance. His comedy timing is good. Saying dialogues in Chittoor dialect … entertaining in scenes where darkness means fear. Seriousness was then shown in the scenes where the case was investigated.
He also showed variation in terms of getups. Actress Rohini has once again played the role of mother. Kiran, there are mother sentiment scenes between her. Nuveksha looked beautiful in the song ‘Heli …’. Excelled in terms of acting. Komali Prasad plays a key role in the story. Not the heroine but … the whole story revolves around her. Komali Prasad as Neelima acted well. Srikanth Iyengar, Surya, Adarsh Balakrishna, Tamil actor George Marion, Teja adapted the characters who appeared in the role.
Agarwal … How is the movie starring Aditi Rao Haidari?
Congratulations to Kiran Abbavar for choosing the dreamy character and making ‘Sebastian PC524’. As an actor he did justice to the film. Provided entertainment. However … slowing down the narration in the second sense and stretching the scenes are the things that make the viewer look sideways. As such, the movie can’t be pulled off! ‘Sebastian PC524’ gives a different experience. Look for Kiran Abbavaram, songs – for photography. The visuals are good along with the Seba comedy.
A turbulent production story resumes interrupted by the outbreak of the pandemic, pauses, doubts about the cast: the fact that on March 3 in the arrivals hall The Batman already seems a small miracle.
A dark, hard thriller, completely set at night and in the rain, a detective story at the height of Seven, a work of reworking a strong and persistent imagination, after more than eighty years of stories on the comic pages and over 30 on the big screen. An operation so intelligent and successful, so solid and against the trend in a market saturated with comic book adaptations, that the feeling of being in front of a miracle is replicated after viewing.
The Batman, no icon
After so many films, so many readings and interpretations of the Dark Knight, it was difficult to do something original or iconic, and Matt Reeves, with The Batman Movierulz, does neither. He moves away from the icons of the character’s mythology, filling his very long film with quotes, references, flavors, and visions.
Between cinema, comics, music, and video games, he creates a unique universe that has Gotham as a background, a dirty and rotten city, beaten by constant rain, which we see only at night, full of garbage and crime, a lost city where the slums are populated with criminals, guarded by the gothic towers that rise against a cloudy and livid sky.
Which constantly reflects a rudimentary bat-signal, once again not the icon we know, but an adaptation, a large remedied lighthouse, a communication tool that becomes useful, functional, and loses its solemnity. Like the Batmobile, the Batcave, the costume, scratched and stained with mud and blood.
He renounces icons, therefore, but also originality, mixing Fincher with comics and video games and with what Todd Phillips made in Joker, moving away from Nolan and Burton, yet using them as a paradigm for what not to be, and thus find his Street.
The Batman Movie
Batman and Riddler, the clash
In The Batman, Bruce Wayne is Batman’s alter ego, it is he who hides, while The Batman Moierulz proudly rises from the shadows to perpetuate his generic revenge against a city that has committed the sin of not being pure and perfect. . If the Riddler is the villain, who stands as executioner against the top of the city, who have done business with the underworld, helping to rot it, Batman is not too different from him.
The two figures are mirrored in each other but, unlike Nolan’s Batman and Joker, who were clearly separated from the granite awareness of the Dark Knight against the chaotic will of the Clown Prince of Crime, here they get to merge and overlap, up to which one of the two does not realize the difference, the distance that separates revenge from awareness.
Robert Pattinson’s Batman does not want to become a symbol, nor a hero, nor a reference, he wants revenge at all costs in the name of a purity that does not exist, not even in the people we idolize and love. But as an idealistic kid, he will realize that his city needs an outstretched hand and someone to give it hope, not an avenger but a rescuer.
The products of a rotten city
Glorious against Matt Reeves’ livid Gotham stand Bruce Wayne / Batman and Edward Nashton / Riddler, the Yin and the Yang, two opposites that have a point of contact and that from a common condition choose to take different paths. They are both products of the city, both orphans and raised without the love of their parents, both seeking revenge.
Robert Pattinson is a subtle Batman, compared to his previous iterations, tormented, immature, marked, he is in a limbo in which he is no longer a boy and not yet a man, he asks himself many questions about his identity, his purpose, his legacy, is questioned.
Paul Dano is instead a very focused Riddler, focused on his purpose, unshakable in his conviction, dedicated to the plan that he has meticulously devised, a madman perfectly in possession of his abilities. And the two performers instill in both a soul, powerful emotional vibrations, an impeccable construction of the characters.
The Batman has a perfect cast
Nothing seems out of place in The Batman, starting with the many characters on stage. Each component of the Dark Knight mythology fits perfectly into the story: Colin Farrell’s Penguin who has so much about the gangster and whom we meet when he’s not yet fully blossomed as a crime boss.
The very sensual Catwoman by Zoë Kravitz, who despite winks at Michelle Pfeiffer, brings with her unexpected depth and nuances; the highly refined Carmine Falcone / John Turturro, the lighthouse of justice in Gotham Jim Gordon / Jeffrey Wright, the unprecedented Alfred Pennyworth / Andy Serkis.
Like the story it tells, even the style of The Batman Movierulz is rich, mixed with influences, echoes, and suggestions, in which the action, the master of the scene in the superhero genre, is relegated to some scene (unforgettable is the chase del Pinguino), while the times of waiting, of investigation, of reflection, of the discovery of the next clue that will lead to another and yet another, prevail until the case is resolved.
The Batman is a fruit of the lesson of Joker, the confirmation that if Warner Bros wants to make its IP DC Comics pay off, it must set aside the “Marvel model” and rely on the power of the characters and the filmmakers who respect them but are not afraid. to transform them to tell them to the contemporary public.
The Batman Movierulz is a descent into Gotham’s sewers, a winding obstacle course in the mind of a troubled boy who goes out at night to beat criminals and who needs his time, his rite of passage, his share of beating, to truly and consciously become the Caped Crusader of a city for which he will never stop fighting.
Every era has its Batman and it has been a decade since the character created by Bob Kane and Bill Finger did not have an exclusive leading role on the big screen. The new film achieves its main objective: to inaugurate a stage with a new actor (Robert Pattinson), aesthetics, and a renewed universe. An era begins here for the hero of Gotham City and all that surrounds him.
Batman was a detective, pop icon, freak, comedy, drama, action, and fantasy throughout the decades. He changed his tone many times and actors very different from each other personified him. It took him a long time to get to the screen stably, but when he did, the public bet again and again to see his adventures.
The great founder of his popularity was the universe of the series of the sixties, starring Adam West and Burt Ward. For many, he was not the true Batman, but absolutely all subsequent films, including the one that is being released now, pay him a well-deserved tribute. Without that series, Bruce Wayne would not be the popular character that he is.
It is known that when Christopher Nolan began making Batman movies, he convinced several of the actors who worked with him by showing them a script that did not say it was a Batman film. Well, here the director and screenwriter Matt Reeves could have done the same, because of all the films made about the superhero, The Batman Movierulz movie is the one that looks more like police than a fantasy movie.
Although the action takes place in a Gotham City that is a little less realistic than that of Nolan’s films and although Batman has his usual suit, the plot that the film tells is very similar to a black policeman in the style of David Fincher’s films. . It resembles Deadly Sins (Seven, 1995) and Zodiac (2007) more than any of Batman’s predecessors.
The hero of Gotham City recovers the original detective spirit that the character had in his beginnings and the plot reduces technological tricks and gadgets as much as possible. It shows some new ones, yes, so that the fans are not disappointed, but as far as Batman 2022 can try to be a full-fledged black cop. With a serial killer who is leaving clues and with a femme fatale who has an ambiguous relationship with the protagonist.
The dark, brownish images, even with sepia moments that the film has, link it even more with Fincher, although the visual universe of Matt Reeves is also perceived, particularly at the beginning of it. The Batman has many horror film elements and a large part of the settings deteriorate, dirty places, respecting the aforementioned color palette.
Batman looks a little different, but not that much, although the Riddler (Paul Dano) does look like something out of another universe. The crazy concept that the previous versions handled here is changed by disturbing and humorless sadomasochistic imagery. Other than a few brief lines of dialogue, Batman has no humor at all.
Of all the times the character has been brought to the screen, this is definitely the one that lacks any form of humor. It is not accidental, it is a decision according to the emotional tone that the whole story has.
Robert Pattinson is the right actor for this style of film, in fact, all the casting is on point, always aiming for a stylized but never overly beautiful story. The leather mask, the Catwoman suit (Zoë Kravitz), and even the Batman car all have a foot in the realistic. The action scenes are long in coming and during the first third the plot is almost exclusively detective.
Then there will be some shocking moments, always with the aforementioned aesthetics and achieving several absolutely original scenes. Gotham City is more corrupt than ever and the film focuses on this theme as well. A beautiful final scene promises that the character will return and that possibly, already introduced to society, he can further explore his world and his adventures.
The Batman Movierulz directed by Matt Reeves (Cloverfield, Three Friends, a Wedding, and a Funeral) is finally upon us after so many years that have put more and more expectations in the hearts of fans of The Dark Knight.
The film brings to the big screen a new version of the Caped Crusader, this time embodied by Robert Pattinson (The Lighthouse, The Streets of Evil), who represents a more vindictive form of Bruce Wayne, but also more analytical and investigative. In fact, within the film, the protagonist will be called to investigate some strange murders perpetrated by the mysterious Edward Nygma (played by Paul Dano).
Just Dano, in a recent interview for The Hollywood Reporter, spoke in particular of his role as a villain within The Batman, highlighting how the mask worn, typical of the character in this new restyle of his costume, made him very powerful and also gave him the possibility of materially understanding the personality of the figure he was going to interpret. Below is an excerpt of his statements.
Power, because you don’t want the person wearing that mask to walk towards you. And for someone [like the Riddler] who has felt helpless in their life, it’s a great feeling to experience.
The Batman Movie sees the script by Reeves himself in the company of Peter Craig, while the executive producer is entrusted to Simon Emanuel, Michael E. Uslan, Walter Hamada, and Chantal Nong Vo.
The cast, on the other hand, also sees the presence of John Turturro in the role of Carmine Falcone, Colin Farrell who embodies Oswald Cobblepot or The Penguin, Andy Serkis who lends his face to the butler Alfred Pennyworth and many others. The title will arrive in Italian cinemas on March 3, 2022, while in the United States it will be distributed exactly one day later.