Waltair Veerayya Title Song: The film team has released the title song of Waltheru Veeraya. Music director Devisree Prasad has given a powerful tune to this song. It can be understood that this song will come in some powerful action sequence. This song still needs to be released on YouTube.
This song can be enjoyed on music platforms. Chandra Bose has given the lyrics for this song and Anurag Kulkarthi has sung it. Already the songs ‘Nuvu Sridevi If I Will Be Chiranjeevi Avutha’ and ‘Boss Party’ have become chartbusters. Although there was some negativity on the Boss Party song at first, now it is being heard on repeat as well.
This song is sung by Jaspreet Jazz and Sameera Bhardwaj. Devi Sree Prasad has given the lyrics for this too, just like Boss Party. The movie will release worldwide on January 13th during the Sankranti festival. Shruti Haasan opposite Chiranjeevi and Catherine Tresa opposite Ravi Teja.
Chiranjeevi said that the song ‘Nuvvu Sridevi If I Will Be Chiranjeevi’ was shot in the Alps mountain valley on the Switzerland-Italy border in the South of France. He said that the locations in the valley are excellent and he is also very excited to see the beauty of the valley.
Waltair Veerayya
Chiranjeevi said that he could not stop the joy and he himself shot some videos in the locations and shared them. He said that the locations are very beautiful to see but it is very cold there. They said that while shooting the song, they danced hard in minus 8 degrees cold.
The megastar said that it was tough even to take steps during the shooting, but he braved the freezing cold and danced for the happiness of the fans. He said that everyone in the team worked very hard for this song and the song came out very well according to their hard work. He definitely said that the audience will like this song in the movie. Produced by Mythri Movie Makers, this movie stars Shruti Haasan as the heroine. Devi Sri Prasad is directing the music.
DhamakaTeluguMovieReview: Mass Maharaj Ravi Teja came to the audience this year with the movie Khiladi. The movie did not do as expected. After that, he acted in the movie Dhamaka directed by Ravi Teja Nakkina Trinatha Rao. This movie was opened as a mass entertainer. Srileela acted opposite Ravi Teja in this film.
Ravi Teja acted in a dual role in the film. The teaser and trailer of the movie got a lot of crazes. With that, there are expectations about the movie. Amid huge expectations, the film hit the screens on December 23. And has this movie reached those expectations? Or…? Now let’s see…
Glass Onion
Dhamaka Movie Story:
In the movie, Anand Chakraborty (Ravi Teja) is the son of the owner of a prominent company called People Mart. Similarly, Swami (Ravi Teja) is born into a middle-class family. When it comes to the story of the movie, a corporate giant…
Anand Chakraborty decides to take over the People Mart company belonging to his father. He starts fighting to get that corporate company. How will Anand fight the villain? What is Swami’s role in the movie? How does love arise with Srila? That is the story of this movie.
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Dhamaka Movie Analysis:
Ravi Teja brought his energy back to the audience with this movie. Ravi Teja was shown in the movie as fans wanted. Ravi Teja’s energy has not waned when it comes to glamour. Ravi Teja’s two roles in the film are very impressive. Srileela got closer to youth with glamor in this movie.
But there is nothing new in the movie… This movie also feels like watching Ravi Teja’s movies in the past. It would have been better if the director Trinadha Rao, who was a hit with the films of the local cinema show Mama, would have focused more on the story…
Dhamaka
Like most of the films that have come out recently, elements like corporate backdrop… comedy, and family drama are seen in this film. Although the songs and action parts of the movie are good, something seems to be missing. The audience did not get the feeling of watching a new movie.
Music by Bheems Cicerolio is impressive. Both the songs in the movie are good. The rest of the songs are also average. The background music is perfect for Ravi Teja’s mass. In one word, people who like mass movies have a chance to like this movie.
18 PagesTeluguMovieReview: Everyone knows how Sukumar’s stories are… how logical they are… how deep they are. This time also Sukumar presented such a story.
Sukumar’s disciple Surya Pratap directed Palnati. Now Nikhil is in good form with the movie Karthikeya 2. Now he has come before the audience with the movie 18 Pages. And let’s see how the story and stories of this movie are.
18 Pages Movie story
Sidhu (Nikhil) is a software employee. He falls in love with a girl named Preeti. A diary written by Nandini (Anupama) is found at such a time. Sidhu falls in love after reading Nandini’s writings in that diary. Sidhu tries to survive in her lifestyle. But Nandini comes to Hyderabad to cover a man named Ranganath from Sanatana Trust.
And in Hyderabad, Siddique comes across Nandi’s diary. What are the contents of that diary? Why does a gang revolve around Nandini? What is actually on that cover? How will Siddu and Nandi actually meet? What did Sidhu do for Nandini? is the story.
18 Pages Movie Actors Performance
Nikhil played the role of Siddu brilliantly. With heroism and mass elevations, he acted well in scenes that could not be routine. Nikhil played the emotional role of Siddu well. He showed emotions in fights too. Anupama looks new.
Anupama showed the innocence and love of her character on her face. Now Sarayu will be seen in the role of Bhagi till the end. Sarayu got a good role. Ajay, Shatru, and Posani all acted according to their roles.
Glass Onion: A Knives Out Mystery– There was great anticipation behind the making and release of this sequel. The first film, Knives Out, which arrived to us with the title of “Cena con Delitto” was released in cinemas all over the world at the end of 2019, generating huge collections and an excellent response from critics and audiences.
When director Rian Johnson announced his intention to make other films (it was said two, but now it seems that he wants to make others as well) and therefore compose a saga, many studios clashed to be able to obtain the rights.
However, it was Netflix who won, which with a stratospheric figure has grabbed at least this second film and the third one which will be released soon. Three years later, it arrives on the big screen for a week, before arriving on December 23 on the platform, Glass Onion – Knives Out.
Benoit Blanc (Daniel Craig) returns to solve a mystery in Rian Johnson’s new thriller. This new adventure sees the intrepid detective in a luxurious property on a Greek island, but how and why he got there is only the first of many mysteries to uncover.
Glass Onion
Blanc will soon meet a motley group of friends who have come at the invitation of billionaire Miles Bron (Edward Norton) for their annual reunion. Guests include Miles’ former associate Andi Brand (Janelle Monáe), Connecticut Governor Claire Debella (Kathryn Hahn), innovative scientist Lionel Toussaint (Leslie Odom Jr.),
fashion designer and former model Birdie Jay (Kate Hudson) with conscientious assistant Peg (Jessica Henwick), influencer Duke Cody (Dave Bautista) and faithful girlfriend Whiskey (Madelyn Cline). As in all good detective stories, each character has their own secrets and motives, and when the dead man escapes, they’re all suspects.
In this sequel only detective Benoit Blanc returns, played again by Daniel Craig, who if in the previous film was very calm and serious, albeit with a very funny and playful side, while here, also thanks to the tone of the film clearly different from the predecessor, manages to show an even crazier, charismatic and exciting side of the character.
Glass Onion (Knives Out 2) is a very different film than one might imagine, if you watch this second film thinking you are expecting a product similar to the first you will be disappointed; Johnson wanted to create something very different, primarily for the mood; there are many more laughs and many more iconic scenes with many improbable cameos,
and above all if in the other there was a lot of gloom also on a photographic level, this sequel is set in Greece in a perfect summer climate, which favors greater vividness to the colors giving a more lively tone to the product.
Glass Onion
Visually, it feels like it’s made for a platform; many long shots are missing and the focus is mainly on the close-ups of the actors and on a formal level it is a pure Netflix film, it must be said one of the best produced by them.
In addition to a great Daniel Craig who beautifully brings the character back on stage, we find, as in the first film, a parterre of A-list actors and a series of cameos that we do not reveal to keep the secret.
Among the protagonists, Edward Norton who is making a comeback after years of small roles or films that went unnoticed (such as his second directorial Motherless Brooklyn) in a role that fits perfectly for him, to which he manages to give an important style and personality.
Dave Bautista also stands out, also with a hand-stitched part, a magnificent and hilarious Kate Hudson and Janelle Monae who explodes in this film giving a great interpretation. Among others to mention Leslie Odom Jr., Kathryn Hahn, Jessica Henwick and Madelyn Cline, all among the protagonists even if with slightly less present roles than the others.
Rian Johnson, while failing to match his predecessor in beauty and elegance, creates one of the most interesting pop works of the year, which with a duration of 2 hours and 20 manages to entertain and never distract the viewer’s attention.
We can only wholeheartedly recommend the vision of Glass Onion: A Knives Out Mystery, because it is a film made to relax and have fun without necessarily having to turn off the brain. Films of this type will always be welcome and we trust that the great Rian Johnson will be able to carry on this saga in the best way by differentiating it from film to film.
Connect: This year three films starring Nayanthara came before the audience. Among them, ‘Godfather’, which shared the screen with Chiranjeevi, seemed to be a success. And on this Friday, the horror thriller ‘Connect’ was released with her in the lead role. Produced in Tamil by Nayan’s husband Vignesh Sivan, the film was released in Telugu by UV Creations. And let’s see what kind of response this movie gets.
Coming to the story… Joseph (Vinay Roy), a doctor by profession. He is survived by his wife Susan (Nayanthara) with daughter Anna (Hania Nafeesa). Susan’s father was Arthur (Satyaraj). Susan completed her studies with her daughter studying music abroad It advises to do it later.
But due to the spread of Corona there is a nationwide lockdown Proclaiming turns their lives upside down. A doctor who gave life to many people Joseph succumbed to the disease. Anna is with her late father who cannot cope with her father’s death A Ouija board is used to communicate. I said an evil spirit
contains Arthur and Susan approach a priest (Anupam Kher) from Mumbai. That What does the priest do? Arthur, Susan, is the effort accomplished? Is Anna an ordinary man? That is the movie ‘Connect’. Director Ashwin Saravanan chose a very thin line. Like Hollywood movies Screened with short length.
Connect
But over the last four to five decades we have been seeing The movie looks like a collection of horror-thriller movies. There is nothing new. one Except the covid background. If you don’t choose that background, you will get cheated in the first place. Ashwin is here
He gained some confidence as a director with his earlier films ‘Maya, Game Over, Airavatham’. However, the horror and thriller movies that came out 50 years ago scared the audience so much, in today’s technologically advanced era, there is nothing that attracts the audience in ‘Connect’ except for one or two sound effects.
When it comes to actors, Hania Nafeesa who plays the role of Anna does not have much scope to act. Due to the lack of strength in the scenes, there was no chance to showcase the talent in terms of sound. At a time when better horror movies are available on OTTs, the ‘connect’ audience doesn’t have much chance to connect.
‘Top Gear‘ is the latest movie starring ‘Adi Sai Kumar’ son of ‘Sai Kumar’. Riya Suman is acting as the heroine in this movie directed by Shashikant. The film unit, which kick-started the promotions of ‘Top Gear’, which will hit the audiences on December 30, has launched the trailer of the movie.
The trailer of ‘Top Gear’ released by Mass Maharaja Ravi Teja is in action mode. Series of murders, police inquiry, action… All the elements that should be present in a suspense thriller are present in the ‘Top Gear’ trailer. If the same intensity is carried in the movie, Adi Sai Kumar will hit it.
With the launch of Ravi Teja’s trailer, the mass Maharaja fans are supporting ‘Adi Sai Kumar’ saying that ‘Top Gear’ should become a hit. Adi Sai Kumar has done good movies in his starting career but lately, the number of movies is increasing and the content is decreasing.
That’s why there are criticisms that he is doing flops face. It has to be seen whether Adi Sai Kumar will put an end card to these negative comments with the movie ‘Top Gear’.
Stay tuned to 4movierulz for Top Gear Telugu Movie Review.
18 PagesTrailer: The movie ’18 Pages’ is jointly produced by ‘GA 2 Pictures’ and Sukumar Writings. It is noteworthy that this is another film coming in the combination of Nikhil and Anupama Parameswaran after the pan India hit movie like ‘Kartikeya 2’.
This movie is being produced by Bunny Vasu and presented by mega-producer Allu Aravind. Pan India director Sukumar has provided the story for this film starring Nikhil and Anupama. His disciple ‘Kumari 21F’ director Surya Pratap Palnati is directing this film.
The recently released teaser of the movie, the movie’s songs “Nannayya Rasani”, “Time Ivyu Pilla” and the recently released song ‘Edu Karwari Vana’ also got an incredible response. The film’s promotional content is increasing interest in the film day by day. Meanwhile, the makers released the trailer of ’18 Pages’ today as part of the promotions.
This trailer is creating a new feeling. The chemistry between Nikhil and Anupama is beautifully shown along with the stunning visuals. Not only the feelings between the two lovers but also the interesting events of this film have been shown in the trailer.
Dialogues like ‘There should be no reason to love, no answer to why you love’ are impressive in this trailer. The trailer of this film says that this is another beautiful and wonderful love story from the pan-India director. The makers cut the trailer while maintaining the suspense
While all the already released songs of the movie ’18 Pages’ are getting a good response… Now the released trailer is increasing the expectations of this movie. Gopi Sundar has given music for this movie. The movie is going to hit the screens on December 23 as a Christmas gift. The trailer of ’18 Pages’ seems interesting to the people.. and how much the movie entertains the audience, we have to wait.
Stay tuned to 4movierulz for 18 PagesMovie Review.
Waltair Veerayya: Megastar Chiranjeevi starrer Waltheru Veeraiya has huge expectations. The film went into a hype with Mas Raja Ravi Teja sharing the screen with Chiru in this film. Already released, the song is taking social media by storm. Shruti Haasan is acting opposite Chiru for the first time as the heroine.
The film ‘Waltheru Veeraiya’ is being directed by young director Bobby (KS Ravindra). As Chiranjeevi is playing a full-fledged mass character in the style of Muthamestri, the expectations have increased. The makers have announced that the film, which has already completed its shooting and is undergoing post-production work, will be released on January 13 next year as a Sankranthi gift.
As part of the promotions of this movie, the makers of the film released the latest poster of Chiru from Waltheru Veeraiya. The poster of him sitting on the table in the police station wearing trousers and a shirt and wearing a pair of eyes was shared on Twitter.
There is a gun in front of Chiru and a few more guns in a row behind. The small still holding the hand cups in one hand was shaken. Bobby stated that this poster is only a sample and the entire episode related to this is sure to be a hit in the theatres.
Stay Tuned to 4movierulz for ‘Waltair Veerayya’ Movie Review.
DhamakaTrailer: The trailer of the movie ‘Dhamaka’ directed by Nakkana Trinatha Rao starring Mass Maharaja Ravi Teja was released on Thursday evening. It is clear in this trailer that Ravi Teja has styled ‘Dhamaka’ in a way that suits Bani. The trailer starts with “One of the crores…” being heard in the background.
The heroine says that she likes both boys. It’s a twist that both of them look like Ravi Teja! You can see that in the movie. But, there are more charms in this trailer. If you see Ravi Teja’s tears in the song “Chittaka Chittaka…”, you will not be reminded of “Zinthatha Jita Jita…” from ‘Vikramarkudu’.
And through the character of Jayaram, he said, “If we do it to those we want, it is a fraud… If we do it to those we want, it is justice…” Just when you think it’s another twist, another song that captures the pulse of the masses comes “Kotra… Mas Raja… Utake Maar Band Baja…”.
“Mom’s teeth are broken…” says the hero, “Shouldn’t we go to the fruit shop…” Raghubabu said. “I came home yesterday and was grinding my teeth hard. A mass maharaja style comedy is seen saying, “Wadi phudu temmandi…”.
In the end, Mass Maharaja hit a real-life quote, “I am not the one who took care of those behind and came forward… I am the one who set the example that one can come forward even if there is no one behind…”. The trailer of ‘Dhamaka’ is filled with all the elements to impress the masses. Let’s see if ‘Dhamaka’, coming on December 23, entertains the crowd more.
Stay Tuned to 4Movierulz for ‘Dhamaka’ Telugu Movie Review.
Avatar 2: Watching Avatar again today, 13 years after its theatrical release, still arouses those visceral emotions that only a few cinematic works have the strength to evoke. What James Cameron conceived and produced has resisted the passage of time admirably to present itself to today’s viewer as a rare experience, to which unfortunately we are less and less accustomed.
The cinema of recent years has changed profoundly, also thanks to Avatar himself, and although the technological progress has been enormous, the film event capable of leaving a significant mark in the seventh art can be counted on the fingers of one hand. There was therefore great expectation and curiosity towards Avatar The way of water, the first of the four sequels announced.
Now that this film has finally arrived in theaters (the only possible place, this time more than ever, where you can really enjoy it at its best), we can say it: James Cameron has kept all his promises, reaching new impressive artistic goals.
The return to Pandora, that wonderful and wild world where every creature lives in profound harmony and connection with the surrounding nature, is once again configured as an unparalleled cinematic experience, where every element of the mythology created by Cameron is recovered and made to evolve in exciting new forms.
Regarding the plot, without going into too much detail, suffice it to say that Avatar – The Way of Water is set more than a decade after the events of the first film and follows the story of the Sully family, made up of Jake (Sam Worthington), Neytiri ( Zoe Saldana) and their four children Neteyam, Lo’ak, Tuk and Kiri (Sigourney Weaver),
as they encounter new populations and discover extraordinary new habitats on Pandora, as well as confront dangerous enemies from the past. In an attempt to protect each other, like any self-respecting family, the Sullys will soon understand that they can only rely on the love that binds them to each other.
Avatar The way of water and the power of images
It can safely be said that Avatar: The Water Way is the most anticipated sequel of the last decade. This is because the first film represented a significant leap forward in the use of CGI and 3D technology, creating new artistic levels that many of the blockbusters that hit the big screen in the years to come could not fail to inspire, without however equaling those results.
With this second chapter, Cameron had promised, even more, developing technologies that made it possible to realize his very ambitious visions and giving an even superior viewing experience. In particular, the Oscar-winning director had guaranteed that he would witness the most realistic underwater scenes ever made.
The scenes of the film that include the element of water and the exploration of the abyss are actually something never seen before, offering extraordinary attention to detail. The way in which the light filters through the water, the way it wets the bodies of the characters and shakes as they move is a constant source of amazement.
A rare sense of wonder that Cameron manages to bring out from every image of this type, prompting the viewer to wonder how it was possible to achieve all this. Difficult not to feel literally immersed in this environment, enveloped by the images which, thanks to 3D, which has also been taken to a new level of magnificence and of which Cameron proves to be the undisputed master, acquire an even greater fluidity and sense of reality.
What is equally pleasant to note is how Avatar – The Way of Water goes against the logic of many blockbusters and does not forcefully slam everything possible and imaginable in the face of the viewer, with the risk of confusing confusing, but instead offers an experience seductive, engaging, which knows how to dose its elements and towards which one becomes more and more willing.
The action scenes, for example, are never chaotic but always precise in showing what is really needed, boasting a dynamism and staging solutions that offer entertainment and aesthetic beauty with equal weight, generating a healthy emotional tension and amazement which is renewed scene after scene.
Difficult to better describe what Cameron and his team have achieved, as each image seems to ask to be experienced in a direct and personal way. From the cinematography of Russell Carpenter, former Oscar winner for Titanic, to the enveloping sound work (especially relating to the underwater scenes),
Cameron once again reminds us of the power of images and his faith in them and in their communicative value, conceiving forms, colors, and compositions that awaken from years of lazy or, even worse, standardized products, in front of which one can easily become passive spectators.
James Cameron and the art of the perfect blockbuster
There is therefore no longer any doubt, if ever there could have been one, that Avatar – The River Road is the achievement of a new level of cinematic experience in theaters. There were more questions from a narrative point of view, also considering how hastily the first Avatar was branded as a “Pocahontas with blue aliens”.
What was certainly a simple story, based on ever-recurring archetypes, was however linked in a particularly close way to the technological component, which even if it stole the show allowed the viewer to be taken to an uncontaminated territory and to show all its wonders. therefore also proposing itself as an ecological story a few years ahead of today’s trends.
In this sequel, the story written by Cameron together with Rick Jaffa and Amanda Silver (also authors of Dawn of the Planet of the Apes and Heart of the Sea) is configured as more structured, strongly focused on the desire for protection and revenge, but equally as a pretext to tell primarily through images.
Cameron allows himself long digressions during which he can always create new opportunities to show all the beauty of Pandora’s unprecedented environments. These “narrative pauses”, which could hurt the patience of some, are actually functional to connect with what is shown, reflecting on or anticipating the main themes of the film.
In addition to the care for nature and the spiritualism that binds the characters to it, the element of the family takes over here in a strong way. The family declined in several nuances, from the one including blood ties to the less traditional one, which is continuously transformed and renewed.
There is therefore a very strong need on the part of all the characters to feel accepted and recognized for their worth. Avatar – The Way of Water then reworks the great themes of its predecessor to speak to us again of connections, where the community must prevail over the ego and where the bonds between fathers, mothers, and children are really a source of hope for the future, by Pandora-like our world.
Cameron breaks his 13-year cinematic silence to bring to theaters around the world a film that is the perfect example of everything a blockbuster should be, eschewing any easy fix to provide wholesome entertainment, arouse amazement and pure emotion and offer new reinterpretations of our contemporary.
James Cameron creates Avatar – The road of the water a sequel that exceeds its predecessor for ambitions, structure, and artistic goals. In the face of an astonishing aesthetic work for attention to detail and consequent power of the images, a more complex story is approached, moved by dynamics similar to the themes of the first film but here reworked and updated also on the basis of the values of current society. The film, therefore, as a whole is a visual experience that establishes new directions for the future of the seventh art.
