Beast Movie Arabic Kuthu song creates new record

Beast Movie

Beast: Tamil star hero Vijay has been on the offensive with a string of successes over the past few years. Vijay, who received a super hit with the movie ‘Master last year, is now making the movie ‘Beast’ under the direction of Nelson Dilip Kumar. Pooja Hegde starred opposite Vijay for the first time in the film. 

If so, the team has released a song called Arabic Kuthu as part of the film’s promotions. This song is creating a sensation on social media. Music by Anirudh (Anirudh Ravichander). The song has been trending on social media since the first day of its release. The song recently garnered a record 250 million views. 

The team released a poster in this regard. The song was sung by Jonita Gandhi and Anirudh (Anirudh Ravichander) with lyrics by Shiva Karthikeyan. The team has released another song from the movie. The song titled ‘Jolly O Gymkhana’, which was released under the title ‘Jolly O Gymkhana’, also got a good response. 

The song was written by Koo Karthik and sung by the movie hero (Thalapathy Vijay) Vijay himself. The Beast movie has already finished shooting. Pooja Hegde is the heroine in this. When comes to the director of this film Nelson Dilip Kumar … Last year, Nelson received sensational success with the movie Doctor which came with Shiva Karthikeyan as the hero. 

The previous film ‘Koko’ with Nayantara was also a huge success. Now Vijay has got the opportunity to make a movie as a hero. Soon he will be doing the next movie with Rajinikanth. It is learned that an official statement has been issued in this regard.

The film, which has already completed shooting, has just been released and given clarity. The film is set to release worldwide on April 13. An announcement has been issued in this regard. This gave impetus to promotions. As part of that, a trailer for the film will be released. 

The filmmakers have officially announced that the Beast Theatrical Trailer will be released on April 2, 2022, at 6pm. And if that is the case .. Beast Telugu theatrical rights have been sold at a huge price. There is a reason for this. His last film Master Telugu did well. The film has grossed over Rs 6 crore and has grossed over Rs 14 crore and is a big hit in Telugu as well. 

With this, there is a good demand for his latest film Beast in Telugu. As part of that, it seems that the theatrical rights to the record figure in Vijay’s career have been sold to Beast in Telugu. The talk is that the Telugu rights of the film have been sold for 11 crores.

With Beast announcing its release on April 13th, it will have to compete with Kejriwal at the box office. Kannada sensational film KGF: Chapter 2 has been announced to be coming out on April 14th. With this, the two films will compete at the box office in a gap of one day. 

Beast dominates KGF: Chapter 2 in Tamil Nadu. But KGF says it can dominate the rest of the film. Sun Pictures is producing the Beast movie, which was made on a huge budget. Beast Telugu Theatrical Rights recently sold out. The film was shot on a large scale in Chennai and Georgia.

Morbius 2022

Movierulz


One of Marvel’s most enigmatic and tormented characters, anti-hero Michael Morbius, arrives on the big screen played by Oscar-winning actor Jared Leto. Infected with a rare and dangerous blood disease, determined to save anyone who is destined to suffer his own fate, Dr. Morbius attempts a desperate bet. What initially appears to be a success soon turns out to be a potentially more dangerous remedy than the disease itself.


MORBIUS:

Some films have to thank for the bad resonance they receive from overseas because when you go and approach them, the result is less and less disappointing than what had already been anticipated. Not all works, however, have the good fortune of being able to take advantage of a revaluation. 

When they arrive in another country and the mediocrity that America had announced after the first screenings of Morbius could only be confirmed again with its landing in Italy. A cursed work of which Jared Leto is the protagonist and which follows the questionable interpretation of Paolo Gucci in Ridley Scott’s film snubbed by the Academy. 

Although House of Gucci was a film that arrived more or less on schedule despite having to keep an eye on the emergency from Covid-19, it was distributed anyway before an operation left in the drawer for two years such as the one starring the cartoon vampire.

But Morbius is not only a couple of years late, but seems to have traveled in time alongside his adventure partner Venom, both of the Sony team, for a tour that in the mix of Marvel characters in parallel contexts and which touches only slightly with the MCU, however, it seems to have its own coherent and uniform form. 

Whether the direction for these products is functional or not is up to the individual films to decree it. But that the production house has found its own identity is undeniable and it is perhaps precisely the point from which to have to start to destroy what the symbiote and the vampire of the comics have generated to try to rebuild something new.

FROM THE TWO VENOM FILMS TO MORBIUS

Just like the film with Tom Hardy, Morbius also has an atmosphere of a past cinema that fits into a series of stories in the style of the nineties / early 2000s. An aspect of the narrative that reverberates in the perfectly distinguishable staging of the film, a work that seems to belong to a time when the plasticity of certain visual effects and the sparse structure of a story of “super” people were still accepted, in which however a pillar-like Sam Raimi’s Spider-Man who could be, yesterday as today, timeless. 

Sensations that the promotional materials had aroused and that receive a due confirmation upon viewing the film, which while flying in its duration and still remaining consistent in its own points of the story, can only reveal itself unprepared in front of the new technological and narrative exploration of the Marvel comrades. – or, if you also look at your opponents, DC.

This is why Morbius generates almost more questions than real disputes, making it unclear how it is possible to consider an adequate type of solution that turns out to be chaotic like the one proposed by the film directed by Daniel Espinosa that affects the general result. 

Different yet close to that of the two Venom, with the latter aiming, however, more on the comic side that was able to help them safeguard themselves compared to doctor Michael Morbius, who is choosing to enter a seminal-thriller loses his grip on its origin story and does not even hit the mark for what concerns the use of the genre.

WHEN EVEN POST-CREDIT SCENES DO NOT WORK

Not being able to come to the defense of a technical apparatus whose choices it is difficult to understand – as in the long opening sequence with Michael and Loxias only children and a confusing and unproductive montage – is the story over which the vampire and his bats are circling. 

In the fraternal diatribe between the protagonist of Jared Leto and his childhood friend played by Matt Smith reside the potential that the writing has not been able to bring out, depriving the characters of an in-depth study that could have served as a carpet for the story, as for the theme of the debilitating illness of the two men and in the comparison on deciding to overcome it or not, at the cost of becoming inhuman.

A lack of investigation in the script that manages to make you feel the absence of depth even in its two post-credit scenes. And not that there is usually a need, but because Morbius has decided to insert two snapshots for a future game that is dangerous not so much for the characters, but for those who will have to approach unraveling the threads that the universe of superheroes has entangled. 

Thrown sequences that annoy rather than entice, no matter which character or which actors you decide to see inserted. Old-fashioned and difficult to save, Morbius is as artificial as the blood that the protagonist finds himself having to swallow: not entirely effective and quick to expire.

Morbius will be in cinemas from 1 April distributed by Warner Bros…

Mishan Impossible Telugu Movie 2022

Movierulz

Megastar Chiranjeevi was the chief guest at the pre-release function of the movie ‘Mishan Impossible‘. Said a great deal about the movie. What’s more, Taapsee Pannu is playing a role in this … Swaroop RSJ, who was introduced as the director with ‘Agent Sai Srinivasa Atreya’ as the director, is the Mali film and the audience is interested in the film. And, how is the movie? (Mishan Impossible Movie Review) What are the things that impress the audience in a movie?

Story: Raghupati (Harsh Roshan), Raghava (Bhanu Prakash), and Rajaram (Jayatirtha Molugu) are friends. All three are from Vadamala town near Tirupati. Raghupati’s dream is to become a director. Raghava’s goal is to win crores of rupees in ‘Who among you is a millionaire’. Rajaram hopes that Malinga will become such a fast bowler. 

How innocent the three are … If Dawood Ibrahim is caught, the police will pay Rs. Knowing that he will be given prize money of Rs 50 lakh, he sets out for Mumbai to catch Dawood. But, join Bangalore. How did they meet the Investigative Journalist and Activist Shailaja (Tapsi Pannu) there? What happened after that? What has this got to do with the child trafficking case in Mangalore? What did the three children do? Is a must-see movie.

Analysis: The audience must say one thing first! Is ‘Mishan Impossible’ a Tapsi tax movie? A picture of a small child? That is the picture of the three children who played the lead roles! Tapsee is like a guest character until before the interval. Of course, even after that, it seemed short-lived. 

But, her character impact is greater. Harshavardhan, Suhas, Sandeep Raj, and Harish Peradi also appeared in guest roles. Limited to two to three scenes. The whole story revolves around small children. They are the real heroes of the movie. Now, when it comes to how the movie is …

Mission Impossible‘ is a crime comedy movie! Comedy dominated more than crime in First Half. Crime dominated the comedy in the second half. Overall … it feels like a different attempt. When you come out of the theater something unknown is missing. Crime, comedy … are out of balance in both. The screenplay did not work properly. Therefore, it is difficult for the audience to travel and feel along with the story.

The movie starts with the Tapsee scene. Audiences will be interested in what she does after that. However … from there the movie goes to the children. Director Swarup took some time to introduce the three children. Those scenes are impressive. What if the ‘race gems’ are little girls? The director laughed at the scenes with such innocence. 

Putting that entertainment aside after a while … it feels good to go into the story. The actual game starts after the interval. Ravindra Vijay Flashback Series continues. Child trafficking crime comes to the fore. The emotional song comes as the children remember their parents. The story takes a serious turn. But, it seems a bit over the top to show that a child trafficking gang with children has built a game.

No matter how much you think Cinematic Liberty has taken … there are a lot of scenes in the film that are not logical. For example … parents who were initially upset that their children were missing did not show what they did after that. Do you think the audience will doubt what the mission is with the children? 

The answer seems to be that Tapsi gave clarity in the tax introduction scene. Although the plot is new … Compared to ‘Agent Sai Srinivasa Atreya’, Swaroop’s narration and direction are not up to expectations. Mark K. Robin’s songs are okay. The background music is good. Construction values ​​are at a high level.

Tapsee Pannu played the role of an investigative journalist. Serious & Performance Oriented Roles like Already Hindi Movies ‘Baby’, ‘Pink’, ‘Thought’ were taxed by Tapsee. The character in this movie was made easy. Tapsi taxing makes it easier for the audience to connect with the character. Harsh, Bhanu Prakash, Jayatirtha … three child actors did well. Harish’s parody is impressive. 

The role of the rest of the cast is limited. As long as Suhas and Sandeep Raj did well. Finally, in one piece … it’s a film that has not done full justice to comedy and crime. This is for an audience that enjoys children’s movies. The scene where the style of films of top directors like Sukumar, Trivikram, Puri Jagannath, and Rajamouli is told to the children is good.

Ghani: Varun Tej ‘Ghani’ movie Non-Theatrical Rights sold whoping price

Ghani Movie

Varun Tej – Ghani Trailer Talk: It is known that Mega Prince Varun Tej (Varun Tej) is currently starring in a sports drama called Ghani. The shooting is over and the film is ready for release. The film was released with a budget of around Rs 35 crore. The film, which has just finished shooting, is getting ready for release. 

However, the film is scheduled to release worldwide on July 30 last year. It was later announced that the film would be released as a Diwali gift. The film was later rescheduled for December 3, with ‘Annette’ (the big one) competing. But on December 2, it was announced that the movie ‘Akhanda’ starring Balakrishna as the hero would be released.

Allu Arvind… The film, produced by his son Allu Bobby, has been re-posted on December 24. The team then officially announced that ‘Ghani’ would not be released in theaters on February 25 or March 4. It was finally announced that it would be released on April 8th. There has been a good response to the recent release of a trailer from this movie. The pre-release event of the film will be held on April 2 in Visakhapatnam. Allu Arjun will be the chief guest at the event.

Information that the non-theatrical rights to the film, which is ready for release, have been sold at a huge rate. The film is priced at Rs. Information that it has sold for 25 crores. Official information on this is yet to come. Varun Tej for this movie .. Sweat well for Six Pack Body. The film also stars Upendra, Sunil Shetty, and Jagapathibabu in other lead roles.

The Censor Board has issued a U / A certificate to the movie ‘Ghani’. The total run time of the movie is 2 hours 31 minutes 17 seconds. New director Kiran Korrapati has directed the movie ‘Ghani’. Netizens say that Varun’s physique was shocking in this movie. Ghani was co-produced by Allu Bobby and Sidhu Mudda.

Apart from this film, Varun Tej is also starring in the upcoming F3 directed by Anil Ravipudi. In F3, Mehreen plays Varun as a couple and Venkatesh Tamanna plays another couple. Dil Raju is producing. The film has recently completed shooting. The sequel will be more comedy compared to the first part. 

Venkatesh and Varun Tej put up a hotel together. The problems they face from there… The story of this movie is about falling. The film is set to release on May 27, NTR Jayanti Day.

KGF2 broke that record in the name of RRR before its release

KGF Chapter 2

KGF 2 Vs RRR: | Yes, before the release, Yash and Prashant Neil’s movie ‘KGF Chapter 2‘ crossed a record in the name of RRR (Roudram Ranam Rudhiram) movie. Going into detail… Yash’s career as a hero has completely changed with a single movie called KGF. Until the age of three, he was the only star hero in Kannada. 

But now a Pan Indian hero. Isn’t it an exaggeration to say that there is an Indian audience who does not know about Rakhi Bhai ..? His range changed with a single film, KGF. Yash has expanded its market presence in the Pan Indian Range. 

He also got a good market in Telugu. He will soon be greeted with a KGF2 movie. Rs. The range can be understood if more than Rs 50 crore is paid for the rights. Yash is now the number one hero in Kannada. The first Rs. The hero who has collected over 200 crores of gross.

Along with the latest Tupan song released on YouTube, the movie trailer is set to become a sensation. The trailer broke the record for the most views in Indian cinema within 24 hours of its release. The KGF chapter garnered 109 million views in all languages ​​in 24 hours, within a day of its release. 

If 18 million views were received in Kannada created by KGF2 .. 20 million views were received more than in Telugu. It got 51 million views in Hindi. The Tamil trailer got over 12 million views in 24 hours. The Malayalam trailer got 8 million views. To date, the film has received close to 140 million views in all languages ​​combined.

Earlier, the RRR trailer received 51.12 million views in all languages ​​combined. Radhe Shyam came in second with 57.5 million views. Recently KGF 2 broke all those records. KGF Chapter 2 became the most prestigious movie at the Pan India level after RRR. It is reported that the theatrical and non-theatrical rights of the film have been sold at a huge rate in all languages.

U / A certificate has been issued for this film which has recently completed censorship. 168.06 minutes i.e. 2 hours 48 minutes 6 seconds. After Bahubali, the audience is waiting for the second part of a movie for this movie. Did they really expect Chapter 1 to be so successful ..? KGIF1 alone collected Rs 230 crore. 

At a time like this, there is huge competition from all industries for KGF Chapter 2. So the film unit is very careful about the business. The Part 2 business is worth over Rs 250 crore. Now after the release of the trailer the expectations have increased even more. The business range is also huge.

Moon Knight 2022 Series: Telugu+Tamil+Hindi+Eng

Movierulz

After three months without new Marvel Studios-themed content, it finally arrives on Disney + Moon Knight, the new piece of Phase 4 of the Marvel Cinematic Universe that introduces us to the hero of the same name played by Oscar Isaac. Unlike the other Marvel TV series that landed on Disney + in the last year. 

Moon Knight is the first series to be independent of the rest of the MCU, as, despite being part of the Marvel Cinematic Universe, it has no links or citations to other films or TV series of the MCU. Thanks to friends at Disney we got to preview the first two episodes of Moon Knight and this is our opinion.

The series follows Steven Grant (Oscar Isaac), a quiet employee of a souvenir shop inside an Egyptian museum in London. Steven suffers from a particular sleep disorder that causes memory lapses and memories that seem to come from another life. Following a particular night, Steven will find himself in Central Europe where, without knowing the reason, he is chased by several gunmen who are headed by Arthur Harrow (Ethan Hawke), a guru with a large number of loyal followers. 

Steven discovers he has dissociative identity disorder and shares his body with US mercenary Marc Spector, the human avatar of the Egyptian moon god Khonshu. As Steven / Marc’s enemies approach, the two must investigate their complex identities as they delve into a deadly mystery among the mighty gods of Egypt.

After 4 live-action series by Marvel Studios that gave the impression of being in front of a product designed as a film then divided into parts, Moon Knight Movierulz is instead conceived as a real TV series, presenting episodes with a very well thought out structure. and consistent with the reference media. 

To tell the truth, already with Hawkeye Marvel Studios had begun to go down the right path giving the series a more televised structure, a road then continued with this new series. The first episode, from which a good 90% of the scenes shown in the trailers and promotional clips have been taken, is a very solid driver who immediately introduces us to the characters and the road that the series intends to take over the course of the 6 episodes. 

If the first episode introduces us to characters and dynamics, the second, finally full of unpublished scenes, throws us into the heart of the series by creating an intriguing setup for the next episodes. The choice of exploiting Steven Grant as the protagonist and not Marc Spector is really excellent: in this way the character can immediately bond with the public, both for his character and for his status as a victim unaware of the events, also allowing him to exploit since the pilot Moon Knight without necessarily having to go through a classic origin story. 

The expedient used in the series to bring up the various incarnations of the Moon Knight costume is also excellent. Also very interesting is the work done on the villain of the series, Arthur Harrow, played by Ethan Hawke. 

In the comics the character is one of the less incisive opponents of Konshu’s punch; in the show his figure of him is rewritten from scratch, keeping only some details of the character, to create a completely new and much more credible villain that, together with the protagonist, creates a perfect dualism on the theme of justice.

The greatest strength of the series, however, lies in Oscar Isaac. Marvel Studios couldn’t find a better actor for a complex and multifaceted character like Moon Knight. Isaac’s acting is truly impressive, perfectly in line with the performances he has staged over the past year in the Scenes from a Marriage series and the film The Card Collector. 

The actor manages to characterize Steven Grant and Marc Spector with a few simple gestures, making the two identities easily recognizable. Furthermore, given the different origins of the two identities (Steven is British while Marc is American), Isaac in the original language uses, in addition to a different vocal timbre, also two different accents, thus giving an even more marked characterization to the identities. 

Unfortunately, this detail is lost with the Italian dubbing, which instead aims to differentiate Steven from Marc by using a more timid and awkward voice for the first, while for the second a fuller and more bold voice. 

Also very good is the performance of Ethan Hawke who plays perfectly the role of Arthur Harrow, a very particular character who in some ways also recalls other past roles of Hawke. Also promoted is May Calamawy, interpreter of Layla El-Faouly, wife of Marc Spector.

The direction of the series, especially in the first episode entrusted to Mohamed Diab – who will direct 4 of the 6 episodes of the series – chooses to play wisely with the classic movements and shots of horror, placing them in a context halfway between a thriller and a comedy. 

The result is really excellent, managing to make the viewer experience, thanks also to tight editing, the same destabilizing sensations of fear and terror that the cause of the continuous blackout in Steven. Also good direction in the fight descents, mainly present in the second episode, a side that has yet to prove a lot to us. 

The chase scene, which occupies a good portion of the first episode, is far from being excellent, too confusing, and in which too much use of the green screen is not well masked. The sorest point, however, lies in the CGI which from the very first trailer showed some evident fragility. In fact, the CGI used in the Moon Knight costume does not always do justice, resulting in a little too fake and puppet. 

The same goes for other elements scattered in the episodes, such as the Arthur Harrow tattoo and the humanoid jackal already appearing in the trailers. Applause should instead be given to the pressing and enveloping soundtrack, which perfectly punctuates the protagonist’s action and blackout.

In conclusion, Moon Knight series presents itself as an excellent Marvel series that, finally, manages to make its own episodic structure missed in the previous series. Making perfect use of the protagonist’s peculiarities, the series manages to create an atypical origin story that immediately throws the unsuspecting Steven Grant and the viewer into the heart of the action. 

The strength of the series undoubtedly lies in the extraordinary performance of Oscar Isaac, a fundamental element without which the series would have lost several points. Too bad for a CGI lackluster in some places, which we hope will improve throughout the series as already happens in the second episode. 

Given the practically absent ties with the plots of the Marvel Cinematic Universe and the confirmation that the series will not have a second season, it will be interesting to discover – perhaps in the season finale – the role that Moon Knight will play in the future of the MCU, perhaps as a member. by Marvel Knights.

The first episode of Moon Knight will be available on Disney + from March 30, the following episodes will be distributed weekly every Wednesday until May 4. Below is the official trailer of the series:

Beast 2022

Beast Movie


COMING SOON…

Beast is an upcoming Indian Tamil-language black comedy action film written and directed by Nelson Dilipkumar and produced by Sun Pictures. The film stars Vijay and Pooja Hegde, with Selvaraghavan, Yogi Babu, Shine Tom Chacko, Reddin Kingsley, VTV Ganesh, Aparna Das, Lilliput Faruqui, Ankur Ajit Vikal, and Sathish Krishnan in supporting roles. 

The film’s music and soundtrack are composed by Anirudh Ravichander, while cinematography was handled by Manoj Paramahamsa, editing by R. Nirmal, and production design was supervised by D. R. K. Kiran, respectively.

Beast is scheduled for release on April 14, 2022.2

KGF Chapter 2 Telugu Version Pre-release business

KGF Chapte 2

There is an interesting discussion going on on social media right now about KGF 2. Everyone is talking about this as the trailer of this movie is about to be released. Most importantly the expectations for this film are huge in all languages. After seeing the sensations created by the first part, expectations of the second part of KGF increased even more. Also, the market has tripled.

If the first part does business for less than 100 crores .. the second part will be ready to spread its wings and make a sway near the box office. After the release of the trailer, there is no doubt that the expectations will definitely increase further. Not to mention what kind of expectations there are now around the world already on this movie. 

The first part was released without knowing the name of the village. But the sensation was a success. Even though the sensations created by KGF have not yet been forgotten by anyone. Fans are looking forward to the second part. Corona came in the middle but otherwise, the film would have been released in 2021 itself. 

Meanwhile, the pre-release business of this movie is skyrocketing now. Buyers are likely to call everyone who looks appropriate if there are only a few. There is propaganda in the industry that rates are being quoted a bit too much.

According to trade sources, Rs 70 crore is being quoted for the rights of the film in Telugu. 70 crores in Telugu is no small matter. Business is going on here at that level for big hero movies. Heroes like NTR and Ram Charan in Tollywood are now doing this level of business. Distributors are apprehensive as such a rate is now being said for KGF2.

However, because of the craze for the film, it is rumored that Dil Raju has acquired the rights to the film for Rs 66 crore. The first part sold only 5 crores. The second part is 11 times more pronounced than that. On the other hand, 100 crore solo business is done in Kannada. It is rumored that up to Rs 30 crore will be spent in Tamil.

Overseas, it is known that up to 80 crores are being quoted. However, trade sources say that KGF2 will do a pre-release business of up to Rs 240 crore in all languages ​​combined. To collect more, the film has to collect 300 crore shares. It is unknown at this time what he will do after leaving the post.

Parallels Disney+ Series

Parallels

Comes to Disney +, consisting of six episodes, of Parallels, the science fiction series made in France.

Everett’s theory of the multiverse postulates the coexistence of universes that lie beyond our conception of spacetime, which for this reason are called parallel dimensions. The intrinsically implicit rule of this proposition is that the elements of each temporal and spatial dimension cannot and must never meet, in order not to unleash a space-time paradox: a name that already inspires metaphysical fear, but which, it would seem, no one has never realized and therefore more science fiction than physical.

But a paradox can also take on another meaning, perhaps more semiotic and linguistic, than scientific: in Greek literature they were short narratives of extraordinary and bizarre events that very often took the form of syllogisms.

AAAAAAAAAAAAAAa

Ironic, because such connotations and semantic configurations of “paradox” can be found in the Disney Parallels sci-fi series, available on the streaming platform for a total of 6 episodes. A coincidence perhaps too strange to be considered such, but which wants to establish itself as a new French production – produced and conceived by Quoc Dang Tran – along the symbolic lines of already consolidated film and serial examples, from the 1980s to today.

Parallels Disney+ Series

Parallels: A Necessary Comparison

The comparison with Stranger Things seems inevitable and unavoidable: from the narrative structure to the coexistence of four children, the mother of one of these and an agent, to the explanation of a mystery that unfolds between two mirror versions of the same world. 

The similarities are remarkable, even if in making an analytical survey of this serial product it is right and proper for it not to focus – at least exclusively – on the relationship of symbolic exchanges with the most famous Netflix series.

AAAAAAAAAAAAAAA

Parallels is solidly maintained thanks to a basic composition based on the intelligible dynamism between territorial aesthetics (France) and the diegetic consolidation of that 1980s children’s cinema, which includes I goonies, Stand by me, ET, just to cite the most famous examples, up to the Stranger Things retrospective, already mentioned.

Four kids, Sam, Victor, Bilal, and Romane, are victims of a space-time upheaval that transports them to different time and space lines and who try in every way to repair the dimensional rift that divided them, to return to their previous life.

Parallels Disney+ Series

Parallels: a psychological adventure between ups and downs

In some ways, this citationist connotation goes beyond the desire to completely unhinge these famous filmic examples, inexorably leading to that confrontation that we have tried to deny. The narrative is projected onto a mirror that is now too much addressed in this genre, which is configured as an adolescent mystery at times psychologically referential. 

AAAAAAAAAAAAAA

The drama for the disappearance of the protagonists, which takes the form of a chase between parallel eras and universes, changes almost immediately into a one-way story that engages the smallest of the group, Victor, with dramatic centrality, creating a subplot. intrinsically converging with the main diegetic structure, which tries to show the viewer the repercussions, albeit in a metaphysical key, of adolescent loneliness and generational confrontation. 

This psychological side of the narrative unfolds throughout the series, but explodes in all its dramatic power in the last part, thus making the prospects for restoring the initial status quo difficult. But how many inner perturbations of Victor’s character have been dealt with and ultimately resolved seem truly influential on the staging site of the series, being too hasty and led by a deus ex machina represented by Sofia, the mother of Bilal. 

This, through intradiegetic signals that act only as a narrative propeller to hasten the final resolution, manages to completely divert the third act of the script towards an extremely forced good ending, which is cumbersome and cumbersome, depriving the viewer of that cliffhanger and that thrill. 

AAAAAAAAAAAAAAA

Suspension of disbelief in a narrative of this magnitude. An unsuccessful mechanism, which completely cancels the fourth wall, immediately leading to the understanding of the presence of a narrating and thinking instance that has already prepared this expedient to resolve the matter in 6 episodes.

Parallels Disney+ Series

Parallels are proof that good intentions are not enough

The connotation of staging and editing manages to make the narrative quite convincing, supporting it in such a way as to configure a structure quite linear and pleasant diegetic, based on small twists at the end of each episode capable of luring the viewer into a vortex of circular disclosure. But, in the end, unfortunately, it must be admitted that intentions are not always enough to give life to an extremely effective series.

KGF Chapter 2 Movie Trailer Released

KGF Chapter 2

Not to mention that ‘KGF’, directed by Prashant Neel and starring Kannada star hero Yash in the lead role, has created a sensation. The film was a hit across the country. Set against the backdrop of gold mining, the film impressed the audience immensely. Released without any expectations, the film shook the Indian box office. Now ‘KGF Chapter 2‘ is coming as a sequel to this movie.

The audience is eagerly waiting for this movie. In fact, the film was already supposed to come out to the audience but was postponed due to the corona. The film crew has officially revealed that the film will be released on April 14 as the finale. Looks to start promotions to suit it. So far there has been no chance of launching promotions for ‘KGF2‘ due to the ‘RRR‘ mania.

Now that ‘RRR’ has been released, Prashant Neel & Co is going to promote KGF in the next Range. Earlier the movie trailer was released. Launched a trailer with one star in each language. The Telugu trailer has been released by Ram Charan. Prashant Neel has raised expectations with a single trailer. It makes sense when you watch the trailer that ‘KGF’ is going to be Part 2 beyond Part 1.

Elevations, the background score is in the next range. If the trailer is like this, then what is the range of the movie? Ravi Basrur composed the music for the film .. Homebale Films is producing the film with a huge budget ..! 


Exit mobile version