Cast: Abhiram Daggubati, Geetika Tiwari, Rajat Bedi, Sada, Ravi Kale, Kamal Kamaraju, Manoj Tiger, Kalpalatha, Devi Prasad etc.
Lyrics: Anil Auchagatla
Songs: Chandra Bose
Cinematography: Sameer Reddy
Music: RP Patnaik
Producer: P. Kiran (Gemini Kiran)
Story, Screenplay, Direction: Teja
Release Date: June 2, 2023
Movie Mughal Daggubati A new hero from the Ramanaidu family has come to the Telugu cinema. Director Teja’s film ‘Ahimsa’ introduces Rana’s brother Abhiram (Abhiram Daggubati), the second son of producer Suresh Babu, as the hero. How is this movie (Ahimsa Movie Review)?
Ahimsa Movie Story:
Raghu (Daggubati Abhiram) is non-violent. A young man who would not even harm an ant. Raghu is the love of his death for Ahalya (Geetika Tiwari). On the day of their engagement, she is brutally raped by two sons of Dhanalakshmi Dusyanta Rao (Rajat Bedi). Raghu makes a case that the people who committed atrocities on Maradali should be punished. He is assisted by lawyer Lakshmi (Sada).
Ahimsa
However, her family is killed by Dhanalakshmi Dusyanta Rao. Raghu understands that the case will not stand before his physical strength and mental strength. What did he do then? Did he leave non-violence and turn to violence? Or? What is the reason behind the disappearance of Dhanalakshmi Dusyanta Rao? What is the role of the Lumbdi gang who grows cannabis in the forests in Abhiram’s journey? is the rest of the movie.
Ahimsa Movie Analysis:
Why does director Tejaki love forests, cows, and goats so much? Why do heroes and heroines take to the forest for epic scenes? It is not wrong if the audience doubts that. Because… the movie is like that! Are you planning any Teja for Multiverse with ‘You and Me’ and ‘Ahimsa’? There is also doubt that.
Every director has a style. At first, it will be new. Raanu Raanu If every movie is made in the same style, the audience will get monotony. The same is happening with Teja. His choice of the story has substance. A point of interest is the move towards non-violent violence. That interest is not in the movie. The movie feels soso till the break. After that, the pace of the story will hopefully pick up and it will move forward more slowly.
What happened to Teja who made ‘Chitram’, ‘Nuvu Nenu’, and ‘Jayam’? Many days ago, the audience had doubts. Fans celebrated that he got his form again with ‘Nene Raju Nenu Mantri’. After that, he received a flop with ‘Sita’. Teja fans will be disappointed again after watching ‘Ahimsa’. Had to hold our heads when the item song came after the interval.
Ahimsa
Teja, which was once newly taken, why was it taken with commercial measurements? It seems This is one of those movies where you feel that it would have been better if the climax had come later and it would have been better if the story ended sooner. The length of the movie is longer… After the climax fight, it was extended for some more time. The less we talk about logic the better.
No matter what the story and narratives are… RP Patnaik’s music doesn’t matter. The songs are ok. Chandra Bose has given good lyrics. There is a feeling in the songs. The cinematography by Sameer Reddy is superb. The visuals are all good. The producer did not hesitate to spend.
Ahimsa Movie Actors Performance:
Abhiram’s debut film. He is improving in his performance. The audience watching the movie will know that. Director Teja also did not give him much effort. As much as possible, the scenes were created without burdening the hero. In some scenes, Abhiram must act. Abhiram acted to the best of his ability. His acting is not great. Okay for the first movie.
It is the debut film of heroine Geetika Tiwari in Telugu. Earlier acted in Tamil movie ‘Legend Saravanan’. She gave a good performance as an actress. They also did a beauty show. Good stories and characters will have a future for her. Sada is okay in the role of lawyer Lakshmi. All other artists including Ravi Kale seemed overacting.
Finally what? : The name of the movie is ‘Ahimsa’. The audience who went to the theaters will feel that ‘A’ is missing. What more can’t be said. It cannot be said that Abhiram Daggubati’s debut was a hit. This remains one of Teja’s flops.
Actors: Bellamkonda Ganesh, Avantika Dasani, Samudrakhani, Sunil, Srikanth Iyengar etc.
Cinematography: Anit Kumar
Music: Mahati Swara Sagar
Producer: Nandi Satish Verma
Written by: Krishna Chaitanya
Directed by: Rakesh Uppalapati
Release Date: June 2, 2023
Nenu Student Sir Movie Review: Bellamkonda Ganesh is a hero who gained fame with his first movie ‘Swathimuthyam‘. Unlike Annayya Bellamkonda Srinivas, he is moving forward by choosing different types of stories without following the mass path. With the teaser and trailers, ‘Nenu Student Sir’ is impressive as a good thriller plot. The film is set in the background of a cell phone and a crime that revolves around it, and the audience has good expectations. And has this movie impressed the audience?
Nenu Student Sir Movie Story:
Subbarao (Bellamkonda) is a college student. The iPhone 12 is insane. After working hard for nine months, he earns Rs. 90 thousand and buys iPhone 12. On the very day of buying the phone, there was a fight in the college and I had to go to the police station. There the police will collect Subbu’s phone. When he goes back to get his phone, Subbu’s phone is nowhere to be found.
Nenu Student Sir
So Subbu goes to complain to Commissioner Arjun Vasudevan (Samudrakhani) about this matter. As he is also ignored, he decides to befriend the commissioner’s daughter Shruti Vasudevan (Avantika Dasani), and get the phone. How the friendship made over the phone lead to a murder case on Subbu? How did Subbu get out of this case? Did you find his phone? To know all this, you have to watch the movie.
Nenu Student Sir Movie Analysis:
The main highlight is the concept taken from the movie ‘Nenu Student Sir’. This is not just a story revolving around a lost iPhone as shown in the trailer. This concept, which sounds like something special, was not revealed anywhere in the promotions. But to get there, the movie has been stretched a lot. Especially in the first half but the story does not move forward even an inch. The story starts right near the interval.
Bellamkonda Ganesh’s dialogue ‘Black iPhone… 12 series… 64 GB… Rs.89,999’ every time he appears on Fastoff and calls the iPhone ‘Thammudu Buzzibabu’ are very irritating. A typical middle-class boy going up to the commissioner for an iPhone and risking his life for it doesn’t sound convincing. The way the heroine’s Tik Tok track and love story was handled in the first half had nothing to do with the story and was not impressive at all.
Especially in the first half, the comedy scenes make you cry and the emotional scenes make you laugh. It can be said that the heroine’s character was written very well by the fact that his daughter brought the commissioner’s gun when the boy in love asked for it. In the first half the story does not move forward at all. The screenplay takes first gear with an interval twist.
Nenu Student Sir
The second half is also a bit slow. Once Sunil enters, the story becomes interesting. From there the screenplay gets a bit racy. The twists in the story are slowly revealed. Logic is missing in some places. It would have been a good thriller if a good screenplay had been written for this concept. Among the songs composed by Mahati Swara Sagar, ‘Maye Maye’ is impressive. The background score in the second half is impressive.
Nenu Student Sir Movie Actors Performance:
Bellamkonda Ganesh looks innocent in the first half and intelligent in the second half. Instead of choosing routine stories, he chooses different stories. Avantika Dasani is just okay as Shruti Vasudevan. The lack of lip sync for his dialogues is a big minus. Samudrakhani acted as Commissioner as usual. Sunil laughs for a while. Jabardast Ramprasad got a bit of a new type of role but there was no scope for acting in it.
Overall…though the plot is interesting, this ‘student’ has been hit by the treatment. Definitely, not a movie to watch in theatres.
Cast: Thiruveer, Pavani Karanam, Bunny Abhiran, Sai Prasanna, Arjun Krishna, Muralidhar Goud, Padma, Vasantha etc.
Cinematography: Vasu Pendam
Music: Yashwant Nag
Presented by: Rana Daggubati (Suresh Productions)
Producer: Siddharth Rallapally
Written and Directed by: Rupak Ronaldson
Release Date: June 2, 2023
Thiruveer has done a few films. But those movies show how much talent he has as an actor. After the success of ‘Masuda’, he acted in the movie ‘Pareshan’. As Rana Daggubati is presenting the film, expectations have increased. And how is this movie (Pareshan Movie Review)?
Pareshan Movie Story:
Isaac’s (Thiruveer) father Samarpan (Muralidhar Goud) is a Singareni employee. If the father is struggling, the son hangs around with his friends and does not focus on his studies. ITI will fail. Samarpan sells the gold bangles of the married couple to pay money (bribe) for his son to get a job and puts it in his son’s hand. The son presents all that money to his friends as they need it. Along with jalsas and shikars with friends, the love with Shirisha (Pavani Karanam) extends to physical contact.
Pareshan
Nana used to worry that one day she got stomach upset due to vomiting. After going to Patnam and taking the tests, stay with Isaac. If you ask friends, they will not give you. What happened after that? What’s wrong with Isaac & friends and the kids from next door? What did Samarpan’s son do when he knew that he had given money to his friends and was in love with a child? What finally happened? Where does this story end? You have to watch the movie to know.
Pareshan Movie Analysis:
Telugu cinema now focuses more on Telangana. Stories are being screened in the background of Telangana. ‘Jati Ratnalu’, ‘Balagam’, ‘Dussehra’… some more films came out in this category. However, only a few films have revealed the soul of Telangana. ‘Pareshan’ also joins it.
In ‘Pareshan’, all the beauty lies in the Telangana nativity, in those characters. The story is nothing new… a wandering son, a scolding father, a love story with a girl, a problem, a happy ending – that’s what ‘Pareshaan’ is all about! There is nothing new in the story. But, Telangana seemed to hit in every comedy scene.
There is no real filth in character design. Director Rupak Ronaldson has written the scenes very well. ‘Light Light…’ The song makes everyone smile. Can’t analyze some comedy scenes of Christian prayers, drinking drugs… just watch and laugh! There is not as much comedy after the interval as there was before the interval… less.
Pareshan
Every time it comes from comedy to emotion, the movie becomes dull. The background of Telangana seemed to glorify drinking. No need to show too much alcohol!? The soul of Telangana village has been well explored on screen but is there a soul in the story? or not Didn’t care. The cart was pulled by putting a burden on comedy. Some of the drinking scenes feel repetitive.
Yashwant Nag’s music for ‘Pareshan’ is the biggest plus point! If you sing ‘Velugu Velang…’, ‘Sou Sara…’ there is a chance to be heard in barats and pubs. The audience will remember the song ‘Musi Musi Anjula Manjula…’. All those songs have the same lyrics. Telangana sounded good in the conversations. The cinematography and production values are okay.
Pareshan Movie Actors Performance:
Whatever the role, Thiruveer Parakaya is making his entrance…bringing it to life. In ‘Pareshaan’, from putting on a shirt to putting on shoes… he was not out of character in every scene. Pavani Karanam played the role of Sirisha well. In the Telangana setting, Muralidhar Goud Carafe is addressing the roles of the father in the film. He once again gave a good performance as the hero’s father. Everyone who played the hero’s friends did well. Can’t imagine anyone else in those roles.
Finally: Pareshan for those on the screen… Fun for those in front of that screen in theaters. Tiruveer who was scared of ‘Masooda’… now laughs with ‘Pareshan’. There is no doubt about that. The beginning of the film was taken by director Rupak Ronaldson to that Telangana village. The story is less content and more comedy! Music has helped the story which is so soso. You can watch Weekend Fun for comedy.
It is well known that controversial director Ram Gopal Varma recently announced his new movie. Varma has finalized the title of his new movie ‘Vyooham‘. And with the announcement that this movie is also being made in a political backdrop, now everyone’s attention is on this project. “I am going to make a political film called ‘Vyuham‘ very soon. It is not a biopic. It is a real pic deeper than a biopic.
Even in a biopic, there may be lies. But in a real pic, there are hundred percent truths. The story of strategy emerged from the struggle between pride and ambition and political conspiracies. Ramgopal Varma gave many hints about his new movie saying, “It will be full of content”. Not only that, he said that he is going to make this film in two parts the first part is titled ‘Vyooham’ and the second part is titled ‘Saphatham’.
He said that there will be plenty of political anarchy in these two parts. Verma said that before the people of the state recover from the shock of the first part ‘Vyuham’, they will be given another shock with the second part ‘Sapatha’. It seems that this movie is being produced by Dasari Kiran, who previously made the movie ‘Vangaveeti’ with Ramgopal Varma.
But recently, Ramgopal Varma has shared some working stills related to this movie on social media platforms. These photos are now going viral on social media. Varma said that the role of YS Jagan Mohan Reddy is played by the famous actor Ajmal Amir in this movie. Also, Varma shared some posters on his Twitter stating that Manasa Radhakrishnan is playing the role of his wife YS Bharti.
Ramgopal Varma, who has been making films mostly about politics, this time is making the film ‘Vyooham’ based on the political journey of YS Jaganmohan Reddy. The news is that this political backdrop movie is being made based on the politics happening in Andhra Pradesh state and is being made in favor of AP CM YS Jaganmohan Reddy.
It is known that Ramgopal Varma has recently made a movie called ‘Konda’ based on the life story of the Konda couple from the Warangal district. However, the movie could not get even the minimum approval from the audience. Promotions were done in a range but the movie did not create any impact. We have to see what kind of impact Ram Gopal Varma will create in the audience with the latest film ‘Vyuham’.
VimanamMovieTrailer: The movie ‘Vimanam’ stars Samudrakhani, Anasuya Bhardwaj, Meera Jasmine, Master Dhruvan, Rahul Ramakrishna, Dhanraj, and Rajendran in lead roles. This movie is being made simultaneously in Telugu and Tamil languages. Meera Jasmine is making a re-entry into Telugu with this film directed by Shiva Prasad Yanala. This movie will be released soon.
The tear-jerking ‘Vimanam’ movie trailer
Promotional programs related to the movie ‘Vimanam’ have already gained momentum. While the first look of Anasuya has already been released, the posters of the film have been released in Telugu and Tamil languages. Anasuya impresses with a beautiful smile in a red jacket and floral saree. Mesmerized with stunning looks while sitting on the couch.
Recently the film team released the trailer of this movie. In this trailer, the agony of a father to fulfill his son’s wish to board a plane is shown brilliantly. To take Kannada by plane anyway Rs. The scene where the father sells his bicycle for 10,000 is making everyone cry. And the scenes between Anasuya and Rahul Ramakrishna are also connecting everyone emotionally. This trailer is raising the expectations of the movie.
The makers said that the film will be released on June 9. The film is produced by Zee Studios and Kiran Korrapati Creative Works. The already-released Samudrakhani first look and promo from the movie ‘Vimanam’ are increasing the curiosity of the audience. It is understood that Samudrakhani’s role will be special in this film.
Samudrakhani played the role of Virayya, a middle-aged man who suffers from a limb disability and takes care of his younger son despite the absence of his wife. The father-son bond is beautifully revealed in the promo.
“Audiences always love to see characters on the silver screen who tell us to achieve something in life. This ‘Vimanam’ is a film made with such characters. There are many good aspects in our film along with the relationship between father and son,” said the team of the film. Anasuya’s role is going to be special in this movie. The team is happy with the response to the trailer. It has been announced that the film will be released worldwide on June 9.
The BoogeymanMovieReview: A new film adaptation based on Stephen King, The Boogeyman by Rob Savage, is the 52nd, confirming the interest of cinema in the immense repertoire of the master of horror. The film stars Sophie Thatcher (Yellowjackets), Chris Messina (Air), Vivien Lyra Blair (Obi-Wan Kenobi), Marin Ireland (The Umbrella Academy), Madison Hu (Bizaardvark), LisaGay Hamilton (Vice – The Man in the Shadows) and David Dastmalchian (The Boston Strangler), is in theaters from June 1 with 20th Century Studios and 21 Laps.
High schooler Sadie Harper and her sister, little Sawyer, are devastated by the recent death of their mother, not even receiving the right support from her father, Will, a therapist unable to deal with her pain and that of her daughters of her. One day a mysterious man shows up at Will’s door asking to be heard, to be helped to free himself from a disturbing presence that has been tormenting him for some time and does not want to leave him alone. This entity, which feeds on the pain of others and especially families, will soon enter the lives of Will, Sadie, and Sawyer with dramatic consequences.
The Boogeyman
The Boogeyman – Fear, trauma, and mourning in the film based on King
The Boogeyman by Rob Savage, inspired by the 1978 story of the same name by Stephen King (in Italy entitled Il baubau) featured in the anthology Night Shift (A sometimes they return), on a screenplay by Scott Beck & Bryan Woods (A Quiet Place – A quiet place) and Mark Heyman (The Black Swan), adapts the story that the writer had set in a psychiatric study by introducing the figures of Will’s daughters and expanding the plot.
From the beginning, we see and hear the boogeyman, and we also understand what he is capable of. In particular, it is little Sawyer who feels his presence strongly: frightened by the dark, she sleeps with the lights on, asks her father to look under the bed before saying goodnight, and looks frightened at the closet in her bedroom with the door slightly open where she believes that the “monster” can be hidden.
Her older sister Sadie, like her father, doesn’t believe her, busy managing the void left by her beloved mother and facing the wickedness of bullies at school. But soon both will be forced to change his mind by facing something supernatural.
The film re-proposes many themes dear to King: the deepest fears and pains that in his stories often turn into demonic presences, see IT and the traumas of the characters on which the “thing” feeds; and the protagonists are often children and adolescents not listened to by adults and in some cases abused, who however find the inner strength to rebel against evil.
The Boogeyman
In The Boogeyman, an attempt is made to reproduce the disturbing spirit of the story, and in general of King’s universe, made up of horror but also of a lot of macabre ironies, adding elements that wink at the younger audience with certainly not random quotations to an already cult series like Stranger Things, and we let you find out how.
But the result appears unconvincing, as it chooses to emphasize the hackneyed dynamics of classic horror: the long moments of waiting followed by the sudden appearance of the present to make the spectator jump on his seat, the cellars, the wardrobes, the dark closets den of evil presences, the struggles between good and evil always directed in the same way.
The Boogeyman: conclusion and Evaluation
Rob Savage’s film has little suspense and in some stretches it also turns out to be boring and with predictable implications, failing to make the most of Stephen King’s “material”, and a theme, that of mourning, the fulcrum of evil and pain that “animates” the boogeyman, who in recent years has been at the center of horror films of great depth, such as Hereditary – The Roots of Evil by Ari Aster. A metaphor that deserved a more accurate treatment in a genre that in 2023 can no longer be limited to a superficial and already seen horror story.
Spider-Man: Across the Spider-Verse arrives in Italian cinemas on June 1, 2023, to tell us once again about Miles Morales, Gwen Stacy, Peter B. Parker (and others) grappling with the mysteries of the multiverse.
Can a film disappoint a little while still being fantastic? As the sequel to a celebrated superhero animated gem, Spider-Man: Across the Spider-Verse does exactly what a second chapter should do: longer (2.20 hours), more colorful, more chaotic – that’s not necessarily a bad thing – it multiplies the environments, brings a new patrol of characters alongside the historians, tries to harmonize as best it can (it’s enough) psychological excavation and thematic architecture, more articulated than in the first film.
It was called, it was 2018, Spider-Man – A new universe, in English Spider-Man: Into the Spider-Verse. The sequel of 2023, directed by Joaquim Dos Santos, Kemp Powers, and Justin K. Thompson, screenplay by Phil Lord & Christopher Miller, and David Callaham, changes something of the formula.
No longer Into (in, inside) but Across (through) the Spider-Verse. Given the reality of the facts, that is, that each story is only one version among the countless, of a global and interconnected design, it is time to start moving far and wide along the existential highways of the multiverse and answer the question of the questions: how many parts of a beloved and well-known story can be rewritten? What is at stake is the construction of identity. Spider-Man: Across the Spider-Verse arrives in Italian cinemas on June 1, 2023, for Sony Pictures Italia.
Spider-Man – Across the Spider-Verse: many versions of the same hero, but above all Miles and Gwen
Gwen Stacy, alias Spider-Woman, Earth #65 (with progressives we will arrive at figures with many zeros), this time we start with her. Her story is in a sense an anomaly, one of the rare cases in which the basic dynamic is reversed, remaining the same. In this universe here, in fact, Peter Parker is the helpless friend that you can’t help but lose, while she has to wear the costume.
Spider Man Across The Spider Verse
The big change from the first film is that Gwen now knows she’s not alone. She knows the inherent complexity of the multiverse from having tasted it firsthand. You have cemented a relationship of esteem and affection with many colleagues of the adjacent dimensions, but it seems insufficient.
She continues to feel alone. She wouldn’t tell her policeman father the truth about him for all the money in the world; reconciling private, public, and secret life is becoming increasingly difficult. An apt metaphor from Spider-Man: Across the Spider-Verse explains Gwen’s situation well (and all the others and all the others): she is the girl who knows she wants to join a band, but she still doesn’t know which one she is.
She believes she has solved the matter by joining a colossal task force of Spider-Man and Spider-Woman dedicated to maintaining peace and stability in the multiverse. There are many of them, highly equipped, and they have also found a way to stabilize the inconveniences of passing from one dimension to another; fans of the first film will surely remember, it was a pretty big deal.
She pulls the strings of this mysterious community of heroes, basically the Avengers reproducing endless versions of the same character, Mr. Miguel O’Hara. Like Spider, he is muscular and has absolutely no sense of humor. Gwen can’t bond much with him, so she shifts her attention to Jessica Drew, a very tough and very knowledgeable Spider-Woman in the multiverse.
Spider Man Across The Spider Verse
The bizarre, rather, the anomaly, is that in this cauldron of friendly neighborhood spiders, there seems to be room for everyone, except for Miles Morales. Ours, Terra #1610, has perfected his costume, he doesn’t shut up for a moment, he would like to come out to his parents, mom Rio and dad Jefferson (he’s about to become a police captain, congratulations), but he lacks the courage.
They ignore his double life, so they struggle to justify behavior which, not being able to connect the dots, appears unpredictable and not very serious. The most believable threat, for Miles, is a very strange villain called Blur. In one way or another, it is part of his past, it is also the hook for the hoped-for reunion. Gwen and Miles are reunited because there is a common threat to face, of which the Blur is a large, but not exhaustive part.
The villain has figured out how to juggle the various dimensional planes to make good and (mainly) bad weather, but there’s more. The problem of Miles, Gwen, Peter B. Parker, and all the rest of the gang of different twins is both material (the multiverse is in grave danger), and philosophical, emotional, and sentimental.
The fate of the hero, already written or still to be written?
Outwardly, it is the standard recipe, for the cinecomic even if it is animated. Dudes in tights with stormy pasts who pull off spectacular stunts for the noblest of reasons, spinning over-the-top action, humor, and romance. The family is at the center of everything, great powers, great responsibilities, and laughter. Spider-Man: Across the Spider-Verse, just like its predecessor, complicates the picture beautifully by pretending to do the same things as everyone else, in the same way.
Spider Man Across The Spider Verse
Exploiting the inter-dimensional leap as an expedient to enhance a thousand angles and the visual power of a superb animation, fluidly dosing the progressive discourse (diversity, acceptance, and inclusive representation) and delicately placing it on the fabric of the story; we don’t notice it, it’s all very natural. There is a legal limit (!) to the things that can be said about the film.
However, it can be said that the theme of the themes is the construction of the identity of the hero, pulled by the costume by two cumbersome extremes, destiny, and free will. The basis of every self-respecting story, from our Greek friends from thousands of years ago to, well, web-shooting masked dudes.
The problem with Miles and all Spider-Man and Spider-Woman of this world (of all worlds) are that the harmony of the multiverse, this great web that interweaves different planets, different heroes, and different histories, is ensured by repeating a certain type of dynamics, standard situations and common to all universes. They have to do with the idea of separation, of loss, of the extreme limit that even the greatest hero cannot reasonably cross: one cannot save everyone.
The question, both moral and narrative, that Spider-Man: Across the Spider-Verse dares to ask itself, is the following: what happens if, suddenly, the hero chooses to get in the way of destiny and tries to become Spider-Man but on his own terms, not giving a damn about the canon? Can the unthinkable be achieved without compromising the overall balance? Miles thinks so.
Spider Man Across The Spider Verse
What happens is that the film supports the aesthetic, narrative, and spiritual ambitions of its lovable, bumbling protagonist (and fellow adventurers), fervently supporting their need for emancipation. However, ending up succumbing a bit, right on the finale. That Spider-Man: Across the Spider-Verse is only the first stage of a longer and more complex journey does not come as a novelty.
But a certain haste with which the film truncates the exploration of serious and articulated problems, proposing a moral and a narrative dynamic that has already been seen and already heard, seems to give the canon the winning game, to the game without risk. Toning down the originality of an operation that, until then, had hit the mark in both form and substance.
Spider-Man: Across the Spider-Verse: conclusion and Evaluation
For every empire that strikes back – the well-done sequel that deepens the first film’s discourse by darkening it, but leaving a door open to hope – there is always a return of the Jedi lurking, the partial disappointment that compensates with so many memorable moments the clear bitter sensation in the mouth.
The fate of this film will be written by the next. Many advantages, a little problem of Spider-Man: Across the Spider-Verse is a certain imbalance in the conception of the narrative structure: it immerses us in the story with such ease, that the sudden suspension waiting for the third chapter tastes of frustration. The disappointment must be seen from the perspective of a work that is clearly above the standard of the modern cinecomic, animated or otherwise. Imperfect, however very very valid.
Guntur KaaramMovieTeaser: After many days, a movie is coming in the ‘Athadu’ combo. Mahesh Babu‘s third movie under the direction of Trivikram will be released soon. The film unit, which has already raised expectations with the first look poster, recently released the SSMB28 mass strike video on the occasion of Superstar Krishna’s birthday.
Later, these glimpses were also released on social media. Moreover, the title of the movie was released in theaters by the hands of the superstar’s fans. On Wednesday, the film ‘Mosagallku Mosagadu’ was re-released in 4K format. Remarkably, these video glimpses (Mass Strike) were released in all the theaters where the movie was screened. And in the theaters, whistles are whistled for his look. Appropriately, the music provided by Thaman.. was splashed with fans. Mahesh made a stylish entry walking with a stick. “You are looking at nothing.
Trivikram also showed his mark in this video with the dialogue ‘Bidi is seen in 3D?” The title was also revealed in the same video. The tagline ‘Highly inflammable’ has been added to the title of ‘Guntur Karam’. All in all, Mahesh is coming to make a fuss at next year’s festival in the look of Ooramas. How the title was announced. Mahesh fans have to wait for a few more days for the teaser.
On the occasion of superstar Krishna’s birthday, Mahesh Babu started giving ‘Guntur Karam‘ movie updates early in the morning. Today is more special! Mahesh Babu tweeted this still saying “Dad… this is for you”. It seems that the shooting for the film started with this fight in the background of Guntur Mirchi Yard.
That’s why they showed the same fight in the Mass Strike video along with stills. In this background, it may take a lot of time to complete the shooting and release of the teaser and trailers. Moreover, Trivikram has a lot of time because of the release of this movie on Sankranti.
Mahesh Babu and Trivikram’s upcoming movie after ‘Athadu’ and ‘Khaleja’. In their combination, ‘Atadu’ has become a green movie, but ‘Khaleja’ has received a mixed response. In the end, it became an average movie in theaters. Since then the distance between Trivikram and Mahesh Babu has increased.
In this background, everyone thought that they will not be able to see a movie in their combination again. A lot of rumors have been doing the rounds since then. However, putting all that aside, fans are celebrating as they are doing a movie together again. When it comes to the title… Initially, the titles ‘Amaravati Ki Atu Itu’ and ‘Ooriki Monagadu’ were considered for this movie.
But, in the end, Mahesh and Trivikram voted for the title of ‘Guntur Karam’. Trivikram Mahesh Babu, who gives titles with an ‘A’ sentiment, took a risk by giving the title ‘Khaleja’ to the movie at that time. Again, this movie was given the title of ‘Guntur Karam’, keeping that sentiment aside. Let’s see what happens.
In this movie, Pooja Hegde and Sri Leela are acting as heroines opposite Mahesh Babu. Jagapathi Babu is also playing a key role. Suryadevara Radhakrishna (Chinababu) is producing under the banner of Harika and Hasini Creations. It will release on January 13 next year as a Sankranti gift. Taman is composing the music for this film. PS Vinod is the cinematographer. Naveen Nooli is the editor and AS Prakash is the art director.
Regina: Sunaina, a beauty who has made a special name for herself in Kollywood, is well known to the Telugu audience. Although she made her debut in Tollywood with the film ‘Kumar vs Kumari’, this beauty shined in films like ‘Something Special’ and ’10th Class’. After that, Ammadu greeted me with some dubbing films. Sunayana, who was last seen in Vishal’s ‘Lathi’, is now coming up with a thriller movie called ‘Regina’.
Domin D’Silva is directing the film ‘Regina’ in which Sunaina is playing the title role. Satish Nair is producing under Yellow Bear Productions banner. It is known that recently the team of the film created a ruckus saying that the heroine is missing and someone has kidnapped Sunaya. There has been a lot of criticism on social media that it is inappropriate to play such tricks for movie promotions. However, all this brought the film much publicity. Even the audience who did not know that there is a movie named ‘Regina’ discussed it.
In this background, the makers have increased the speed of ‘Regina’ promotions. While the first look of this movie has already been released, the teaser of the hero Arya was launched on Tuesday evening. This teaser started with “Remember Bank Robbery..” and it was interesting and suspenseful throughout. It is understood from the teaser that it is an action thriller revolving around a bank robbery that turns the life of a young woman.
There are many variations in the role of Regina played by Sunayana. There are some scenes where you feel like she is having a relationship with a lot of guys. He gave a hint that along with the action, the romance parts are also a bit high. Not only did Sunaina act in intimate scenes in this movie, but she was also seen smoking a cigarette. It seems that this is a revenge story as it is mentioned that ‘there is no pity here’. The background music and visuals in the teaser are impressive.
‘Regina’ is Sunaina’s first female-centric movie. It also stars Vivek Prasanna, Nivas Adhithan, Ritu Mantra, Ananth Nag, Dhina, Gajraj, Bava Chelladurai, Appani Sarath, Ranjan, Pashupathira and Gnanavel among others. Satish Nair composed the background score and Pavi K Pawan handled the cinematography. Toby John is doing the editing work.
Sunaina recently spoke about ‘Regina’… “It’s a revenge thriller. I play a very simple woman in an unusual situation. This film is about what she can do to the best of her ability. I think many people will relate to this film.” The makers are yet to announce the release date of the film, which is currently in the final stages of post-production. The makers are preparing to release it in Tamil, Telugu, Malayalam, and Hindi soon.
BuddyMovieTeaser: It must be said that Allu Sirish’s journey as a hero is a bit different from other heroes. He gives more importance to quality than quantity. Interested in doing different subjects. Allu Shirish, who plays interesting characters, recently got a good hit with the movie ‘Urvashivo Rakshasivo’. In it, the entertainment and talent of the actors got praise. Now Allu Shirish is ready to come before the audience with a new movie.
Allu Shirish & ‘Buddy’
Allu Sirish’s latest movie is ‘Buddy’ (Buddy Movie). The film is being produced under the banner of Studio Green, one of the top production houses in the Tamil film industry. The first look was released today on the occasion of Allu Sirish’s birthday.
Buddy Movie First Look Review: If you look at the first look of ‘Buddy’… Allu Shirish is seen holding a gun. He has a teddy bear next to him. Its look is slightly different. Looking at this poster, it seems that he is targeting the box office.
‘Buddy’ is produced by famous producer K.E. Produced by Gnanavel Raja. Gayatri Bharadwaj and Gokul are playing pivotal roles in this film. Allu Shirish said when the pre-look was released that ‘Buddy’ is not a remake of any movie. Not only the first look… the first video glimpses were also released today. If you see that…
‘What do you do? How do you do it? I don’t need it. As horrible as this death is… everyone who hears it should tremble at home. Watch out properly’ as the voiceover hears… Many masked people (thugs) are seen in the metro. After the dialogue is complete, the ‘Wanted’ poster has a photo of a ‘teddy bear’. Everyone laughs at that. After a while, a door opens behind the person standing in front of the bullies. There is a lot of money in it.
The masked hero says something to everyone who smiles. ‘Don’t underestimate yourself. It has just begun! Soon you will understand’ he says. After that Teddy was introduced. That’s in the metro! The hero (Allu Sirish) who is protecting Teddy from the bullies is introduced. The rowdies were massacred in the metro. With that, the masked hero calls and says, ‘I will come to all the grandchildren in the city’. From there, ‘Why so many people for a toy?’ That’s the question! ‘That doll is not alone. There is one behind it’ was the reply. All in all, Glimpse is interesting.
‘Buddy’ is directed by Sam Anton. The sensational music director provided the hip-hop Tamil music while Reuben handled the editing. Also Stunt Choreographer for this movie: R Sakthi Saravanan, Art Director: Senthil Raghavan.
