Hanuman: ‘Hanu-Man’ is the debut film from creative director Prashant Varma’s cinematic universe. Talented hero Teja Sajja has completed the shooting of this film. Post-production work is currently underway. As shown in the teaser, ‘Hanu-Man’ is coming with top-notch visual effects. The film was initially slated for a summer release on May 12.
However, it was postponed. The makers say that huge VFX work is the reason for this delay. Talking about this, “The teaser got tremendous response. Everyone thinks that VFX is at par with Hollywood movies. What the audience saw in the teaser was only a sample of the final product.
The recent Hanuman Chalisa with artwork has also received a huge response,” he said. The director-producers have assured that the unlimited love shown by the audience in the teaser of ‘Hanuman’ has touched their hearts, and this has increased their responsibility in the matter of the film.
‘Hanu-Man’ is set up in an imaginary place called Anjanadri. The plot of the film seems to be how the protagonist gets the powers of Hanuman and fights for Anjanadri. As the concept of the movie is universal, it is likely to be a good success worldwide. The film stars Amrita Iyer opposite Teja Sajja as the female lead, Vinay Roy as the villain and Varalakshmi Sarathkumar in the lead role.
The film will be released pan-world in several Indian languages including Telugu, Hindi, Marathi, Tamil, Kannada, Malayalam, English, Spanish, Korean, Chinese, and Japanese. K Niranjan Reddy is ambitiously producing this film on Primeshow Entertainment presented by Mrs. Chaitanya.
Asrin Reddy is the executive producer, Venkat Kumar Jetty is the line producer and Kushal Reddy is the associate producer. Shivendra provided the cinematography for this film while Gourahari, Anudeep Dev, and Krishna Saurabh trio composed the music. Srinagendra Tangala is the production designer.
CustodyMovieTrailer: Yuva Samrat Akkineni Naga Chaitanya and gorgeous beauty Kriti Shetty are in the latest movie ‘Custody’. Kollywood veteran director Venkat Prabhu is making this bilingual movie in Telugu and Tamil languages. Glimpses, posters, and teasers, which have already been released, not only got a good response from the audience but also created interest in the film. The makers have recently released the trailer of this movie which is ready for release.
The trailer of ‘Custody’ started with a warning given by a superior officer that Constable Siva (Naga Chaitanya), who had gone as the CM’s security, was stopped by Chief Minister Kanwav. From there, this two-and-a-half-minute power-packed video is very impressive with interesting scenes throughout.
How is The Custody Movie Trailer?
The trailer tells that the story of this movie is about a sincere police constable who will go to any lengths to find the truth and protect a hard-core criminal in custody. The director’s heroes have already said that this is a story that takes place in 48 hours. With the latest trailer, they have tried to give more clarity about the story and background of the film. Making it clear that there are multiple layers in the movie, the trailer has been cut very well without repeating the scenes anywhere.
Custody
It seems that the point of the hero saving the villain, which has not been seen in Telugu so far, has been highlighted in Custody. On the one hand, the girlfriend who is about to get married against her will, on the other hand, the villain that she has to protect. But who wants to kill the villain? Why are politicians and police following him? What is the real truth behind him? Did the police constable protect the criminal or not? It is interesting.
While Priyamani plays the role of CM, senior actor Arvind Swamy plays the role of a hardened criminal king named Raju. Naga Chaitanya as a simple police constable gives a stilted performance. It is a tailor-made character for him. Chai’s look is also very new to her role. Kriti Shetty impresses as his girlfriend Revathi. Sarath Kumar, Surya, Sampath Raj, Vennela Kishore, and Goparaju Ramana played other roles. Telugu actress Anandi also hinted that she will play a key role.
Custody Movie Technicians:
Ilayaraja and Yuvan Shankar Raja’s background score was the main attraction of Custody. SR Kathir’s cinematography is also good to match the mood of the movie. Rajeevan worked as the art director and Venkat Rajan was the editor. The trailer itself said that the movie has a lot of action. Abburi Ravi has given dialogues like ‘Truth will be late to win but it will win by chance’ and ‘Once you stand by the side of justice and see, your life will change’. The production values are very rich.
Custody film is produced by Srinivasa Chitturi with a huge budget under the banner of Srinivasa Silver Screen presented by Pawan Kumar. This is a movie made at a huge cost in Naga Chaitanya’s career. Also Chaithu’s Tamil debut… Venkat Prabhu’s Telugu debut. It is going to release on 12th May in Telugu and Tamil languages on a grand scale. This action thriller raised expectations with the trailer… Let’s see what kind of success it will achieve at the box office.
The Flash: An editing error in the new international trailer for the new DC film The Flash may have revealed the villain’s true identity and spoiled the film’s key plot twist. The film, directed by Andy Muschietti, will debut in Italian cinemas on June 15, 2023.
[The following article may contain possible spoilers about The Flash. We, therefore, advise against continuing reading to those who do not want a preview of the plot of the film.]
In the new trailer, we see many new scenes, including an animated speech between Barry Allen and the alternate version of him, both played by Ezra Miller. Barry says “Whatever we do, we can never fix it”, while the alternate version of him replies “No, nobody dies!”. In the Italian version of the trailer, this looks like a simple scene between the two Barrys, but in the international version, there is an element not digitally removed that could spoil a key element of the film.
In fact, as you can see in the image below, in the international version of the trailer the other Barry has a pointed scale on his shoulder not present in the Italian (or English) one. This element not removed by mistake has made many fans think that the alternative Barry Allen will transform into the villain of the film: Dark Flash, who in the next scene we see attacking Michael Keaton’s Batman Batwing.
Although there was never a direct mention of the character in the marketing campaign of the film, the merchandising associated with it has already revealed the design of the character with action figures and Funko Pop. The spiky element we see on the other Barry’s shoulder appears to be an unremoved CGI element of Dark Flash’s costume.
This wouldn’t be the first time that an international trailer or social spot has spoiled elements intentionally hidden by the trailers. Just think of the Spider-Man: No Way Home commercial which featured extra frames at the end that showed us the Lizard collecting a fault from an invisible character. In that case, that space was occupied by Andrew Garfield’s Spider-Man, digitally removed from the trailer to avoid revealing crucial elements of the film.
In the film, worlds will collide when Barry uses his superpowers to travel back in time and change the events of the past. But when an attempt to save his family inadvertently alters the future, Barry is trapped in a reality where General Zod has returned, threatening destruction, and with no Super Hero to turn to.
Barry’s only hope is to bring a decidedly different Batman out of retirement to save an imprisoned Kryptonian…. although he is no longer the one he is looking for. Ultimately, to save the world he finds himself in and return to the future he knows, Barry’s only hope is to ‘run for his life’. But will this ultimate sacrifice be enough to reset the universe?
RamabanamMovieReview: Gopichand is a hero who is doing films with a fixed market regardless of success. His last movie ‘Pakka Commercial’ was a disappointment. With this, he came to the audience with the family genre that he liked and Srivas, the director who gave two super hits. He expressed confidence in the campaign that if family films are made in an attractive way, the audience will support them and Rama Banam will definitely be a success. And to what extent was that belief true? How is Rambanam?
Ramabanam Movie Story:
Rajaram (Jagapathi Babu) and his wife Bhuvaneshwari (Khushboo) run an organic hotel in a village called Raghudeva Puram. His younger brother is Vicky (Gopichand). As a child, Vicky runs away from the village after quarreling with his elder brother. Grows up as a big don in Kolkata. There he falls in love with Bhairavi (Dimple Hayati).
Ramabanam
But her father (Sachin Khedkar) puts a condition that he will marry Bhairavi only if there is a family. Vicky comes to Anna after 14 years. But because of businessman GK (Tarun Arora) Anna gets to know that there is a problem. How did Vicky solve this problem? Does Rajaram know that the younger brother is Dan? To know all these things, you have to watch ‘Rama Banam’.
Rama Banam Movie Analysis:
We are not new to the formulaic stories of the hero who left home sometime as a child and comes back to solve the family problems. We have been seeing similar stories since the time of NTR and ANR. Successes are also happening every time connected. Gopichand and Srivas combo who hit two consecutive hits with target and Laukyam also believed in this formula for hat-trick success. But the treatment along with the formula is old which made ‘Ramabanam’ miss its target.
When there was a fight at home, the hero ran away, he went to Kolkata and became a big dog, and then the heroine’s entry. It is a big relief to explain how they fell in love in one song without putting a special love track between the hero and heroine. The comedy scenes did not explode at all. Interval Bang is very powerful. Gullo fight, followed by a warning to the villain… these scenes give a good high.
After the first half, the second half will be equally routine. The cat-and-mouse game between hero and villain is not interesting at all. Goes very smoothly. The placement of songs also affects the flow of the story. The emotional scene before the pre-climax and the climactic action fight that follows is impressive. But it was already too late. But Gopichand fans who come to the theaters for the action scenes will not be disappointed at all.
Ramabanam
Ramabanam Movie Actors Performance:
Gopichand is not new to doing such roles. His looks are impressive. Dimple Hayati, who appeared in the role of Bhairavi, did not have much scope to act. Jagapathi Babu acted well in the role of Gopichand. Jagapathi Babu and Khushboo have good emotions in their roles. Nazar and Tarun Arora played villain roles. All the other actors acted according to the scope of the roles.
Overall… Gopichand and Srivas combination missed the hat trick. For those who think only action scenes are good enough, Gopichand’s hard core fans can give it a look.
The Kerala StoryMovieReview: There comes a point in the story of ‘The Kerala Story’ when the people involved in pushing the girls who have come to become nurses toward terrorism, start feeding them medicine. This drug helps in brainwashing. The first thing that came to mind while coming out of the theater after watching the film was that we too should get this medicine so that we can watch ‘The Kerala Story’ till the very end while sitting in the theatre. If it is said that this film will also work as that medicine for a class, then it will not be wrong!
There has already been a lot of controversy on ‘The Kerala Story’ for telling the story of three girls, the story of ’32 thousand’ girls. But the biggest sarcasm the makers themselves have done on their own film is that after telling the story of ’32 thousand girls’ from teaser to promotion, they wrote a line on the screen at the end of ‘The Kerala Story’.
That is, the makers got the figure of 30 thousand from a website. Now this website is missing from the internet. This makes the makers of ‘The Kerala Story’ want to dedicate one of the very popular memes of the internet world – ‘Aapko Saath Ek Chhota Cho Prank Hua Hai’!
It is a terrible incident for a girl who came to become a nurse to change her religion after being seduced, to get caught in the clutches of a dreaded terrorist organization like ISIS, and to support terrorist incidents. The girl with whom this has happened, first of all, needs to be treated with sensitivity as she herself has been duped in a systematic manner. But ‘The Kerala Story’ first of all seem to miss here.
The Kerala Story
The way director Sudipto Sen has treated the lead character of his story lacks compassion and sensitivity. Rather, the way she gets trapped in this religious conversion and terrorist clutches, makes you feel stupid about the lead character.
Shalini aka Fatima Baa seems to be a character sketch of a girl who does not have an iota of knowledge about her or other religions, even in today’s India, when teenagers are talking about religion on social media. Nor is there any kind of social awareness in him. While watching ‘The Kerala Story’, there comes a time when Shalini’s character begins to believe such things about her friend who is spreading religious hatred that she wants to ask her – ‘Kaun Gola se aayi ho?’
The Kerala Story Movie Story:
‘The Kerala Story’ tells the story of three girls Shalini, Neema, and Gitanjali, who have come to a college away from their home to become nurses. Here he meets Asifa, who is a fundamentalist and gradually it comes to light that she also works to recruit girls for ISIS. With the help of her companions, she starts provoking all three to change their religion. Among the three girls, Shalini is the first to get infatuated with Asifa.
He also falls in love with a friend of Asifa and the further story revolves around the fact that both of them agree to change their religion and get married. Shalini now becomes Fatima Baa. But there is a twist in the story and then Shalini, who has become Fatima, is seen reaching the Iraq-Syria border with her child. What happened and how it happened, ‘The Kerala Story’ is the story of this. Neema and Gitanjali do not reach ISIS directly like Shalini, but they have to bear the consequences in a very sad way right here in India.
The Kerala Story
The Kerala Story Movie Actors Performance:
The work of Ada Sharma, who is playing the lead role in the film, does not impress at all. There is a lack in the writing of her character, but Ada’s expressions and her reactions start getting irritating after some time. She is unable to hold her attention on the screen. In the role of Asifa, Sonia Balani has a typical devilish look on her face, while she had a lot to do in a negative role. The three boys who became Asifa’s friends in the supporting cast also fail to make an impact.
The Kerala Story Movie Direction:
The way Sudipto Sen has directed the story, instead of showing the tragic incidents that happened with a girl in a solid way, more emphasis is placed on criminalizing a particular religion. In places like Iraq, Syria, and Afghanistan, ‘The Kerala Story’ tries to apply the conservative and fundamentalist methods of this religion to the Indian context.
In a scene in the film, Asifa tells Shalini that in the mall where she was molested, all the women except her were completely covered. Here Asifa’s logic is that Shalini, Neema, and Geetanjali were molested in the mall because they were wearing a normal jeans-top. The thing to note is that this mall belongs to Kerala, not Iraq or Syria. Surely no one in India would have seen the way Asifa is saying about all the women in the mall being in burqa or hijab.
This kind of treatment makes the film just an agenda-based story. While the makers continued to say throughout the promotion of ‘The Kerala Story’ that this is the story of the incident with three girls. In such a situation, the focus of the story seems to promote religious hatred more than the story of the girls. And this is the biggest mistake of ‘The Kerala Story’.
‘The Kerala Story’ is the story of girls from a nursing college, but these characters are shown in the class only once in the entire film. All three were not shown in any kind of medical practice, on the contrary, sitting in their hostel room, they keep talking about religion all the time. This kind of treatment clearly shows the inclination of the makers that instead of making a film on a solid story, they are focusing more on promoting the agenda or gathering an audience for the film through controversy.
‘The Kerala Story’ somehow fails to hold the viewer’s attention on the screen.
UgramMovieReview: It is known that Allari Naresh, who gained a good name as a comedy hero, has now changed his route and is doing serious genre films with content. With the movie ‘Nandi’, director Vijay Kanakamedhala showed Allari Naresh in a new way, and the movie became a big commercial success as the audience also became a target of thrill.
Now again he tried to show Allari Naresh in an angry form. From the teaser and the trailer itself, this film seems to be a thriller genre film with good intensity. The audience was shocked to see Allari Naresh in the action scenes. Today this film has been released worldwide. Now let’s see in this review whether this movie met the expectations of the audience or not.
Ugram
Ugram Movie Story:
CI Siva Kumar is an honest powerful police officer in Warangal city. He solves any difficult case very easily. Aparna (Mirna Menon) enters Shiva Kumar’s life. Shiva falls in love with her at first sight, and Aparna also loves Shiva. She opposes her father and marries Shiva. Thus she continues a very happy married life with Shiva for 5 years and gives birth to a child.
But one day, while going out with Shiva, an accident happens to the whole family. In this accident, Shiva loses his memory, and his wife and child go missing. Not only his wife and child, but many people in the city also go missing. What are the challenges faced by Shiva in the process of finding them and bringing them back?
Ugram Movie Analysis:
Director Vijay Kanakamedhala has made sure that the movie is interesting from the very beginning. But such movies should not be added with emotions and shouts. The screenplay should be written so that the flow continues. Even if it is not necessary for cinematic freedom, if commercial elements are added, the content of the movie will be damaged. This is the mistake made by Director Vijay.
In the past, he made this film with Allari Naresh, ‘Nandi’, taking into consideration similar aspects and shooting this film very carefully. The result was also amazing. The storyline is very good, and some scenes are thrilling, but the film would have been different if cinematic liberty had been taken aside.
Ugram
Allari Naresh as an ACP Sivakumar does a great job and it must be said that he shows his universal form in the action sequences. But his looks are not right in some shots. The fights are very well done, everyone must feel while watching this movie whether the original Allari Naresh has so much mass.
He did it in that range and Mirna Menon who played the heroine also seemed to be okay. The cinematography is good and Sunshine company also made this movie without compromising on the quality. If the excessive fight scenes and unnecessary sentimental scenes were removed, this movie would have been a big blockbuster in the summer.
Ugram Movie Actors Performance:
Allari Naresh entertained the audience in police roles. His transformation for the film is impressive. No one remembers his comedy angle of him when he is convinced and acted in this role. Allari Naresh’s body language and expressions are very good in this. Amapuna acted well as Naresh’s wife. It can be said that Indraja in the role of the doctor is also impressed by the other actors.
Last word:
On the whole ‘Ugram’ can be said to be an average cop thriller. You can see once for Allari Naresh.
Guardians of the Galaxy 3 is the latest, highly anticipated chapter in the adventures of Marvel heroes. In cinemas on May 5, 2023, directed by James Gunn, starring Chris Pratt, Zoe Saldaña, Dave Bautista, and many others.
Fasten your seatbelts, the 90s have arrived. No one dares to question the centrality of music in the thematic, narrative, and sentimental architecture of the trilogy; the fact that Guardians of the Galaxy: Vol 3 – written and directed by James Gunn and in cinemas on May 5, 2023, for The Walt Disney Company – begins with an acoustic version of Radiohead’s most famous piece, it is from 1992 and is called Creep, shows us how much the film’s emotional center of gravity has progressively moved towards more mature and introspective territories.
Guardians of The Galaxy Vol. 3
In fact, for everyone involved in the project, the super cast includes Chris Pratt, Zoe Saldaña, Dave Bautista, Karen Gillan, Pom Klementieff, Sean Gunn, Chukwudi Iwuji, Sylvester Stallone, Elizabeth Debicki, Will Poulter and it just ends there for do not overload the mnemonic archives of the reader, they are not really great. It also applies to the voice actors, i.e. Bradley Cooper, Vin Diesel, and Maria Bakalova. Alternative rock is a nice word, but we must not forget that this is a Marvel film and there is a limit beyond which you cannot go when you go hunting for sophistication. Unless your name is James Gunn.
Explain the film by means of Radiohead. The almost grunge of Creep is a symbol of the 90s counterculture, of course, but Radiohead has never been just any band, rather the Beatles of alternative rock, just as the success of the song has never been a matter of niche and lucky few. Thom Yorke avoided singing it for years, giddy with a popularity he feared might lead him astray.
Fortunately, he changed his mind, but it is precisely in the contradictory nature of the piece, commercial and on the margins, that the ambition of Guardians of the Galaxy: Volume 3 is reflected. Complicating things, weighing down personalities, and deepening relationships, without forgetting color, feeling, and humor. The split personality: mainstream and alternative (again, within the limits of the Marvel universe) at the same time.
On balance, it works, which Marvel has to worry about a bit. Because as James Gunn does, the cinecomic, there are few. He now works for the competition, so that the film is loaded with another layer of melancholy. The long farewell of a director, a team of heroes, an imaginary. Will it really be like this?
Guardians of The Galaxy Vol. 3
Guardians of the Galaxy 3: it’s time for Rocket, while the Guardians have a bad quarter of an hour
Don’t ask what Guardians of the Galaxy: Volume 3 is about because the theme is pretty much the same as every commercial film made in the last 130 years. The family. The point is that the trilogy and the single chapter work decently on the subject, better than many others because James Gunn knows how to treat it right.
First of all, he chose an acquired family, not built on blood and the imponderable arbitrariness of circumstances; the Guardians are the family you choose, not the one you inherited, even if you inevitably have to deal with the latter anyway. Secondly, he understood that yes, it’s true, a successful family is one that knows how to harmonize differences.
The difference is the keyword. The Guardians are a very heterogeneous group, they have different histories, personalities, and abilities and it is ridiculous to think of making them one. Harmony here does not mean diluting the originality of the characters, nor exalting difference for the sake of difference. The magic, the harmony of a family at work, is the casual, providential interweaving of many different beats in a common will and feeling. Ironically, this happens already at the beginning of the film. For once, the Guardians are immediately on the same wavelength. Depressed.
Star-Lord, for earthlings Peter Quill (Chris Pratt,) drinks because Gamora (Zoe Saldaña) is back but she doesn’t remember him, she no longer feels anything and wants nothing to do with it. Gamora is a Ravager alongside Stakar Ogord (Sylvester Stallone) and she no longer hangs out with the Guardians. Nebula (Karen Gillan) has the usual bad temper, and Groot (in the original Vin Diesel) hones his oratory skills with obvious results.
Mantis (Pom Klementieff) tries to keep the team together but struggles, especially with a head as hard as Drax the Destroyer’s (Dave Bautista). Kraglin (Sean Gunn) argues with the dog, whose name is (the original voice is by Maria Bakalova). The place where the characters are stranded is called Knowhere and it’s all a program. A bad quarter of an hour for everyone, especially for the real protagonist of the film. Rocket (Bradley Cooper).
Guardians of The Galaxy Vol. 3
Rocket isn’t feeling so well. Literally, a victim of the brutal ambush hatched against him by Adam Warlock (Will Poulter) – welcome to the Marvel universe – committed by “mother” Ayesha (Elizabeth Debicki) on behalf of the High Evolutionary (Chukwudi Iwuji), a debauched intergalactic fascist who through a reckless work of genetic manipulation pursues the dream of a perfect society, light years away from chaos, corruption, and imperfection.
He called it Controterra, his delusional and defective fantasy. Rocket knows her well because he grew up alongside the Evolutionary. A good part of Guardians of the Galaxy: Volume 3 is dedicated to the reconstruction of the traumatic (understatement) childhood of the talking raccoon. To reveal traumas, regrets, and excruciating pain. And shed light on the reason for an adorable but bristly character, not always welcoming.
Rocket is the tip of the balance of the film. Saving him, protecting him from the dark aims of the High Evolutionary, and rebuilding a strong sense of family even in the face of death, pain, and the trauma of abandonment is the heart of the story. The important thing is to find a way to laugh even in the darkest hour. Fortunately, James Gunn hasn’t forgotten that his cinecomic travels on colorful and positive vibes. Also on a lot of beautiful music.
James Gunn’s sense for the cinecomic
It really feels like saying goodbye to a band you really loved; melancholy, warmth, and at the same time the impression that the conversation stopped at the right moment. The Guardians are the quintessential Marvel Cinematic Universe, for many reasons. Because their lateral, non-mainstream nature made them perfect characters to experiment with a different approach to comic book storytelling: popular heroes, of course, but Spider-Man is something else.
Which granted more leeway than heroes and narrative paths crushed by the weight of unwieldy expectations. The most striking thing about Guardians of the Galaxy: Volume 3 is the naturalness with which the film makes the most important dynamics and relationships adult and mature, without sacrificing a consolidated appeal made up of laughter, action, and lots of feeling.
An extended and very deranged family once again fights for what they believe in, with imperfect heroism that facilitates the viewer’s identification. This time the greatest test of love is letting go of the people you love, no matter how bad it may hurt, because it’s right. The end approaches.
James Gunn seems to really believe in the possibilities and rewards of the genre. Compared to the most prestigious visions of recent years, not only in the Marvel arena, from Sam Raimi to Ryan Coogler, from Christopher Nolan to James Mangold, his singular strength is a boundless devotion to the genre.
That is to say that James Gunn, unlike many illustrious colleagues, does not pour his poetics on superhero cinema, interpreting it as a passing stage within a wider path that embraces a thousand different stories, no, he lively incarnation. The first, authentic, cinecomic author in the history of American cinema.
He is the only one, for now, to have decoded the rules of the game to a very high level of approximation. A courageous and overall paying choice, in this third chapter, is to have deviated from general expectations from what would have been the most obvious course of action, the problematic relationship between Gamora and Star-Lord, preferring to focus on the dark, dark Rocket’s background.
Obviously, there is no authorial vision or artistic temperament that he holds, or at least can overcome the structural drawbacks of the Marvel product, that is to say, a general impression of pleasantness that prevents scratching the surface of things. In addition, the unusual density of the texture prevents total and guaranteed satisfaction at the end of the ride; that is to say that not everything is treated with the same attention and is of the same degree of effectiveness.
Marginal notes, in the context of a space adventure that plays with the past and present of the saga without contradicting itself, fueling more than one question mark about the future of the characters but never forgetting to entertain, in a warm and spontaneous way. Rarely, at this level, does a film have so much heart.
Heatis OnMovie Review: Movies in the suspense thriller genre are always interesting. It was in this sequence that the movie Heat came out. This movie has hit theaters today. The movie also hit theaters this Friday at a time of tough competition. And what is the story of this heat? How did the story go? Will people like the movie? Or? Let’s take a look at that.
Heat Movie Story:
Abhi (Vardhan Gurrala) and Cyril (Mohan Sai) are best friends. He runs his own company. There are some problems with a man named Stephen in the case of the Malaysian project. In this sequence, Cyril marries his beloved Aaradhya (Ambika Vani) in the church. Aaradhya’s elder brother Rudra is furious because of the inter-caste inter-religious marriage. He wants to kill them. Cyril and Aradhya disappear in this episode. What about Abhi’s efforts for his friends? What kind of situations did Abhi face? Who is this Michael? What are the problems caused by him? That is the story.
Heat Movie Actors Performance:
The story revolves around four characters: Abhi, Cyril, Michael, and Aara. In this, Abhi keeps running throughout the film. Abhi’s performance in trying to save his friend is impressive. He pleases in emotional scenes. Cyril seems okay with the role in terms of the story. The heroines Sneha Khushi and Ambika Vani are impressive. And Vamsi Raj in the psycho and sadistic role of Michael does not seem to matter. The rest of the characters are pleasing to the extent of their scope.
Heat is on
Heat Movie Analysis:
Suspense and thriller genres are always liked by a section of the audience. But in such stories, there is a psycho-sadistic character.. the hero and heroines get problems because of him.. but the way the psycho character is brought before the audience, the flashback of the psycho character is also common. That is the common point of such movies. But will there be any new story or narrative in them? People are watching with interest.
The story of the film Heat is not much new in terms of story. As the scenes seem to be running, you may not feel bored. The director has succeeded in running the story like that. The whole first half is suspenseful… Why are the murders happening… Who did them? The director has succeeded in making the audience engage in the film by raising questions like why the hero is included.
In the second half, the movie seems to slow down a bit. There is a chance that people can sense the twist coming in the pre-climax. The hero wins over the villain. The climax ends as everyone knows. Technically, this movie seems to be okay. RR elevates scenes here and there. All this movie takes place in one night. The night visuals are well done by the cameraman. Editing seems fine. Build values are good.
Mark AntonyMovieTeaser: Tamil action hero Vishal recently came to the audience with the movie Lathi. However, the film did not do well at the box office. Vishal is currently acting in the movie ‘Mark Antony’. While Ritu Varma is playing the heroine in this movie, SJ Surya, Sunil, Selvaraghavan, Abhinaya and others are playing the lead roles. Looking at the posters that have been released so far from this movie, everyone thought that Mark Antony is going to have a raw and rustic story.
But this is going to come before the audience with a time travel concept. Makers recently released the teaser of this movie. A phone makes time travel possible. But the film was made with the concept that if it gets caught by the gang stars, they will have to face problems. Vishal is doing a dual role in this movie. The teaser looks very new. In the teaser, all the actors are seen with 90’s getup and present dressing styles. If you look at this, it will be a time travel story between the ’90s and ’90s.
Adhik Ravichandran is directing this movie. S Vinod Kumar is producing this film under the Mini Studio banner. Music is composed by GV Prakash Kumar. More updates about this movie will be given soon. Meanwhile, Vishal is directing the movie ‘Detective 2’ under his own direction. The detective film released in 2017 became a super hit in Telugu and Tamil languages. The film is likely to release in August this year.
VidyarthiMovieReview: Chetan Cheenu and Bunny Vox’s combo Vidyarthi hit the theaters today. Directed by ‘Madhu Madasu’, this movie is produced by Alla Venkat under Mahas Creations banner. The already-released teaser, trailer, and songs have all raised expectations. And now this movie is buzzing in theaters. Let’s see how this story and stories are.
Vidyarthi Movie Story:
An orphan Chaitanya (Chetan Cheenu) is an agriculture student. And Mahalakshmi (Bunnyvox) is the eldest child. This Mahalakshmi was the only daughter of Bhupati, a big family in that town. Chaitanya and Mahalakshmi become classmates and friendship and love begin. Satyam attacks Mahalakshmi to take revenge on Bhupathi. Will Chaitanya be able to get the girl he loves in such revenge? Can he save his love? Did the real adults accept that love? What is Raghubabu’s role in this story? is the story.
Vidyarhi Movie Analysis:
Hero Chetan Cheenu looks very good as the boy next door. He acted so well. He was impressive in all the emotional and action scenes. Bunny Vox looks cute as long as it looks. Impressive not only in terms of looks but also in acting. Naveen Neni, Yadamma Raju, Raghu Babu, and TNR have done justice to their respective roles.
Vidyarthi
Caste and religious discrimination and fights are seen all the time. Director Madhu Madasu has chosen such a sensitive topic. In his own style, he tried to show how many innocent people are being victimized by the madness of caste religions. The way the director tells the story through the storyboard itself in the opening of the movie impresses everyone.
In the introduction song, the scene where Mahalakshmi (Bunnyvox) is revealed in the entry college is good, telling the way of thinking of the students. College scenes, love songs, and the chemistry between the two are pleasing on screen. Conversations and dialogues in college are tear-jerking. Yadamma Raju’s comedy seems okay. Although the scenes lag in some places, the director impresses with his screenplay. Climax scenes are emotional.
Editing by Bonthala Nageswara Reddy is good. Songs by Vijay Bulganin, RR is pleasing. Kanna’s PC photography looks ok. The film’s production values seem rich.
